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  • A close-up of a white sheet with the imprint of a man's chest, foot, arm and hand in black paint. There are variations of the same face at the top with different expressions. The imprint on the left has glasses and appears sad, the imprint on the right has an angry or disgusted look with his teeth clenched.
    Tetramorph 4
    03172022-1d
    prints (visual works)
    Spanish
    Juan Camilo Castro
    Image
    Bogota, RAP (Especial) Central, Colombia
  • A close-up of a white sheet with the imprint of a man's leg and hand in black paint.
    Tetramorph 5
    03172022-1e
    prints (visual works)
    Spanish
    Juan Camilo Castro
    Image
    Bogota, RAP (Especial) Central, Colombia
  • A soft, oil painted portrait of a person facing the right against a muted background. They have fair skin and brown hair; part of their hair is pulled up around their ear and clipped up in the back. They are wearing a black tank top.
    Vaida
    08092022-1a
    oil paintings (visual works)
    English
    Image
    Cape Cod -69.9960655 41.7987588
  • A soft, oil painted portrait of a person against a muted blue background. They have dark skin and black hair parted to the right side. They are wearing a large, white sun hat and an off the shoulder pink shirt. They are holding a bouquet of yellow and white flowers.
    Johanna
    08092022-1b
    oil paintings (visual works)
    English
    Image
    Cape Cod -69.9960655 41.7987588
  • A soft, oil painted portrait of a person against a tan background. They have fair skin and shoulder length black hair, a blush covers their features and reddens their lips. They are wearing a blue tank top.
    Gazelle in Summer
    08092022-1c
    oil paintings (visual works)
    English
    Image
    Cape Cod -69.9960655 41.7987588
  • An oil painting of a country plain. Patches of brown dirt and greenish-yellow grass surround light blue water, like a marsh. Lining the background are tall green trees. A blue sky fills the remainder of the canvas.
    October in the Provincelands
    08092022-1d
    oil paintings (visual works)
    English
    Image
    Cape Cod -69.9960655 41.7987588
  • An oil painting of a waterfront scene. To the left, tall grass moves as if it’s blowing in the breeze. Greenish-blue water that turns white with foam laps onto a sandy shore. A cloudy blue sky fills the top of the piece.
    November on the Cove
    08092022-1e
    oil paintings (visual works)
    English
    Image
    Cape Cod -69.9960655 41.7987588
  • An oil painting of a country scene. In the foreground are patches of green and yellow grass surrounding patches of dirt. Towards the top left are two green trees on the grassy ground. Towards the top right is a blue lake with a small green bush in front of it. Behind the lake are small brown structures. At the top of the piece is a light blue and yellow sky.
    Newcomb Hollow
    08092022-1f
    oil paintings (visual works)
    English
    Image
    Cape Cod -69.9960655 41.7987588
  • An oil painting of an underwater landscape. A yellow and black sea turtle takes up the left side of the canvas, its arms moving in a swimming motion. Below the turtle is the white, sandy ocean floor and various underwater plants, anemones, and corals in shades of bright blue, yellow, and orange. Other rocks and plants on the ocean floor are brown, green, and pale red. The deep blue of the sea fills the remainder of the piece.
    HEY HUMANS
    08102022-1a
    oil paintings (visual works)
    English
    Image
    Miami -80.19362 25.7741728
  • A mixed media oil painting. At the top center is the image of a white sign with the bold black words “black lives matter” in capital letters. Underneath the sign are images of Black Americans that have had their lives taken by police brutality, and pictures of protestors from Black Lives Matter protests, some holding megaphones and illegible signs. A smaller “black lives matter'' sign in capital letters is in the bottom left corner. Layered over the images are strokes of red and white paint with a splotch of blue to the left, and white specks like an abstract American flag. The American flag pattern continues over and over throughout the piece.
    Red, White, Black and Blue
    08102022-1b
    mixed media works
    English
    Image
    Miami -80.19362 25.7741728
  • An oil painting of a mountain and surrounding scenery. Light and dark green pine trees of similar height cover the foreground of the piece. Past the trees to the left side is a snowy ground, and the right is filled with the light blue of water. In the background are tall green and gray mountains and a white glacier. Above the mountain and glacier is a light blue sky with wispy clouds moving to the left side.
    Serene Frontier
    08102022-1c
    oil paintings (visual works)
    English
    Image
    Miami -80.19362 25.7741728
  • An oil painting of a vibrant interior. The tall walls of the hallway are a bright yellow, with two doorways on each side in a muted purple. Light gray picture frames are placed on either side of the right doorway. Magenta colored bricks line the floor, leading to an opened doorway with an arched window on top, light shining through the window and reflecting onto the ground. Past the opened door is a terrace filled with bright greenery, a tree, and a plant in a yellow pot with red flowers.
    To the Terrace
    08102022-1d
    acrylic paintings (visual works)
    English
    Image
    Miami -80.19362 25.7741728
  • An acrylic painting done on linen of a turbulent sea swallowing the Statue of Liberty. The green crown and outstretched hand with the torch peaks out from the violent waves. The whiteness of sea foam splashes up around them from the dark blue and black waves violently crashing in the water. Above the sea is the twisting darkness of storm clouds, a white lightning bolt striking close to the statue’s crown.
    State of the Nation
    08102022-1e
    acrylic paintings (visual works)
    English
    Image
    Miami -80.19362 25.7741728
  • Two terracotta sculptures on a work surface. The sculpture towards the top left is cut in half and hollowed out. Both sculptures are shaped like vases, with the top of the sculpture being a head that has two shut eyes, lips, and hair in a braid that rests at the front.
