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  • An abstract watercolor and ink painting on watercolor paper. The background is a light gray, filled with patches of dark gray and blots of black. At the center is a pink petal-like shape with a swirl on the left and an ‘x’ on the right. Black lines reach outwards on either side of the shape. On the top, bottom, and both sides of the shape in the center are more petal-like shapes with similar patterns. Longer pink forms extend from the top of the shapes on the bottom left and right, joining in the center.
    Faces and Mask 4
    03252022-1d
    watercolors (paintings)
    English
    Chance Smith
    Image
    New Jersey, United States of America
  • An abstract watercolor and ink painting on watercolor paper. The background is a light gray, filled with patches of dark gray and blots of black. At the center is a teal organic shape that resembles hair. Green blots create the outline of a face. Within the outline is a teal ‘V’ shape with a thin line through it where eyes would be, and a teal diamond-shaped blot in place of a mouth.
    Faces and Mask 5
    03252022-1e
    watercolors (paintings)
    English
    Chance Smith
    Image
    New Jersey, United States of America
  • 
An abstract watercolor and ink painting on watercolor paper. The background is a light gray, filled with patches of dark gray and blots of black. A large, light gray oval fills the center of the piece. The edges of the oval are tinged with a red-orange color. Within the center of the oval are two orange gem shapes aligned vertically on top of each other. The top gem has a smaller white shape at the top of it, dripping down and leaving a pool of white at the bottom. The gem underneath has a smaller black shape at the bottom of it with a thin line of black reaching up towards the top gem. Orange blots bleed out around the two gems.
    Faces and Mask 6
    03252022-1f
    watercolors (paintings)
    English
    Chance Smith
    Image
    New Jersey, United States of America
  • 
An abstract watercolor and ink painting on watercolor paper. At the center of the piece is the portrait of a person with long yellow hair and light yellow skin. They have no eyes. Where a nose would be there are two small, black dots. A black line extends from the two dots to the right, past the face. Another line extends from the left from underneath the dots. Two horizontal lines extend from where eyes would be down past the face, gathering ink at the bottom of the page. Bright yellow bleeds down from the top of the page, dripping into the person’s face and hair.
    Faces and Mask 7
    03252022-1g
    watercolors (paintings)
    English
    Chance Smith
    Image
    New Jersey, United States of America
  • An abstract watercolor and ink painting on watercolor paper. The background is a light yellow with light purple blots throughout the page. An oval, face-like shape is in the center of the page. The bottom of the shape is filled with deeper purple blots. The upper half has deeper yellow blots and a faint diamond shape in the center. The top of the shape is not defined and extends upwards with yellow strokes. Small white highlights fill the top of the shape and underneath the shape.
    Faces and Mask 8
    03252022-1h
    watercolors (paintings)
    English
    Chance Smith
    Image
    New Jersey, United States of America
  • A watercolor and ink painting on watercolor paper. In the center of the piece is the faceless portrait of a person, their face is filled with shades of deep blue and teal, and they have long black hair. Overlapping and disjointing the face are lines that make the piece look as if it's a reflection in a broken mirror.
    Faces and Mask 9
    03252022-1i
    watercolors (paintings)
    English
    Chance Smith
    Image
    New Jersey, United States of America
  • An abstract watercolor and ink painting on watercolor paper. At the center of the piece is the portrait of a person with no hair and light pink skin stained with bright red blotches throughout their face and down their neck. In place of eyes, they have two black angular, organic shapes that turn upwards, similar to eyeliner wings. Where a nose would be, there are two black dots, the paint leaking downwards both off of their face and down their neck. Surrounding the person is a faint green, organic shape that spreads throughout the piece and into the lighter green background.
