Creativity in the Time of COVID

Search

Suggestions: video, installation art, audio

Browse the collection

Image 1970

Five of Pentacles

The themes of my creativity during the pandemic were domestic spaces and objects, revisiting unresolved works, and protest. During COVID-19, I spent much of my time when I was not at work producing works at home for my artist-in-residence group exhibition in October of 2020.

The "Five of Pentacles" was created for the Interpretations exhibition at the Columbia Art League, created as an interpretation of a poem written during the time of the pandemic when news of the vaccine was coming out.

Date

January 1, 1970

Rights Statement

https://creativecommons.org/licenses/by-nc-sa/4.0/

Full Metadata for Five of Pentacles

Type

representative image

Subject

paintings (visual works)

Title

Five of Pentacles

Identifier

08302022-2j

Temporal Coverage

January 1, 1970

Date Submitted

January 1, 1970

Language

English

Spatial Coverage

St. Louis, MO -90.1910154 38.6280278

Rights

https://creativecommons.org/licenses/by-nc-sa/4.0/

Related Items

Van Gogh Study

An abstract, mixed media artwork of many red, blue, black and green circles. The circles are around the same size, some slightly larger or smaller, scattered tightly together and over each other engulfing the piece. The background has red, blue and green splotches on top of a green map.

Untitled 1

An abstract, mixed media artwork of many red, blue, black and green circles. The circles are around the same size, some slightly larger or smaller, scattered tightly together and over each other engulfing the piece. The background has red, blue and green splotches on top of a green map.

An abstract, mixed media artwork of many different colors of circles. The circles are around the same size, some slightly larger or smaller, scattered tightly together and over each other engulfing the piece. Many of the circles are lined next to each other. The background has many different colors on top of a green map.

Untitled 2

An abstract, mixed media artwork of many different colors of circles. The circles are around the same size, some slightly larger or smaller, scattered tightly together and over each other engulfing the piece. Many of the circles are lined next to each other. The background has many different colors on top of a green map.

An abstract, mixed media artwork of many red, pink, green, yellow, orange, blue, black and green circles. The circles are around the same size, some slightly larger or smaller, scattered tightly together and over each other engulfing the piece. The background has red, blue and green splotches on top of a green map. The top right and lower left corners appear to be black with all the colors piled on top of each other.

Untitled 3

An abstract, mixed media artwork of many red, pink, green, yellow, orange, blue, black and green circles. The circles are around the same size, some slightly larger or smaller, scattered tightly together and over each other engulfing the piece. The background has red, blue and green splotches on top of a green map. The top right and lower left corners appear to be black with all the colors piled on top of each other.

An abstract, painted artwork with long and short rugged shapes in white, blue, black, red, green, yellow and gray. The top half has larger blocks of red, black, gray-green and blue. The bottom half has smaller, longer, strokes of many colors.

Untitled 5

An abstract, painted artwork with long and short rugged shapes in white, blue, black, red, green, yellow and gray. The top half has larger blocks of red, black, gray-green and blue. The bottom half has smaller, longer, strokes of many colors.

An abstract, painted piece of artwork with two cloud-like shapes in white and blue sprawled across the middle of the piece with blotches of white coming down from underneath it resembling heavy rain. The background is sweeps of black, brown and blue with red and light green confined at the bottom.

Untitled 6

An abstract, painted piece of artwork with two cloud-like shapes in white and blue sprawled across the middle of the piece with blotches of white coming down from underneath it resembling heavy rain. The background is sweeps of black, brown and blue with red and light green confined at the bottom.

An abstract, rough-textured painting on a barely visible black background. The painted background is a blue-gray, on top of it there is a peacock head shape of shades of blue, orange, yellow, copper and green. The head and neck-like shapes are shades of blue and green with yellow and dark blue at the top. The beak and feather- like shapes on the back of the head are shades of orange and copper. In front of the neck there is a muted yellow block of color.

Untitled 7

An abstract, rough-textured painting on a barely visible black background. The painted background is a blue-gray, on top of it there is a peacock head shape of shades of blue, orange, yellow, copper and green. The head and neck-like shapes are shades of blue and green with yellow and dark blue at the top. The beak and feather- like shapes on the back of the head are shades of orange and copper. In front of the neck there is a muted yellow block of color.

