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  • A digital, 3D rendering of the front of the White House from a side angle. The work is in a style that gives color to the architecture. The numerous columns are decorated with a yellow pedestal, orange base, and yellow shaft, with the same color pattern repeating at the very top of the columns. The roof supported by the columns has green, orange, red, and blue accents, and an American flag on top. The entrance to the white house has brown, green, blue, and yellow accents, while the various windows on the front of the building have the same color accents. There is a plot of grass visible in the foreground and a blue sky in the background.
    Untitled (A Study in Polychromy for the White House) 1e
    11282021-1e
    conceptual models (architectural models)
    English
    Assaf Evron
    Image
    Latitude : 41.875562 | Longitude : -87.624421
  • Art of Resilience1
    08032022-1a
    oil paintings (visual works)
    English
    Marites van Vianen
    Image
    Paris, France 2.352221 48.856614
  • An oil painting on canvas. There are about five bodies of varying skin tones intertwined in a fight. They are all wearing gray colored shorts, some of them shirtless, and one wearing a tan colored sweater. The people are wearing white tennis shoes with different countries' flags on them. Within the fight are the flags for the Philippines, Italy, United States, and Bolivia. Scattered in front of the people are more white shoes with the flags for France and the United Kingdom. To the bottom left is an open red shoebox with a white shoe that has the flag of China and a white COVID mask.
    Art of Resilience 2
    08032022-1b
    oil paintings (visual works)
    English
    Marites van Vianen
    Image
    Paris, France 2.352221 48.856614
  • An oil painting on canvas. In the center is the face of a person who has tan skin and brown eyes. The bottom half of their face is covered by a pink COVID mask. The person has black hair that is highlighted with red and pink, fading into the different pinks within the background.
    Art of Resilience 4
    08032022-1d
    oil paintings (visual works)
    English
    Marites van Vianen
    Image
    Paris, France 2.352221 48.856614
  • Art of Resilience 5
    08032022-1e
    oil paintings (visual works)
    English
    Marites van Vianen
    Image
    Paris, France 2.352221 48.856614
  • An oil painting on canvas. In the center is the face of a person who has tan skin and brown eyes. The bottom half of their face is covered by a blue and pink COVID mask. The person has long hair that is highlighted with shades of blue and light pink, fading into the different blues and pinks within the background.
    Art of Resilience 6
    08032022-1f
    oil paintings (visual works)
    English
    Marites van Vianen
    Image
    Paris, France 2.352221 48.856614
  • An oil painting on canvas. There are about five bodies of varying skin tones intertwined in a fight. They are all wearing gray colored shorts, some of them shirtless, and one wearing a tan colored sweater. The people are wearing white tennis shoes with different countries' flags on them. Within the fight are the flags for Italy, United States, United Kingdom, and Bolivia. One of the people in the fight has their arm stretched to the left side, holding a burning white shoe with the flag of India by a shoelace in their blue gloved hand. Scattered in front of the people are more white shoes with the flags for France, Germany, Philippines, Mexico, Brazil, and the Netherlands. To the bottom left is an open red shoebox with a white shoe that has the flag of China and a white COVID mask.
    Art of Resilience 7
    08032022-1g
    oil paintings (visual works)
    English
    Marites van Vianen
    Image
    Paris, France 2.352221 48.856614
  • A large illuminated, three dimensional sculpture on a wooden pedestal. The sculpture as a whole resembles a large prescription pill bottle that glows from within; the individual pieces forming that shape are cylindrical orange pill bottles stacked on top of each other for the bottom, and white pill bottle caps forming the tapered top. Contained within the bottles is an organic shape that blocks the light. The wooden pedestal base has four legs with six decorative bars crossing between them.
    Containment
    10202022-2a
    assemblages (sculpture)
    English
    Bruce Mackley
    Image
    East Lansing, Michigan, United States of America
  • A mix of different fabrics and textiles on a canvas. The top portion of the piece is a gray fabric that has a white wrinkled pattern, embroidered with thin blue and white thread in the top right corner. The bottom half of the piece contrasts the peacefulness of the single fabric with various pieces of white, gray, yellow and tan textiles that resemble hills. Underneath the hilled fabrics are lots of knotted, multicolored strings with frayed edges, piling on top of eachother.
