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  • dcterms:temporal: 2021
  • The WCP (Film)
    10272022-1f
    stop-motion photography
    English
    Connie Manna
    Moving Image
    Westport, CT
  • Isolated Conversations
    10292022-1a
    digital art (visual works)
    English
    Maria Servellon
    Moving Image
    Boston, MA
  • A screenshot of a webpage’s directory with black text and a white background. At the top left corner is the name of the website, “COVID-19 signage archive”; and at the top right are links to different sections of the website, titled “about”, “map”, “tags”, and “upload”. In the far right corner is a search bar. This section is separated by a bar with the word “browse” underneath it in the center. Four squares fill the page with different information: an “all signs” link which displays four random signs, “by location” which gives 10 sample locations across the world, “by date or text” which lists keywords, and “by tag” which provides filters to see specific signs. Underneath the four boxes is a link that reads “or, submit a sign you’ve seen!”.
    COVID-19 Signage Archive 1
    10302022-1a
    Web sites
    English
    Eli Fessler
    Image
    Honolulu, HI
  • A screenshot of a webpage with black text and a white background. At the top left corner is the name of the website, “COVID-19 signage archive”; and at the top right are links to different sections of the website, titled “about”, “map”, “tags”, and “upload”. In the far right corner is a search bar. A thin line separates the top from the webpage content. Towards the left half of the page is an image of a handmade sign made on white paper. The sign reads “no mask”, “no service + proof of vax required for dine-in” in all capital blue letters, surrounding a drawing of a cartoon-ish face with a long, brown and green mouth. To the right of the sign is tracking information: “location” and “Seattle, WA”, “date” and “dec. 8, 2021”, “author” and “h”, “tags” and “emoji, english, hand-written, masks, vaccines”, “text” and “no mask no service + proof of vax required for dine-in”. Underneath this section is a directory to see the previous sign, the next sign, a random one, or all.
    COVID-19 Signage Archive 2
    10302022-1b
    Web sites
    English
    Eli Fessler
    Image
    Honolulu, HI
  • A screenshot of a webpage with black text and a white background. At the top left corner is the name of the website, “COVID-19 signage archive”; and at the top right are links to different sections of the website, titled “about”, “map”, “tags”, and “upload”. In the far right corner is a search bar. A thin line separates the top from the webpage content. Underneath is a map that is in black with the continents in white. Throughout the continents are red dots that mark where the signs can be located. Beneath the map is a list of 74 cities across the world with these signs.
    COVID-19 Signage Archive 3
    10302022-1c
    Web sites
    English
    Eli Fessler
    Image
    Honolulu, HI
  • A screenshot of a webpage with black text and a white background. At the top left corner is the name of the website, “COVID-19 signage archive”; and at the top right are links to different sections of the website, titled “about”, “map”, “tags”, and “upload”. In the far right corner is a search bar. A thin line separates the top from the webpage content. There is a long list of tags, with a number next to each tag to designate how many signs have been posted with each tag. The tags list languages, whether a sign was hand-written, and what the sign pertains to in regards to rules and regulations. Towards the bottom of the page are tag definitions for words such as “closures”, “distancing”, “emoji”, “floor marker”, “governmental”, “hand-written”, “limits”, “masks”, “sanitizing”, “symptoms”, “typos”.
    COVID-19 Signage Archive 4
    10302022-1d
    Web sites
    English
    Eli Fessler
    Image
    Honolulu, HI
  • An oil painted self-portrait of a non-binary person. They have shoulder-length black hair, are wearing a black beanie, a black tank top, black sweatpants, and have black jacket sleeves on their arms. They have black eye makeup on, smudged as if they’ve been crying. They hold a white object in their left hand that resembles a tissue. They are seated on a chair in a bedroom with yellow walls, decorated with various objects. A messy bed is to their left and a small dresser is to their right.
    Power Portrait
    10302022-2a
    oil paintings (visual works)
    English
    Carmen Flores
    Image
    Ann Arbor, MI
  • A closeup of an oil painted self-portrait of a non-binary person. They have shoulder-length black hair and are wearing a black beanie and a black tank top. They have black eye makeup on, smudged as if they’ve been crying. They are in a bedroom with yellow walls and a window is behind them with the blinds pulled down.
    Power Portrait (Detail 1)
    10302022-2b
    oil paintings (visual works)
    English
    Carmen Flores
    Image
    Ann Arbor, MI
  • A closeup of an oil painted self-portrait of a non-binary person. They are sitting on a chair, wearing a black tank top, black sweatpants, and have a black jacket sleeve on their left arm. Grasped in their left hand is a white object that resembles a tissue. A messy bed is to their left.
