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Item description
A photograph of the upside-down triangular window of a cream coloured fabric tent. The tent has bright red stitching. Two red strings hold the fabric window shade up and out of the way, revealing the small wooden table and chair inside. In the tent wall opposite from this are two other triangular windows, but one is also upside-down and the other is not.
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Tent (post-nomadic) 2

Greg Shelnutt

It just came to me. I had this nascent thought: a tent. I've learned to listen to these thoughts, to trust the "discovery through making" and to seek to ignore the disquieting voices of self doubt that regularly tell me how much I suck an can't go shit, or that all my best work is behind me. Sure, I know this intellectually isn't true (most of the time), but emotionally, it's a real issue. Not just for me, mind you: I reckon it's the human condition. [Look at Natalie Goldberg's "The Trouble with the Editor," from Writing Down the Bones; gospel!

I worked on this piece over the course of one and a half years over the course of the pandemic. It's a quintessentially pandemic piece: during the early stages, while we we in a more strict lockdown, it was a form I could do at home: I had fabric & a sewing machine, and I could work in my living room. I also converted my garage into a welding and woodworking studio.

Too, I listened to a LOT of WXPN (out of Philly) radio and a lot of podcasts, especially Alie Ward's Ologies. Those two things and making art got me through. Actually, as a tenured faculty member, I was hugely fortunate to have a stable income and a very supportive university. I actually got much more time in the studio being out of the office.

These were also processed I could work on with Covid-19. Sewing wasn't too taxing, so I did it through out the several weeks of my illness (with a lot of naps, too, mind you).