    Faces and Mask 10
    03252022-1j
    watercolors (paintings)
    English
    Chance Smith
    Image
    New Jersey, United States of America
  • A digitally illustrated design of the “Death” tarot card. The card has a black border and a blue background, the roman numeral for the number 13, XIII, is at the top of the card and the word death at the bottom, both in a white font. Underneath the number is the text “Pick your poison” with the word “poison” in a dripping, colorful font. Below the text is a skull shaped cauldron with skeleton hands holding up the skull. There are brightly colored vials pouring “potions” and a purple hand sprinkling a blue-purple mixture into the cauldron; numerous vials surround the cauldron, each labeled with current issues and potential causes of death. Some labels include: “depression”, “environmental hazards”, “end-stage capitalism”, and “white supremacy”.
    pick your poison
    03302022-9a.jpg
    digital art (visual works)
    English
    Nikki Campbell
    Image
    Arizona, United States of America
  • a guide to mindful suffering
    03302022-9b
    poetry
    English
    Nikki Campbell
    Text
    Arizona, United States of America
  • A custom-bound book. The book is open with the pages open and facing away, displaying the binding and covers, which are shades of brown. The back cover has a flower motif in the center. The middle binding is titled “Retablos of Resistance” and the listed author's name is “Pamela Harris Lawton” above a yellow flower. The front cover, decorated with a floral pattern, reads “Agents of change: artists’ books & prints with a social conscience”.
    Retablos of Resistance 1
    05042022-1a
    retablos (panel paintings)
    English
    Pamela Harris Lawton
    Image
    Washington, DC, USA
  • A mixed-media woodcut and vellum marker collage. The background is a woodcut of a thistle plant with spiky round flowers and sharp leaves. Drawn overtop of it are two blue cancer molecules and two red and gray COVID germ molecules. Collaged overtop throughout the piece are the dictionary definitions for the words thistle, disease, cancer, panic, and racism.
    Retablos of Resistance 2
    05042022-1b
    retablos (panel paintings)
    English
    Pamela Harris Lawton
    Image
    Washington, DC, USA
  • A monochrome woodcut titled “Me the Coffee”. In the center of the piece is a portrait of a mature woman. Lining her portrait on the left are the words “cappuccino” and “expresso” with a steaming coffee cup in between. Lining her portrait on the right are the words “mocha” “cafe au lait” and three coffee beans. Beneath the portrait are the words “When challenges confront you, be the coffee! The hotter the water you find yourself in the stronger you become.” The artwork is bordered by drawings of leaves.
    Retablos of Resistance 3
    05042022-1c
    retablos (panel paintings)
    English
    Pamela Harris Lawton
    Image
    Washington, DC, USA
  • A watercolor painted yellow flower on cream coloured paper. The flower has many small yellow petals with a green stem. Long lines in shades of brown waver as they extend from the center of the flower into the empty space of the page.
    Untitled 1
    05042022-2a
    watercolors (paintings)
    English
    Geoffrey Levitt
    Image
    Lisbon, Portugal
  • A watercolor painting of colorful lines on white paper. At the center of the page are 4 wavy star shapes made from layered lines. One of these are green and blue, two are lime green and dark green with a red dot in the center, and another is red and blue. A dark green line, highlighted in yellow, wavers diagonally across the page, bending around the shapes. Behind it, a gray strip stretches across the page in the opposite direction, forming an X with the green line. A black paint splatter runs over the red shape, and drips a long black line that covers the full height of the paper.
    Untitled 2
    05042022-2b
    watercolors (paintings)
    English
    Geoffrey Levitt
    Image
    Lisbon, Portugal
  • A vibrant acrylic painting on canvas of layered shapes and paint strokes. Horizontal lines pattern the background of the canvas, in repeated rows of brown, yellow, and red. This pattern has been covered with a thin coat of white paint, so it is very faint. Over this, gray rectangles of various sizes are arranged to create uneven blocky structures. Many small bright red worm-like shapes wriggle around the blocks. Some are climbing up, some are sliding down the sides, but most are perched at the top, reaching toward the upper edge of the canvas that is covered in bright green paint strokes that resemble an aurora borealis.
    Untitled 3
    05042022-2c
    acrylic paintings (visual works)
    English
    Geoffrey Levitt
    Image
    Lisbon, Portugal
  • An acrylic painting on canvas. At the center of the painting, black and blue circles and small wavy lines form a medium-sized ball of shapes. Long lines in shades of green waver as they extend from the ball. The space between these lines is filled with solid colors like dark green, lime green, and blue. The painting resembles a close-up image of a flower’s disc and petals.