    Power Portrait (Detail 2)
    10302022-2c
    oil paintings (visual works)
    English
    Carmen Flores
    Image
    Ann Arbor, MI
  • An oil painted self-portrait of a non-binary person. They are sitting in front of a mirror, slightly slouched with their left hand resting on their right leg. Their right hand is holding up a yellow smartphone to take a picture. They have shoulder-length black hair, and the bottom half of their face is visible. They are wearing only a black lace bra and a pair of white Calvin Klein underwear.
    Mirror Painting
    10302022-2d
    oil paintings (visual works)
    English
    Carmen Flores
    Image
    Ann Arbor, MI
  • A mixed media self portrait of a non-binary person. They have short blonde hair with bangs, light colored eyes, a silver nose ring, necklace, and are leaning down towards the viewer. They are wearing a black, lace bra. The colors of the different mediums used to create a pale skin color show through the piece.
    My Gaze
    10302022-2e
    watercolors (paintings)
    English
    Carmen Flores
    Image
    Ann Arbor, MI
  • Zion: Impressions of the National Park
    10312022-1a
    sheet music
    English
    Connie Phillips
    Text
    Pennsylvania
  • Wunnahunny Charlie
    10312022-2a
    short stories
    English
    Mike Fazzini
    Text
    Pittsburgh, PA
  • Fray
    10312022-3a
    chapbooks
    English
    Kelsey Walker
    Text
  • An abstract linoleum print, proofed with black ink and carved to reveal details in white. The top portion has a person sitting in a windowed room, holding a chain for an anchor that reaches down to the bottom. Next to the windowed room is a cloud with the figure of a person’s airways and lungs filled with white dots coming from the wave of water next to it. The wave overlaps a bar graph. Beside the wave, a plane labeled with the word “patriots” in capital letters flies upwards, and a COVID mask falls from the open plane door. Beneath the top portion is a sea, where a boat moves towards the windowed room with a banner on top of it that reads “help us” in capital letters. The large figure of a person with visible muscle tissue and internal organs swims towards a pulled drain plug. Underneath the scene to the left is a sign that has different recreational activities crossed out with a prohibition symbol. The chain from the anchor held by the person in the top left ties down a large heart filled with different symbols of life. A school bus drives down a road next to the sea, stopped by a barrier. A yellow duck and ducklings in COVID masks stand on paved ground next to the road.
    Covid Chronicles 1
    10312022-4a
    linoleum block printing
    English
    Ellen Shattuck Pierce
    Image
    Boston, MA
  • An abstract linoleum print, proofed with black ink and carved to reveal details in white. In the center, a person sits at a table with a respirator mask. On the table is a symbol of America overlapped with a flag, the stripes from the flag holding down a heart and bust statues of people. Next to the table, a carton of milk is tipped over and spills outwards, creating a flood at the bottom of the piece. Above the person, eyes cry tears, next to an angel with wings that are lungs, and a sun in the right corner. Underneath the sun, on the right, is an empty stadium with a banner that reads “Boston hope” in capital letters. Beneath the stadium is a pig pen, and one of the pigs steps in the spilled milk. To the left side, a truck drives through with a cherry picker in its trunk, holding up a person that puts posters of people on a building.
    Covid Chronicles 2
    10312022-4b
    linoleum block printing
    English
    Ellen Shattuck Pierce
    Image
    Boston, MA
  • An abstract linoleum print, proofed with black ink and carved to reveal details in white. In the top right corner is a depiction of the White House, four people wearing COVID masks stand in front of it. Following a factory line from the front of the white house, down throughout the piece are small objects that resemble vaccine vials that gather in the bottom right corner and also come from other conveyor belts from the left. Beneath the White House are a large set of steps, lined with officers, at the bottom of the steps a procession of US Capitol Police officers stand in a salute. Next to the White House at the top of the piece is a person lying in a bed, a COVID cell covering a sun ray above them. To the left of the bed is a crumbling colosseum. Below the colosseum is a tangle of intersecting lines, and below it, stacks of mushroom-like shapes.
    Covid Chronicles 3
    10312022-4c
    linoleum block printing
    English
    Ellen Shattuck Pierce
    Image
    Boston, MA
  • An abstract linoleum print, proofed with black ink and carved to reveal details in white. Winding from the bottom left to the right is a pathway of people, all masked, that leads to the Capitol building. Lining the pathway to the right side is a bunch of upright nails that form a swirl in the right corner. Above the Capitol building is a clock that breaks apart into a vortex at the center of the piece, warping the scene. On the left side is a barbed wire fence and a person nailing a wooden coffin shut. Above the scene in the top left corner, a gloved hand examines vaccine vials.
