A white sheet spread out over a bed with the imprint of a man’s body four times, each print entangled together in black paint. There are variations of the same face at the top with different expressions. The imprint on the far left has glasses and appears sad, the next has an angry or disgusted look with his teeth clenched, the next appears to be sleeping or relaxed and the imprint on the far right has his lips pursed together looking off to the right.

A white sheet spread out in front of a window with the imprint of a man’s body four times, each print entangled together in black paint There are variations of the same face at the top with different expressions. The imprint on the left has glasses and appears sad, the next has an angry or disgusted look with his teeth clenched, the next appears to be sleeping or relaxed and the imprint on the far right has his lips pursed together looking off to the right.

A close-up of a white sheet with the imprint of a man's arm and hand, another hand palm down, and a chest in black paint.

A close-up of a white sheet with the imprint of a man's chest, foot, arm and hand in black paint. There are variations of the same face at the top with different expressions. The imprint on the left has glasses and appears sad, the imprint on the right has an angry or disgusted look with his teeth clenched.

A close-up of a white sheet with the imprint of a man's leg and hand in black paint.

A pen drawing on a black background. A gray, metal, foldable chair sits in the middle of the piece. Text messages overlap the chair in a conversation. The message on the right reads “Such crazy times…any meetings still happening there?” on a gray text bubble with white bubble letters outlined in black. The response on the left: “Yep… no meetings here” and underneath that, “Zoom only” on a white text bubble with black lettering. The last message is on the right side, reading “Have you tried any of those yet?” on a gray text bubble with white bubble letters outlined in black.

A pen drawing on a blue, cyanotype-printed background. At the bottom center are two mugs, one a standard, coffee mug shape and the other rounder and wider. The coffee mug is white and filled with a deep blue color while the round mug is white and filled with a lighter blue color, a tea bag floating within it.

A pen drawing on a black background. To the bottom right corner is a COVID mask drawn in gray and white, bent as if to resemble the shape when it is on someone’s face. Above the mask in the top left corner is a text message, reading “Horribly needing to be around others and fearing them” in a white text bubble and black lettering. Next to the piece on the right are the name and the words “Moriah LeFebvre”, “Untitled”, “Ink drawing”, and “2020”.

A pen drawing on a white background. A gray hammer with a black handle emerges from the right side and rests upwards on its circular face. The hammer creates a skinny, black shadow on the surface it rests on. Above the hammer to the left is a text message that reads “My god it’s ground hog day. But the unfunny version.” In a white text bubble outlined in black and black lettering. Underneath the piece is the name and the words “Moriah LeFebvre”, “Untitled”, “Ink drawing”, and “2020”.

A grayscale pen drawing on a black background. Upside down and to the right side is a large thermometer, the word “WelchAllyn” across the top. Extending from the top of the thermometer is a curly cord that leads to a thin probe at the bottom of the drawing.

A pen drawing on a black background. To the bottom right is a white baseball with gray stitching. A singular text message is above the baseball in the top right corner. In a white text bubble with black lettering reads “Kids are catching it.”. Next to the piece on the right are the name and the words “Moriah LeFebvre”, “Untitled”, “Ink drawing”, and “2020”.

A pen drawing on a blue, cyanotype-printed background. The bottom half of the piece has a horizontal print of a single flower with five petals that overlap each other, a thin stem, and at the bottom of the stem a set of leaves that reach upwards. Above the flower and to the right are three text messages: the first, “One of my best and oldest friends found her boyfriend dead tonight from a heroin overdose”; underneath that “This disease is alive and well”; and finally “I’m so grateful you’re still here with us and you’re clean”.

A pen drawing on a white background. At the bottom of the drawing are two tin cans, the one on the left laying on its side to show the empty inside, and the one on the right standing upside down. Connecting the two cans from their respective bottoms is a twine string that tangles together in the middle of the piece. At the top to the left is a text message in a white text bubble and black lettering, reading “Had a using dream last night and after I used I called you to tell you I relapsed”.

A black pen drawing on a white background. At the bottom of the piece is a tied plastic bag bulging with water, holding a goldfish. The goldfish rests at the bottom of the bag. The bag remains on the white floor, which fades into a black darkness past the bag. At the top of the piece is a text message conversation beginning on the right side with a gray text bubble and white lettering reading “Have they moved you to the ICU?”.

A blue pen drawing on a white background. To the top left is a text message in a white text bubble and black lettering, reading “God I can’t wait to see your masked face”. Above the top right corner of the message is a small white heart within a circular blue bubble from the receiver. Beneath the messages and to the right side is a foldable lawn chair, unfolded for someone to sit on. Next to the piece on the right are the words “Moriah LeFebvre”, “Untitled”, “Ink drawing”, and “2020”.