An artwork of a group of black, curved lines stemming from the upper left with a circle on the end, above a flower shape with more scattered curved lines stemming from it. Both of these shapes are black. In the lower right, in white paint there are two vertical lines with circles on the top and smaller horizontal lines that resemble rungs on a ladder. Around this shape there are more detached, curved lines with curling circles on the end.

Untitled 8

An artwork of a group of black, curved lines stemming from the upper left with a circle on the end, above a flower shape with more scattered curved lines stemming from it. Both of these shapes are black. In the lower right, in white paint there are two vertical lines with circles on the top and smaller horizontal lines that resemble rungs on a ladder. Around this shape there are more detached, curved lines with curling circles on the end.

A mixed media, abstract artwork of ‘2016’ with the loop of the 2 and the loop in the 6 filled in scattered over the piece at all different angles overlapping each other. The most overlap is near the top left side of the piece and the colors throughout are mostly red, magenta, pink, purple, light blue and yellow with black, brown and other shades of blue. There are strings of beads in different shapes in those colors on top of the piece as well.

Untitled 9

A mixed media, abstract artwork of ‘2016’ with the loop of the 2 and the loop in the 6 filled in scattered over the piece at all different angles overlapping each other. The most overlap is near the top left side of the piece and the colors throughout are mostly red, magenta, pink, purple, light blue and yellow with black, brown and other shades of blue. There are strings of beads in different shapes in those colors on top of the piece as well.

An abstract work of art consisting of circles of mixed paint on top of a light green surface. The paint is bright red, shades of blue, black, yellow, peach, orange and brown. There are strokes or smudges in the paint in the shape of long lines on the lower half of the piece where all of the black paint is confined.

Untitled 10

An abstract work of art consisting of circles of mixed paint on top of a light green surface. The paint is bright red, shades of blue, black, yellow, peach, orange and brown. There are strokes or smudges in the paint in the shape of long lines on the lower half of the piece where all of the black paint is confined.

A multimedia drawing on white paper. Long black lines separate the page into panels. The space between these panels is filled with a navy green color. The actual panels are filled with long, squiggly worm shapes in different tones of red and yellow. Near the upper edge of the page, the panel lines converge in a way that resembles a cityscape.

Untitled 7

Geoffrey Levitt

A multimedia drawing on white paper. Long black lines separate the page into panels. The space between these panels is filled with a navy green color. The actual panels are filled with long, squiggly worm shapes in different tones of red and yellow. Near the upper edge of the page, the panel lines converge in a way that resembles a cityscape.

A multimedia drawing on white paper. Long and short strokes of color outlined in black form rectangular panels in hues of orange, red and yellow. These panels are lined up edge to edge, occasionally overlapping, to form a collage around the page with the smallest panels at the center.

Untitled 8

Geoffrey Levitt

A multimedia drawing on white paper. Long and short strokes of color outlined in black form rectangular panels in hues of orange, red and yellow. These panels are lined up edge to edge, occasionally overlapping, to form a collage around the page with the smallest panels at the center.

A painting on a white background. A large purple paint stroke zigzags down the page, its path being mimicked by thin black streaks. Over this, two smaller blue zig zags frame an intricate collage of small angular black shapes. The blue zig zags are also covered in patches of angular white shapes. The painting is sliced into a 5 by 3 grid formed from two horizontal red lines and four diagonal lines. Of the diagonal lines, the two in the middle are red, and the other two are black.

Untitled 10

Geoffrey Levitt

A painting on a white background. A large purple paint stroke zigzags down the page, its path being mimicked by thin black streaks. Over this, two smaller blue zig zags frame an intricate collage of small angular black shapes. The blue zig zags are also covered in patches of angular white shapes. The painting is sliced into a 5 by 3 grid formed from two horizontal red lines and four diagonal lines. Of the diagonal lines, the two in the middle are red, and the other two are black.

An abstract painting made with acrylic and pastels. The painting depicts numerous geometric shapes overlapping each other to create shapes within the different blocks of color. To the left of the painting are white rectangles and triangles outlined in black, on top of a dark brown background. The right side of the painting has a light brown background, a large dark brown square, outlined in black, covers the majority of the background. The dark brown square is partially masked by the white rectangles and triangles from the left side, a small brown triangle visible from between the angles of the white shapes.

The Fragments Collection 1

An abstract painting made with acrylic and pastels. The painting depicts numerous geometric shapes overlapping each other to create shapes within the different blocks of color. To the left of the painting are white rectangles and triangles outlined in black, on top of a dark brown background. The right side of the painting has a light brown background, a large dark brown square, outlined in black, covers the majority of the background.