    Matreshka 22 1
    08112022-2b
    ceramic ware (visual works)
    English
    Image
    Chicago -87.6244212 41.8755616
  • A terracotta sculpture on a work surface. The sculpture has a head with two shut eyes cut out into curves, and a parted mouth with small strips of clay that resemble teeth. The body of the sculpture resembles a vase-like shape.
    Matreshka 22 2
    08112022-2c
    ceramic ware (visual works)
    English
    Image
    Chicago -87.6244212 41.8755616
  • A terracotta sculpture on a work surface. The sculpture is cut open and hollowed out. The top of the sculpture has two eyes, lips, and hair that's parted into two braids that rest in the front.
    Matreshka 22 3
    08112022-2d
    ceramic ware (visual works)
    English
    Image
    Chicago -87.6244212 41.8755616
  • Three terracotta sculptures standing up. The sculptures are of varying height with the tallest positioned in the back, the second tallest to the front right, and the shortest to the front left. Each sculpture has a rounded head and a face with two circular holes for eyes and a large, grinning mouth with holes separated by thin strips of clay to resemble teeth. The body of the sculptures are slightly wider than the head and taper in at the bottom. The textures and lines from sculpture-making tools are visible on the body of the sculptures.
    Matreshka 22 4
    08112022-2e
    ceramic ware (visual works)
    English
    Image
    Chicago -87.6244212 41.8755616
  • Six terracotta sculptures on a work surface. Three sculptures to the left are laying down while three to the right are standing up. Two of the sculptures on the bottom have detailed faces and hair pulled into braids that rests in the front. The three sculptures standing up and the remaining sculpture laying down have two holes for eyes and large grins with holes and thin pieces of clay that resemble teeth.
    Matreshka 22 5
    08112022-2f
    ceramic ware (visual works)
    English
    Image
    Chicago -87.6244212 41.8755616
  • A head sculpted out of terracotta, on a stand. The sculpture is realistic with the person sculpted being bald, having a wide nose and thick lips. Their eyes are gazing left. The sculpture is lit harshly from the right with the shadow of it falling towards the left.
    Head in terracotta
    08112022-2g
    terracottas (sculptural works)
    English
    Image
    Chicago -87.6244212 41.8755616
  • A terracotta sculpture of two arms held up, the hands grasping two different words. In the first hand is the word “whats” and in the hand behind is the word “app” sculpted in capital letters.
    Whatsapp
    08112022-2h
    terracottas (sculptural works)
    English
    Image
    Chicago -87.6244212 41.8755616
  • An acrylic painting depicting an anatomically correct heart. The heart has a tan bandaid at the top, and two horizontal cuts towards the bottom. One of the cuts is stitched with gray, vertical stitches. A pale hand holds a needle and thread between its pointer finger and thumb, creating ‘x’ shaped stitches through the second cut.
    To Mend a Broken Heart 1
    08112022-3a
    acrylic paintings (visual works)
    English
    Image
    North Carolina, USA -79.0392919 35.6729639
  • An acrylic painting depicting an anatomically correct heart. The heart has a tan bandaid at the top, and two horizontal cuts towards the bottom. One of the cuts is stitched with gray, vertical stitches. A pale hand holds a needle and thread between its pointer finger and thumb, creating ‘x’ shaped stitches through the second cut.
    To Mend a Broken Heart 2
    08112022-3b
    acrylic paintings (visual works)
    English
    Image
    North Carolina, USA -79.0392919 35.6729639
  • A six-panel comic drawn in graphite on off-white paper titled “Leverage, explained”. Panels 1 through 4 and 6 are the same size; panel 5 is twice as tall.

Panel 1: A man struggles to lift a large ball. Three tiny stick-figure people watch in the distance.
Panel 2: The ball has been placed on a horizontal scale. The man holds it level on the other end. The stick figure crowd is still watching him.
Panel 3: The man begins to push down on his side of the scale, lifting the ball slightly. The stick figure crowd is growing, pointing at and filming him.
Panel 4: The man is straining to lift the ball higher. The crowd of spectators continues to grow. Three of them have joined the man; two hang by their hands from the handle of the scale, and a third sits on top of it.
Panel 5: The man has lifted the ball high into the air; too high. He watches in horror as it begins to roll back down the scale, towards him. His stick figure helpers have either fallen off the edge of the scale handle or cling to it to stay on. More have joined to watch. Below the ball, a taller, thinner second person is standing and watching the man with a lit cigarette in his hand.
Panel 6: The man has been squashed by the ball. The scale lays toppled over in the background. Most of the crowd of spectators have been knocked over, and the few left standing watch in horror or flee. The second person watches on with their back turned.
    Leverage, Explained
    03212022-2a
    panels (comics)
    English
    R.C. Barajas
    Image
    Northern Virginia, United States of America
  • A pen-drawn two panel comic on off-white paper titled “Today’s comics… Day… & Night”. In the top panel, several cartoon people of various sizes are reading newspapers. The largest among them is a woman looking sadly down at her newspaper. Above her head, a swirled thought bubble rises and expands to form the frame of the panel. In the bottom panel, the woman lies awake in bed in the dark, eyes wide and hair messy, grabbing the bed sheets. A clock on her nightstand reads “2:30”. The binding of the sketchbook goes vertically up the left edge of the page.
    Day & Night
    day-night
    panels (comics)
    English
    R.C. Barajas
    Image
    Northern Virginia, United States of America
  • A black and white photogram of two abstract silhouette faces facing each other, their mouths open. The faces are dark and two-dimensional, with white holes for eyes. Their heads are filled with spiky, three-dimensional objects that appear x-ray like.
    Debate
    debate
    photograms
    English
    R.C. Barajas
    Image
    Northern Virginia, United States of America
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