A photograph of 8 watercolor paintings. 6 of the paintings are done on brown paper lunch bags; 5 of the paintings are of different colored flowers, and one is of a green snake. The other 2 paintings are done on scraps of white paper; one is a red circle surrounded by lines with the word “wow” below it, and the other is of a blue flower.

An acrylic painting of a pathway, with some areas shrouded in darkness and others illuminated in light. The pathway is surrounded by walls and is partially covered by a roof that resembles the wavy panels of a tin roof. The walls and floor are a light gray with faint blue and red undertones. The areas where the roof covers the path are reflected black onto the ground, and the areas where there is no roof show the lightness of the ground. As the path continues into the distance, it turns white with outside light.

An acrylic painting of an empty train tunnel. The platform to the left, before the train tracks, is painted in a gradient so the edges are black and the middle is white. Before the tracks is a thick yellow line that separates the deepness of the tracks from the platform on both sides. On the wall of the platform to the right are red, yellow, and black posters that reflect onto the ground of the platform.

An acrylic painting of an empty theater, looking down to the stage from the balcony. Several rows of red seats are in the foreground, and there is a brown railing at the edge. The left and right balconies are angled towards the back, with gold-trimmed red draping along the base of the railing. The backdrop of the yellow, rectangular stage is dark and framed by a wooden proscenium arch. Drifting onstage are the shadows of performers.

A screenshot of a webpage’s directory with black text and a white background. At the top left corner is the name of the website, “COVID-19 signage archive”; and at the top right are links to different sections of the website, titled “about”, “map”, “tags”, and “upload”. In the far right corner is a search bar. This section is separated by a bar with the word “browse” underneath it in the center.

A screenshot of a webpage with black text and a white background. At the top left corner is the name of the website, “COVID-19 signage archive”; and at the top right are links to different sections of the website, titled “about”, “map”, “tags”, and “upload”. In the far right corner is a search bar. A thin line separates the top from the webpage content. Towards the left half of the page is an image of a handmade sign made on white paper.

A screenshot of a webpage with black text and a white background. At the top left corner is the name of the website, “COVID-19 signage archive”; and at the top right are links to different sections of the website, titled “about”, “map”, “tags”, and “upload”. In the far right corner is a search bar. A thin line separates the top from the webpage content. Underneath is a map that is in black with the continents in white. Throughout the continents are red dots that mark where the signs can be located. Beneath the map is a list of 74 cities across the world with these signs.

A screenshot of a webpage with black text and a white background. At the top left corner is the name of the website, “COVID-19 signage archive”; and at the top right are links to different sections of the website, titled “about”, “map”, “tags”, and “upload”. In the far right corner is a search bar. A thin line separates the top from the webpage content. There is a long list of tags, with a number next to each tag to designate how many signs have been posted with each tag.

An oil painted self-portrait of a non-binary person. They have shoulder-length black hair, are wearing a black beanie, a black tank top, black sweatpants, and have black jacket sleeves on their arms. They have black eye makeup on, smudged as if they’ve been crying. They hold a white object in their left hand that resembles a tissue. They are seated on a chair in a bedroom with yellow walls, decorated with various objects. A messy bed is to their left and a small dresser is to their right.

A closeup of an oil painted self-portrait of a non-binary person. They have shoulder-length black hair and are wearing a black beanie and a black tank top. They have black eye makeup on, smudged as if they’ve been crying. They are in a bedroom with yellow walls and a window is behind them with the blinds pulled down.

A closeup of an oil painted self-portrait of a non-binary person. They are sitting on a chair, wearing a black tank top, black sweatpants, and have a black jacket sleeve on their left arm. Grasped in their left hand is a white object that resembles a tissue. A messy bed is to their left.

An oil painted self-portrait of a non-binary person. They are sitting in front of a mirror, slightly slouched with their left hand resting on their right leg. Their right hand is holding up a yellow smartphone to take a picture. They have shoulder-length black hair, and the bottom half of their face is visible. They are wearing only a black lace bra and a pair of white Calvin Klein underwear.

A mixed media self portrait of a non-binary person. They have short blonde hair with bangs, light colored eyes, a silver nose ring, necklace, and are leaning down towards the viewer. They are wearing a black, lace bra. The colors of the different mediums used to create a pale skin color show through the piece.

An abstract linoleum print, proofed with black ink and carved to reveal details in white. The top portion has a person sitting in a windowed room, holding a chain for an anchor that reaches down to the bottom. Next to the windowed room is a cloud with the figure of a person’s airways and lungs filled with white dots coming from the wave of water next to it. The wave overlaps a bar graph. Beside the wave, a plane labeled with the word “patriots” in capital letters flies upwards, and a COVID mask falls from the open plane door.

An abstract linoleum print, proofed with black ink and carved to reveal details in white. In the center, a person sits at a table with a respirator mask. On the table is a symbol of America overlapped with a flag, the stripes from the flag holding down a heart and bust statues of people. Next to the table, a carton of milk is tipped over and spills outwards, creating a flood at the bottom of the piece. Above the person, eyes cry tears, next to an angel with wings that are lungs, and a sun in the right corner.

An abstract linoleum print, proofed with black ink and carved to reveal details in white. In the top right corner is a depiction of the White House, four people wearing COVID masks stand in front of it. Following a factory line from the front of the white house, down throughout the piece are small objects that resemble vaccine vials that gather in the bottom right corner and also come from other conveyor belts from the left. Beneath the White House are a large set of steps, lined with officers, at the bottom of the steps a procession of US Capitol Police officers stand in a salute.

An abstract linoleum print, proofed with black ink and carved to reveal details in white. Winding from the bottom left to the right is a pathway of people, all masked, that leads to the Capitol building. Lining the pathway to the right side is a bunch of upright nails that form a swirl in the right corner. Above the Capitol building is a clock that breaks apart into a vortex at the center of the piece, warping the scene. On the left side is a barbed wire fence and a person nailing a wooden coffin shut. Above the scene in the top left corner, a gloved hand examines vaccine vials.

An abstract linoleum print, proofed with black ink and carved to reveal details in white. Three school children wearing COVID masks walk towards a bus stop sign on a sidewalk. Next to the sidewalk is a garden of sunflowers and trees. Above the garden, dotted forms that could be mountains or clouds fill the space. Next to the garden on the right is a pile that covers about five handguns. Flying above the children are two angels, one on the right holding a laptop.