An abstract painting made with acrylic and pastels. The painting has numerous geometric shapes overlapping each other to create shapes within the different blocks of color. At the middle of the piece is a large rectangle outlined in black, the majority of it is white. Smaller rectangles and geometric shapes segment the rectangle in dark brown, light brown and white. At the top of the rectangle is the beginning of a light brown semi-circle that becomes dark brown as it extends past the rectangle into the right half of the painting. To the center left side of the rectangle is a dark brown trapezoid, the space surrounding it painted in white.

The Fragments Collection 2

An abstract painting made with acrylic and pastels. The painting has numerous geometric shapes overlapping each other to create shapes within the different blocks of color. At the middle of the piece is a large rectangle outlined in black, the majority of it is white. Smaller rectangles and geometric shapes segment the rectangle in dark brown, light brown and white. At the top of the rectangle is the beginning of a light brown semi-circle that becomes dark brown as it extends past the rectangle into the right half of the painting.

An abstract painting made with acrylic and pastels. The painting has numerous geometric shapes overlapping each other to create shapes within the different blocks of color. The top left portion of the painting is a partial square made out of white rectangles and triangles outlined in black. Towards the middle of that square is a small, dark brown triangle. To the right of that square are three organic triangles in light and dark brown. The bottom portion of the painting is a large dark brown rectangle segmented by a smaller white rectangle, outlined in black.

The Fragments Collection 3

An abstract painting made with acrylic and pastels. The painting has numerous geometric shapes overlapping each other to create shapes within the different blocks of color. The top left portion of the painting is a partial square made out of white rectangles and triangles outlined in black. Towards the middle of that square is a small, dark brown triangle. To the right of that square are three organic triangles in light and dark brown. The bottom portion of the painting is a large dark brown rectangle segmented by a smaller white rectangle, outlined in black.

An abstract painting made with acrylic and pastels. The painting has numerous geometric shapes overlapping each other to create shapes within the different blocks of color. Off center to the left is a cluster of white, geometric, rectangle-like shapes outlined in black. Connected to the top and bottom of the group of white are two, light brown rectangles, also outlined in black. Filling the rest of the canvas are longer, dark brown rectangles and triangles, outlined in black.

The Fragments Collection 4

An abstract painting made with acrylic and pastels. The painting has numerous geometric shapes overlapping each other to create shapes within the different blocks of color. Off center to the left is a cluster of white, geometric, rectangle-like shapes outlined in black. Connected to the top and bottom of the group of white are two, light brown rectangles, also outlined in black. Filling the rest of the canvas are longer, dark brown rectangles and triangles, outlined in black.

An abstract painting, sunlight partially illuminating the left side of it, the natural texture of the canvas and brush strokes are visible within the light. The painting has numerous geometric shapes overlapping each other to create shapes within the different blocks of color. In the center of the painting are large triangular shapes that surround smaller, square and rectangular shapes in white, tan, yellow, and dark brown; all of the shapes are outlined in black. Encompassing the large group of shapes are dark brown, angular borders.

The Fragments Collection 5

An abstract painting, sunlight partially illuminating the left side of it, the natural texture of the canvas and brush strokes are visible within the light. The painting has numerous geometric shapes overlapping each other to create shapes within the different blocks of color. In the center of the painting are large triangular shapes that surround smaller, square and rectangular shapes in white, tan, yellow, and dark brown; all of the shapes are outlined in black. Encompassing the large group of shapes are dark brown, angular borders.

An abstract painting, sunlight partially illuminating the left side of it, the natural texture of the canvas and brush strokes are visible within the light. The painting has numerous geometric shapes overlapping each other to create shapes within the different blocks of color. The majority of the painting is focused on the right side, in which a large group of angular shapes, squares, and rectangles are grouped together. The shapes are white, tan, dark brown, and light purple; all of them outlined in black. Encompassing the large group of shapes are dark brown, angular borders.

The Fragments Collection 6

An abstract painting, sunlight partially illuminating the left side of it, the natural texture of the canvas and brush strokes are visible within the light. The painting has numerous geometric shapes overlapping each other to create shapes within the different blocks of color. The majority of the painting is focused on the right side, in which a large group of angular shapes, squares, and rectangles are grouped together. The shapes are white, tan, dark brown, and light purple; all of them outlined in black. Encompassing the large group of shapes are dark brown, angular borders.

