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A pen-drawn two panel comic on off-white paper titled “Today’s comics… Day… & Night”. In the top panel, several cartoon people of various sizes are reading newspapers. The largest among them is a woman looking sadly down at her newspaper. Above her head, a swirled thought bubble rises and expands to form the frame of the panel. In the bottom panel, the woman lies awake in bed in the dark, eyes wide and hair messy, grabbing the bed sheets. A clock on her nightstand reads “2:30”. The binding of the sketchbook goes vertically up the left edge of the page.

A black and white photogram of two abstract silhouette faces facing each other, their mouths open. The faces are dark and two-dimensional, with white holes for eyes. Their heads are filled with spiky, three-dimensional objects that appear x-ray like.

A 2-point perspective drawing of a cityscape drawn in shades of brown and black ink on white paper titled “Disconnect” in the lower left corner. From the bottom left to top right corners, a road lined with cracked sidewalks leads into a city. Where the road reaches the city, there is a “road closed” sign, and on the road beyond it stick figure people are biking and playing. Outside the city, on the left, are several vacant lots and a large hole in the ground. Inside the city are many large buildings covered in windows.

Pictured in black and white is a person sitting on a table against a black backdrop. The person is turned away from the camera, looking down over their right shoulder. Their long hair falls down their back and over their shoulder, covering their body and so long it reaches the table. They wear many bracelets on both wrists and are resting their hands on the surface of the table.

A one-page comic titled “”Me” as a Character”. The cartoon character is drawn six times throughout the page. She has short hair and is shaped slightly like a bell. In the top left of the page, she is facing forward and saying “So hello all- this is me. I was not easy at all. It took my real version - my 3D version - many tries to get me looking like this. It's not quite right, but there you are. It is what it is and I am what I am, I suppose”.

A black and white drawing of a large doll in a cluttered room. The room is three-dimensional, narrowing to a back wall, and the doll is sitting towards the front, next to a door. The doll is wearing a flowered shirt and polka-dot underwear. Its left arm is dislocated and lying on the floor in front of its legs. On the right wall is a poster of the doll with partially visible text; the top says what might be “every girl wants a” and the bottom says “fully” in small text above a word that begins with “articul”. There is a box of toys on a shelf in the background.

A six-panel comic drawn in graphite on off-white paper titled “Leverage, explained”.

Pictured in black and white is a person with their back turned and their head looking to the side so their face is in profile against a gray background, pictured from the shoulders up. The person has light hair pulled up in a ponytail and a light beard. They are wearing a dark collared shirt patterned with small irregular ovals.

A one-page ink and watercolor comic titled “No one home”. The top half of the page is taken up by a comic book style woman in a blue dress gesturing and saying “Have you wondered why it's so hard to come up with ideas when you finally sit down and really try to draw something? Why your mind goes totally fucking blank right when you’ve carved out this precious time to “get creative” and really get to work on all this shit you’ve been trying to improve upon?

An ink and watercolor painting titled “Sidney’s Happy Birthday Cake”. With a city skyline in the background, a bald man with stubble on his face is sitting on a brown bench surrounded by greenery. He is wearing a yellow jacket, a tie, polka-dot white shorts, and is clutching a pink cake. The cake is oozing onto his left hand, which is holding the side of the cake, while his right hand rests on top of the cake.