    Untitled 4
    05042022-2d
    acrylic paintings (visual works)
    English
    Geoffrey Levitt
    Image
    Lisbon, Portugal
  • An acrylic painted fall scene on canvas. At the center of the painting is a dark brown tree with thick, snaky branches and roots that spill through the fallen leaves surrounding the tree. The fallen leaves have orange and red tones, but the leaves in the tree branches are bright yellow. More of these orange and red leaves form a tall wall along the left edge of the canvas. The tree also has streams of water falling from the branches and running over the roots. Sketched in the white space behind the tree is a wide building with curved pillars along the side that form many rounded entryways, and behind this is a tall spiral building.
    Untitled 5
    05042022-2e
    acrylic paintings (visual works)
    English
    Geoffrey Levitt
    Image
    Lisbon, Portugal
  • A highly detailed pencil drawing of a rectangular antique clock, with roman numerals and two miniature watch faces on the clock face. Next to this is a green flower vase that looks like a tree stump. Sticking out of the vase is a spiny brown plant, with orange flowers falling from its many branches. The background is the empty white page, aside from a black line curving around the clock and vase from the left edge to the right.
    Untitled 6
    05042022-2f
    still lifes
    English
    Geoffrey Levitt
    Image
    Lisbon, Portugal
  • A multimedia drawing on white paper. Long black lines separate the page into panels. The space between these panels is filled with a navy green color. The actual panels are filled with long, squiggly worm shapes in different tones of red and yellow. Near the upper edge of the page, the panel lines converge in a way that resembles a cityscape.
    Untitled 7
    05042022-2g
    paintings (visual works)
    English
    Geoffrey Levitt
    Image
    Lisbon, Portugal
  • A multimedia drawing on white paper. Long and short strokes of color outlined in black form rectangular panels in hues of orange, red and yellow. These panels are lined up edge to edge, occasionally overlapping, to form a collage around the page with the smallest panels at the center.
    Untitled 8
    05042022-2h
    paintings (visual works)
    English
    Geoffrey Levitt
    Image
    Lisbon, Portugal
  • A watercolor painting of a flower on a white background. The flower has five round, speckled red and white petals. There is a cluster of long petals in hues of brown that stick out from the flower’s center and overlap while extending all across the page.
    Untitled 9
    05042022-2i
    watercolors (paintings)
    English
    Geoffrey Levitt
    Image
    Lisbon, Portugal
  • A painting on a white background. A large purple paint stroke zigzags down the page, its path being mimicked by thin black streaks. Over this, two smaller blue zig zags frame an intricate collage of small angular black shapes. The blue zig zags are also covered in patches of angular white shapes. The painting is sliced into a 5 by 3 grid formed from two horizontal red lines and four diagonal lines. Of the diagonal lines, the two in the middle are red, and the other two are black.
    Untitled 10
    05042022-2j
    paintings (visual works)
    English
    Geoffrey Levitt
    Image
    Lisbon, Portugal
  • A bright, white room with about 50 gris gris—a form of talisman used to ward off evil—displayed and grouped on the walls in a continuous, waved line. Each talisman is made up of vividly painted, abstract wooden panels, each with various striped, dotted, and textured patterns.
    Gris Gris for the First Wave of the Third Millennium 1
    05062022-1a
    talismans
    English
    Aziza
    Image
    Washington, DC, USA
  • The corner of a white room with about 50 gris gris—a form of talisman used to ward off evil—displayed and grouped on the walls in a fluid, waved line. Each talisman is made up of vividly painted, abstract wooden panels, each with various striped, dotted, and textured patterns.
    Gris Gris for the First Wave of the Third Millennium 2
    05062022-1b
    talismans
    English
    Aziza
    Image
    Washington, DC, USA
  • The corner of a white-walled room leading to two doorways. Above the doorways and flowing onto the walls are about 19 gris gris—a form of talisman used to ward off evil—displayed and grouped on the walls and above the doorways in a continuous, waved line. Each talisman is made up of vividly painted, abstract wooden panels, each with various striped, dotted, and textured patterns.
    Gris Gris for the First Wave of the Third Millennium 3
    05062022-1c
    talismans
    English
    Aziza
    Image
    Washington, DC, USA
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