A photograph of an abstract painting, sunlight partially illuminating the piece, the natural texture of the canvas and brush strokes are visible within the light. The painting has numerous geometric shapes overlapping each other to create shapes within the different blocks of color. The shapes take up the majority of the space on the canvas. A group of rectangles, squares, and triangles come together to form a larger rectangle; more angular shapes are stacked on top of the rectangle, the points and angles of various triangles form a taller, irregular rectangle with a negative, triangular space within it. The shapes are in blue, tan, and white; all outlined in black. Including the negative space and encompassing the large group of shapes are dark brown.

The Fragments Collection 7

A photograph of an abstract painting, sunlight partially illuminating the piece, the natural texture of the canvas and brush strokes are visible within the light. The painting has numerous geometric shapes overlapping each other to create shapes within the different blocks of color. The shapes take up the majority of the space on the canvas.

An abstract painting made with acrylic and pastels, the brush stroked and texture of the canvas are visible. The painting has numerous geometric, and angular shapes that come together to form a large, irregular rectangle. Within the rectangle, different shapes in both white and tan are segmented by black lines. In the little space surrounding the rectangle is a yellowish-green.

The Fragments Collection 8

An abstract painting made with acrylic and pastels, the brush stroked and texture of the canvas are visible. The painting has numerous geometric, and angular shapes that come together to form a large, irregular rectangle. Within the rectangle, different shapes in both white and tan are segmented by black lines. In the little space surrounding the rectangle is a yellowish-green.

An abstract painting made with acrylic and pastels, the brush stroked and texture of the canvas are visible. The painting has numerous angular shapes that come together to form a large, irregular rectangle. Within the rectangle, different triangles and rectangles in white are segmented by black lines. In the little space surrounding the rectangular shape is a yellow-tan color.

The Fragments Collection 9

An abstract painting made with acrylic and pastels, the brush stroked and texture of the canvas are visible. The painting has numerous angular shapes that come together to form a large, irregular rectangle. Within the rectangle, different triangles and rectangles in white are segmented by black lines. In the little space surrounding the rectangular shape is a yellow-tan color.

An abstract painting made with acrylic and pastels. The painting has numerous angular shapes that come together to form a large, irregular rectangle. Within the rectangular shape are smaller, irregular rectangles and triangles, in white, pink, light brown, and tan, segmented by black lines. In the space surrounding the rectangular shape is a light brown.

The Fragments Collection 10

An abstract painting made with acrylic and pastels. The painting has numerous angular shapes that come together to form a large, irregular rectangle. Within the rectangular shape are smaller, irregular rectangles and triangles, in white, pink, light brown, and tan, segmented by black lines. In the space surrounding the rectangular shape is a light brown.

An abstract painting made with printmaking ink on watercolor paper. The appearance is similar to that of acrylic paint; with long, textured brush strokes that have different shades of vivid green, red, and blue weaved throughout them. These strokes are overlapped horizontally so in parts where the ink breaks or a stroke ends, a different stroke continues. Where the colors blend, there are hints of brown.

Investigating the nature of scent 1

An abstract painting made with printmaking ink on watercolor paper. The appearance is similar to that of acrylic paint; with long, textured brush strokes that have different shades of vivid green, red, and blue weaved throughout them. These strokes are overlapped horizontally so in parts where the ink breaks or a stroke ends, a different stroke continues. Where the colors blend, there are hints of brown.

An abstract painting made with printmaking ink on watercolor paper. The appearance is similar to that of acrylic paint; with long, textured brush strokes that have different shades of vivid green, red, and blue weaved throughout them. These strokes are overlapped horizontally on each other continuously, making it hard to find where one begins and another ends. Where the colors blend, there are hints of brown.

Investigating the nature of scent 2

An abstract painting made with printmaking ink on watercolor paper. The appearance is similar to that of acrylic paint; with long, textured brush strokes that have different shades of vivid green, red, and blue weaved throughout them. These strokes are overlapped horizontally on each other continuously, making it hard to find where one begins and another ends. Where the colors blend, there are hints of brown.

An abstract painting made with printmaking ink on watercolor paper. The appearance is similar to that of acrylic paint; with long, textured brush strokes that have different shades of vivid green, red, and blue weaved throughout them. These strokes are overlapped on each other continuously, dragged down from the top to the bottom of the page. Where the colors blend, there are hints of brown.