    Covid Chronicles 4
    10312022-4d
    linoleum block printing
    English
    Ellen Shattuck Pierce
    Image
    Boston, MA
  • An abstract linoleum print, proofed with black ink and carved to reveal details in white. Three school children wearing COVID masks walk towards a bus stop sign on a sidewalk. Next to the sidewalk is a garden of sunflowers and trees. Above the garden, dotted forms that could be mountains or clouds fill the space. Next to the garden on the right is a pile that covers about five handguns. Flying above the children are two angels, one on the right holding a laptop.
    Covid Chronicles 5
    10312022-4e
    linoleum block printing
    English
    Ellen Shattuck Pierce
    Image
    Boston, MA
  • An abstract linoleum print, proofed with black ink and carved to reveal details in white. Water floods an outdoor scene. To the left side, a person stands chest deep in the water wearing hospital scrubs, in their left hand is a pair of goggles and in their right a COVID mask, held above the water in front of them. Below them, a skull floats beneath the water. They are separated by a street that continues down the middle of the scene, trees and houses in the background. On the right side of the street, a group of protesters stand on boxes and platforms above the water, with signs in capital letters that read: “united non compliance”, “parents call the shots”, “unmask our children”, “no mandate my body my choice”, and “this dad fights like hell”. A horse stands next to two of the protesters.
    Covid Chronicles 6
    10312022-4f
    linoleum block printing
    English
    Ellen Shattuck Pierce
    Image
    Boston, MA
  • An abstract linoleum print, proofed with black ink and carved to reveal details in white. In the center, a person with a COVID mask sits at a school desk, a laptop opened in front of them. Behind them, a bunch of papers fly through the air. Surrounding the person are hands stretched into different poses: to the right, hands with fingers interlocked; in the center, hands with their pointer finger and thumb pressed together; and to the left, hands with fingers interlocked, only the thumbs pressing together. A box fan sits at the top center, and to the left of it are rows of outdoor isolated dining spaces. To the top right, a plow works in a field.
    Covid Chronicles 7
    10312022-4g
    linoleum block printing
    English
    Ellen Shattuck Pierce
    Image
    Boston, MA
  • An abstract linoleum print, proofed with black ink and carved to reveal details in white. An aerial view reveals a country setting, divided into two sections at the top. On the left, fields that hold the logos of different food brands: triscuit, nestle, oreo, nutella, pringles, skippy, cheetos, thomas, teddie, and doritos.  A plane flies above with the words “family size” in capital letters on a banner. An english muffin drips butter to the thick line separating the top from the bottom, a carriage pulled by horses races down it. In the top right, a circle divides the ground into seven sections with leaf symbols, and a pavilion sits in the center. In the bottom left section, a surface holds a laptop plugged into a brain. A tablet and two phones are plugged into the same charger in an outlet. To the right, a depiction of a person and two children on a floral background, one of the children breastfeeding.
    Covid Chronicles 8
    10312022-4h
    linoleum block printing
    English
    Ellen Shattuck Pierce
    Image
    Boston, MA
  • An abstract linoleum print, proofed with black ink and carved to reveal details in white. On a striped background, different motifs fill the scene. From the left, a pair of hands reach up and hold the figure of a person, a building and black stripes overlapping them. Within the bottom portion, a large wave laps upwards. A person on a small board stands and paddles through the calm water. In the top center, a badge that has the facebook logo in the middle reads: “the university of facebook” in capital letters, “School of Science & Political Propaganda”, and “A university without brains” in lowercase letters. A butterfly is positioned beneath the badge. To the right side, a train drives with a giraffe next to it, holding a sign that reads “ShotsRus”, an Earth floats above them. Beneath the train is a bridge that has a person sitting under a beach umbrella, watching boats in the water.
    Covid Chronicles 9
    10312022-4i
    linoleum block printing
    English
    Ellen Shattuck Pierce
    Image
    Boston, MA
  • An abstract linoleum print, proofed with black ink and carved to reveal details in white. In the center is a street, a child wearing a short dress and holding an umbrella walks down holding an open container, white dots pouring out of it. In the bottom portion is a truck labeled “patriots” in capital letters and people standing around. Next to it, a Black Lives Matter protest is beside COVID testing tents. In the top portion of the piece, hilled forms with broken eggs and eye symbols fill the space. A truck drives away from a hill of used gloves and COVID masks. Faintly above the scene are the words “Wash, rinse, repeat”.
    Covid Chronicles 10
    10312022-4j
    linoleum block printing
    English
    Ellen Shattuck Pierce
    Image
    Boston, MA
  • Sutured Resilience Soundscape
    10312022-5a
    musical performances
    English
    Chanika Svetvilas, with Jennifer Cabral-Pierce and Kat Cope. Sound engineered by Doreen Kirchner.
    Sound
    Princeton, NJ
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