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Item description
An abstract linoleum print, proofed with black ink and carved to reveal details in white. The top portion has a person sitting in a windowed room, holding a chain for an anchor that reaches down to the bottom. Next to the windowed room is a cloud with the figure of a person’s airways and lungs filled with white dots coming from the wave of water next to it. The wave overlaps a bar graph. Beside the wave, a plane labeled with the word “patriots” in capital letters flies upwards, and a COVID mask falls from the open plane door. Beneath the top portion is a sea, where a boat moves towards the windowed room with a banner on top of it that reads “help us” in capital letters. The large figure of a person with visible muscle tissue and internal organs swims towards a pulled drain plug. Underneath the scene to the left is a sign that has different recreational activities crossed out with a prohibition symbol. The chain from the anchor held by the person in the top left ties down a large heart filled with different symbols of life. A school bus drives down a road next to the sea, stopped by a barrier. A yellow duck and ducklings in COVID masks stand on paved ground next to the road.
Image 2020

Covid Chronicles 1

Ellen Shattuck Pierce

Linoleum is a sketchbook for me, a meditative place. Making a linocut allows me to slowly carve lines that are very certain in this uncertain time. Since March 16th 2020, I have created imagery related to the Covid pandemic, resulting in the Covid Chronicles, a series of sixteen relief carvings. The carvings, each measuring 18” by 24” , chronicle my experience of the Covid19 pandemic in Boston, Massachusetts and its wider impact in the United States. In this brief essay, I will explain how the making of Covid Chronicles pushed my printmaking to be a social practice and source of healing.

As a mother and a public school art teacher I have had a window through which to view the pandemic’s effect on families’ lives. With the pivot to online teaching, I zoomed into two hundred and thirty homes to teach art to kindergarteners through fifth graders. Making the linocuts gave me some sense of agency. By recording the pain, anxiety and grief I witnessed, I aimed to escape despair and make sense of the chaos.

Nearing what we are starting to hope will be the end of the pandemic, the series serves as a remembrance and a validation of our shared experience. Additionally, it can be read as a cautionary tale of what we hope not to repeat when the United States faces its next pandemic.