Investigating the nature of scent 3

An abstract painting made with printmaking ink on watercolor paper. The appearance is similar to that of acrylic paint; with long, textured brush strokes that have different shades of vivid green, red, and blue weaved throughout them. These strokes are overlapped on each other continuously, dragged down from the top to the bottom of the page. Where the colors blend, there are hints of brown.

An abstract painting made with printmaking ink on watercolor paper, the texture of the paper visible. The appearance is similar to that of acrylic paint; with long brush strokes that are mostly vivid blue but have different shades of green and red weaved throughout them. These strokes are dragged down from the top to the bottom of the page. Where the colors overlap and blend, there are hints of brown.

Investigating the nature of scent 4

An abstract painting made with printmaking ink on watercolor paper, the texture of the paper visible. The appearance is similar to that of acrylic paint; with long brush strokes that are mostly vivid blue but have different shades of green and red weaved throughout them. These strokes are dragged down from the top to the bottom of the page. Where the colors overlap and blend, there are hints of brown.

An abstract painting made with printmaking ink on watercolor paper. The appearance is similar to that of acrylic paint; with large, textured brush strokes, separating the painting into two sides. The bigger side is a vivid blue with hints of green almost taking over the whole canvas, and the smaller side a sliver of green with hints of brown.

Investigating the nature of scent 5

An abstract painting made with printmaking ink on watercolor paper. The appearance is similar to that of acrylic paint; with large, textured brush strokes, separating the painting into two sides. The bigger side is a vivid blue with hints of green almost taking over the whole canvas, and the smaller side a sliver of green with hints of brown.

An oil painting on canvas depicting a surreal underwater creature, with one large tentacle that breaks off into smaller, spindly tentacles. The tentacles are a light blue color with a white underside. Encompassing the tentacles is a red mass filled with numerous bubbles in a multitude of blue, purple, white, red, and orange. The bubbles are clustered together organically, leaving space for the deep black of the sea to show through, almost like the bubbles are being gathered by the creature.

Soul Catcher-Day 72

An oil painting on canvas depicting a surreal underwater creature, with one large tentacle that breaks off into smaller, spindly tentacles. The tentacles are a light blue color with a white underside. Encompassing the tentacles is a red mass filled with numerous bubbles in a multitude of blue, purple, white, red, and orange. The bubbles are clustered together organically, leaving space for the deep black of the sea to show through, almost like the bubbles are being gathered by the creature.

A multi-media drawing of an astronaut flying through space. The astronaut is tethered to an Earth in the lower left corner, and is flying directly in front of what appears to be the moon. They are surrounded by flying dark figures as they approach another planet that appears to be Jupiter. The background is a yellow-to-blue diagonal gradient.

Útero 1

A multi-media drawing of an astronaut flying through space. The astronaut is tethered to an Earth in the lower left corner, and is flying directly in front of what appears to be the moon. They are surrounded by flying dark figures as they approach another planet that appears to be Jupiter. The background is a yellow-to-blue diagonal gradient.

A multi-media drawing on green-ish paper, of a person wielding a spear. The only visible feature of the person is their hands which firmly hold the spear pointed downward. The tip of the spear is covered in blood, and directly below it is part of a body with a bloody torso lying horizontally. The body is shirtless, with orange bottoms. The background is unevenly shaded black and white, with many small bright red spots that resemble cheetah-print. Two rectangular holes in the background reveal miniature purple and teal pen drawings of various, indistinguishable robotic-like figures.

Útero 2

A multi-media drawing on green-ish paper, of a person wielding a spear. The only visible feature of the person is their hands which firmly hold the spear pointed downward. The tip of the spear is covered in blood, and directly below it is part of a body with a bloody torso lying horizontally. The body is shirtless, with orange bottoms. The background is unevenly shaded black and white, with many small bright red spots that resemble cheetah-print. Two rectangular holes in the background reveal miniature purple and teal pen drawings of various, indistinguishable robotic-like figures.

A pen drawing on yellow paper of a figure, centered, sitting with their legs crossed and head down, resting in their hands. The figure is outlined in orange, and has strips of wavy blue lines running down its chest, arms, and legs. Rather than hair, the figure has small green plant-like shapes growing out of the top of its head. The background is hot pink with small dark blue spots that resemble that of cheetah-print.

Útero 3

A pen drawing on yellow paper of a figure, centered, sitting with their legs crossed and head down, resting in their hands. The figure is outlined in orange, and has strips of wavy blue lines running down its chest, arms, and legs. Rather than hair, the figure has small green plant-like shapes growing out of the top of its head. The background is hot pink with small dark blue spots that resemble that of cheetah-print.

A photograph of a black pen drawing on lined paper, of a figure sitting and hugging their legs close. Instead of a head on its shoulders, there is a large grenade. Surrounding and partially covering the figure are congested pen strokes and scribbles.

Útero 4

A photograph of a black pen drawing on lined paper, of a figure sitting and hugging their legs close. Instead of a head on its shoulders, there is a large grenade. Surrounding and partially covering the figure are congested pen strokes and scribbles.

A photograph of a colored pencil drawing, showing a patterned brown photo frame. Within the frame, blue shattered glass covers a detailed image of a skeleton. There are many cracks in the skeleton’s skull, and it is seated towards the left while hugging its legs to its chest. A black wire connects the skeleton’s stomach to the patterned red and orange rings which encircle it.

Útero 5

A photograph of a colored pencil drawing, showing a patterned brown photo frame. Within the frame, blue shattered glass covers a detailed image of a skeleton. There are many cracks in the skeleton’s skull, and it is seated towards the left while hugging its legs to its chest. A black wire connects the skeleton’s stomach to the patterned red and orange rings which encircle it.

Útero 6

A multi-media drawing on a blotted green background, of the outline of a person’s profile. The top of their head is cracked open, letting out a cluster of bright red bubbles. The outline of their brain is also cracked open, revealing a small person curled up inside. The tiny person's head has many cracks and they are wearing a backpack with a wire connecting them to their host.

A digital drawing of a tunnel formed by hundreds of hands with green nails and skin in shades of blue. The hands are reaching, grabbing, and signing various letters in American Sign Language. This tunnel leads to a small opening at the center of the image that is empty and gray.

Phobia

Madison Ritscher

A digital drawing of a tunnel formed by hundreds of hands with green nails and skin in shades of blue. The hands are reaching, grabbing, and signing various letters in American Sign Language. This tunnel leads to a small opening at the center of the image that is empty and gray.

A photograph of a painting on a wooden easel. The painting depicts a non-binary white person pictured from shoulders up, while standing in the board-game aisle of a store. The person has short brown hair, bright blue eyes, and has an unbothered look on their face. They are wearing white rimmed glasses, silver stud earrings, and a white tee. The shelves of games behind them include Rubik's Cubes, UNO, and the game of Life.

Alter ego

Madison Ritscher

A photograph of a painting on a wooden easel. The painting depicts a non-binary white person pictured from shoulders up, while standing in the board-game aisle of a store. The person has short brown hair, bright blue eyes, and has an unbothered look on their face. They are wearing white rimmed glasses, silver stud earrings, and a white tee. The shelves of games behind them include Rubik's Cubes, UNO, and the game of Life.

A photograph of a painting hanging on a white wall. The painting is a collage of images. Starting in the lower right corner there is a seated tan-skinned person with their back to the viewer, wearing a yellow cap and looking up into binoculars. Above them are the words “On All Floors” painted in black. To the left of these words is an image panel of a dark-skinned person standing in a desert village. They are wearing a white hair scarf and a long lime green traditional garment, while holding a long spear that extends outside the boundaries of the panel. Entering the panel from the upper left corner is the backend of a toy rocket ship, being held by a faceless tan-skinned child that is sitting on a white couch. Below the couch, a woman with long brown hair, tan skin, and a flowy white garment poses properly with her eyes closed. She is standing atop a boxy metal machine, which resembles a printer with drawer compartments. Leaves decorate the machine's exterior.

On All Floors

Madison Ritscher

A photograph of a painting hanging on a white wall. The painting is a collage of images. Starting in the lower right corner there is a seated tan-skinned person with their back to the viewer, wearing a yellow cap and looking up into binoculars. Above them are the words “On All Floors” painted in black. To the left of these words is an image panel of a dark-skinned person standing in a desert village. They are wearing a white hair scarf and a long lime green traditional garment, while holding a long spear that extends outside the boundaries of the panel.

A photograph of a painting on a wooden easel. The painting depicts the famous African American basketball player Deandre Ayton pictured from waist up, while holding up a basketball. He has short black hair, a black mustache and beard, brown eyes, and is looking directly at viewers. He is wearing a #22 basketball jersey that depicts the silhouette of a sunset cityscape, as well as a gray sport sleeve on his left arm. He also has indistinguishable tattoos up his right arm, and peeking out from behind his jersey.

Phx Suns

Madison Ritscher

A photograph of a painting on a wooden easel. The painting depicts the famous African American basketball player Deandre Ayton pictured from waist up, while holding up a basketball. He has short black hair, a black mustache and beard, brown eyes, and is looking directly at viewers. He is wearing a #22 basketball jersey that depicts the silhouette of a sunset cityscape, as well as a gray sport sleeve on his left arm. He also has indistinguishable tattoos up his right arm, and peeking out from behind his jersey.

A painting of many large symbols, shapes, and brush strokes overlapping one another. This pile of red, white, yellow, and blue fill the canvas, mixing at points of intersection to create pops of green and gray.

VARDA

A painting of many large symbols, shapes, and brush strokes overlapping one another. This pile of red, white, yellow, and blue fill the canvas, mixing at points of intersection to create pops of green and gray.

An abstract painting of shapes and forms in hues of blue, orange, yellow, and gray being pushed and pulled by trails of black and white lines. A blue box in the upper left corner overlooks the scene like a camera lens. Under it, a white zig-zag snakes over to an orange triangle. A variation of curvy and bent lines over the page resemble what could be faces. Behind them, some of the colored shapes mix or dissolve into others.

Potty Trained

An abstract painting of shapes and forms in hues of blue, orange, yellow, and gray being pushed and pulled by trails of black and white lines. A blue box in the upper left corner overlooks the scene like a camera lens. Under it, a white zig-zag snakes over to an orange triangle. A variation of curvy and bent lines over the page resemble what could be faces. Behind them, some of the colored shapes mix or dissolve into others.

A painting of a barren bedroom corner with a red ceiling, bright orange walls, and a bright orange floor. There is a large window in the wall on the left, and an image of a beach on the right wall. Below the beach image is a small blue bed and a naked person with pink skin is sinking into the lush blue waves of the blanket. Their backside faces the viewer as they hang on to pillows in an attempt to escape the waves.

Acrylic Dumpster Fire

A painting of a barren bedroom corner with a red ceiling, bright orange walls, and a bright orange floor. There is a large window in the wall on the left, and an image of a beach on the right wall. Below the beach image is a small blue bed and a naked person with pink skin is sinking into the lush blue waves of the blanket. Their backside faces the viewer as they hang on to pillows in an attempt to escape the waves.

A colorful painting that extends to all edges of the canvas. It is a collage of horizontal brush strokes, mixing hues of blue, purple, white, and red. Clusters of smaller vertical paint strokes move down the canvas, adding pops of yellow, orange, green and black that mix and mingle in their own way. The contrast between horizontal lines and vertical clusters resemble distorted reflections on water.

You're Invited

A colorful painting that extends to all edges of the canvas. It is a collage of horizontal brush strokes, mixing hues of blue, purple, white, and red. Clusters of smaller vertical paint strokes move down the canvas, adding pops of yellow, orange, green and black that mix and mingle in their own way. The contrast between horizontal lines and vertical clusters resemble distorted reflections on water.

A multicolored painting that extends to all edges of the canvas. It is a collage of short horizontal and vertical brush strokes in nearly every color, ranging from light pink to forest green to maroon. Mostly darker shades of colors are used, giving the painting an overall dim mood. The phrase “WE ARE ALL CHILDREN” is scratched into the center of the canvas.

We Are All Children

A multicolored painting that extends to all edges of the canvas. It is a collage of short horizontal and vertical brush strokes in nearly every color, ranging from light pink to forest green to maroon. Mostly darker shades of colors are used, giving the painting an overall dim mood. The phrase “WE ARE ALL CHILDREN” is scratched into the center of the canvas.

An abstract marker drawing of a horse on white paper. The horse is drawn in black marker in a swirling, branch-like pattern. The horse is standing, its front hooves dangling in the air as if it just jumped up, and its mouth is open, red tongue visible. The horse has blue eyes and a black mane that flies to the left side of the paper, with its tail following in a similar fashion. Surrounding the horse on the bottom of the page are yellow and red scribbles that look reminiscent of flames. Smaller stars of color and black scribbles outline the horse throughout the rest of the piece.

Urgent Revolution 2

An abstract marker drawing of a horse on white paper. The horse is drawn in black marker in a swirling, branch-like pattern. The horse is standing, its front hooves dangling in the air as if it just jumped up, and its mouth is open, red tongue visible. The horse has blue eyes and a black mane that flies to the left side of the paper, with its tail following in a similar fashion. Surrounding the horse on the bottom of the page are yellow and red scribbles that look reminiscent of flames. Smaller stars of color and black scribbles outline the horse throughout the rest of the piece.

A photograph of an acrylic on canvas painting. The painting is colorful and resembles a sunrise or sunset reflecting over the water. There is a bright spot of orange and white in the center where the sun would be; the sky above it is swirled with blue and pink. The colors of the sun reflect from the center to the bottom in a rough line, breaking apart the deep blues and grays of the water.

Art Transits 1

A photograph of an acrylic on canvas painting. The painting is colorful and resembles a sunrise or sunset reflecting over the water. There is a bright spot of orange and white in the center where the sun would be; the sky above it is swirled with blue and pink. The colors of the sun reflect from the center to the bottom in a rough line, breaking apart the deep blues and grays of the water.

A photograph of a watercolor painting on white paper. The painting is of a path through the woods. The path, painted in strokes of muted green, leads to an opening painted in shades of pale yellow. The path is lined on both sides by dark trees flecked with purple and blue leaves.

Art Transits 2

A photograph of a watercolor painting on white paper. The painting is of a path through the woods. The path, painted in strokes of muted green, leads to an opening painted in shades of pale yellow. The path is lined on both sides by dark trees flecked with purple and blue leaves.

A photograph of an acrylic painting resting on tan carpet. The painting is of a forest with light shining through the trees. The trees are close together, with their dark leaves so close together no light is coming through. Light falls forward from between the tree trunks.

Art Transits 3

A photograph of an acrylic painting resting on tan carpet. The painting is of a forest with light shining through the trees. The trees are close together, with their dark leaves so close together no light is coming through. Light falls forward from between the tree trunks.

A photograph of a watercolor painting on white paper. The painting is of a landscape. On the horizon is a line of pine trees painted with small dark green brush strokes. In front of the pine trees is a line of smaller yellow brushstrokes, and in front of that, tall grass painted in shades of blue and green. The sky above is a mix of blue sky and pinkish white clouds blended together.

Art Transits 4

A photograph of a watercolor painting on white paper. The painting is of a landscape. On the horizon is a line of pine trees painted with small dark green brush strokes. In front of the pine trees is a line of smaller yellow brushstrokes, and in front of that, tall grass painted in shades of blue and green. The sky above is a mix of blue sky and pinkish white clouds blended together.

A photograph of a watercolor painting. The painting is of a dog sitting on a porch in a backyard. The dog is white with black ears. In the yard behind it is a single tree in front of a fence. A ribbon of triangular flags hangs from the tree to the fence.

Art Transits 5

A photograph of a watercolor painting. The painting is of a dog sitting on a porch in a backyard. The dog is white with black ears. In the yard behind it is a single tree in front of a fence. A ribbon of triangular flags hangs from the tree to the fence.

A multimedia drawing of a head and hands floating in white space. The hands are holding onto either side of the head, with some fingers pressing into the forehead. The face is lowered and scrunched in frustration. They have multicolored skin in tones of blue, green, and yellow. Their short blonde hair is tied into a small ponytail atop their head, and their mouth and nose are covered by a pink COVID face mask.

Frustration

David de Marmol

A multimedia drawing of a head and hands floating in white space. The hands are holding onto either side of the head, with some fingers pressing into the forehead. The face is lowered and scrunched in frustration. They have multicolored skin in tones of blue, green, and yellow. Their short blonde hair is tied into a small ponytail atop their head, and their mouth and nose are covered by a pink COVID face mask.

An aerial view painting of a trippy bedroom. Four stone walls are in view, all with purple spirals spotting them. On the left wall is a gated window that resembles an air-vent. There is a blue and white carpet covering half of the floorspace, and next to that, a small bed. A blue person extends comfortably across the bed as they sink into a singular point at its center. Other trippy decorations around the room include a large painting of an eyeball, something that resembles a tree full of hands, as well as a sleeping kitten.

Pandemica depression

An aerial view painting of a trippy bedroom. Four stone walls are in view, all with purple spirals spotting them. On the left wall is a gated window that resembles an air-vent. There is a blue and white carpet covering half of the floorspace, and next to that, a small bed. A blue person extends comfortably across the bed as they sink into a singular point at its center. Other trippy decorations around the room include a large painting of an eyeball, something that resembles a tree full of hands, as well as a sleeping kitten.