    Landfill 1
    10232022-1a
    textile art (visual works)
    English
    Constance W Collins
    Image
    Indianapolis, Indiana, United States of America
  • A mix of fabric and textiles on a canvas. The top third of the piece has different fabrics funneling into the bottom half. On the far left and far right, a pale colored fabric gathers and bunches, held down by a silver thread. This fabric encompasses thinner strips of colorful, purple, green, orange, and blue woven fabrics. The bottom third of the piece is a mass of black fabric and black thread, the thread reaching out from the mass and weaving into the funnel of colorful woven fabric in the top portion.
    Landfill 2
    10232022-1b
    textile art (visual works)
    English
    Constance W Collins
    Image
    Indianapolis, Indiana, United States of America
  • A mix of fabrics and textiles on canvas. The top portion of the canvas is a dark and light blue piece of fabric, separated into waves by black thread. As the fabric leads down, the waves become separated by strips of red, white, and blue woven fabric. The bottom portion has patches of white textured fabric, with colorful green and orange fabrics in the bottom right corner. Bunched up on the white textured fabric are nine frayed, multicolored string pom poms.
    Landfill 3
    10232022-1c
    textile art (visual works)
    English
    Constance W Collins
    Image
    Indianapolis, Indiana, United States of America
  • A mix of fabrics and textiles on canvas. There are different multicolored, woven fabrics separated into strips by black thread. The fabric strips come together to create an abstract group of circular and angular shapes in the center of the piece.
    Landfill 4
    10232022-1d
    textile art (visual works)
    English
    Constance W Collins
    Image
    Indianapolis, Indiana, United States of America
  • A mix of fabric and textiles on canvas. The fabrics are all woven in different patterns of dark blue, light blue, white and black. The pieces are separated by black thread in wavy strips and angular pieces to create abstract shapes.
    Landfill 5
    10232022-1e
    textile art (visual works)
    English
    Constance W Collins
    Image
    Indianapolis, Indiana, United States of America
  • Three square panels of woven fabrics and textiles against a white background in a wooden frame. The first panel on the top is a uniform piece with a multicolored, feather-like pattern. Underneath, the second panel has the same fabric as a base, the top edges frayed and the bottom almost ripped up, strings from the fabric gathering outwards as if the original piece was stretched and torn. The bottom panel has the same fabric piece as the first, but destroyed and deconstructed, making it look as if it was torn up and sewed back on to the original piece.
    Landfill 6
    10232022-1f
    textile art (visual works)
    English
    Constance W Collins
    Image
    Indianapolis, Indiana, United States of America
  • Three square panels of woven fabrics and textiles against a white background in a wooden frame. The first panel has a uniform, multicolored piece of fabric that has blue edges and white stripes encompassing a pink and yellow stripe in the center; sunburst motifs repeat throughout the piece in a pattern. Underneath, the second panel has a piece of the same fabric with three white stripes, and a blue and pink stripe in between the white respectively. Circles of the sunburst motif have been cut out and sewed back onto the fabric in a circular pattern. The third panel has the same fabric but deconstructed, turned to the side and upside down to show the underside of the pattern. The fabric is frayed in an abstract line to create an organic shape, and sunburst motifs are cut out and sewed back onto the fabric throughout the panel.
    Landfill 7
    10232022-1g
    textile art (visual works)
    English
    Constance W Collins
    Image
    Indianapolis, Indiana, United States of America
  • A colored pencil and marker drawing. In the bottom left corner is a person with long hair within a dark blue background, next to a light blue orb. The person is holding back a bunched up fabric on the left side of the page, with red COVID cells that have sharp rows of teeth on it.
    Covid feelings
    10242022-1a
    drawings (visual works)
    English
    Kathleen Brokaw
    Image
    Lansing, Michigan, United States of America
  • A black pen and gray marker drawing on a lined sheet of paper of a person on the left with glasses and a long ponytail working at a computer desk to the right. The person is melting down the page, becoming shorter than the desk they are working at.
    The Covid College Student
    10242022-1b
    drawings (visual works)
    English
    Kathleen Barkow
    Image
    Lansing, Michigan, United States of America
  • Three glass sculptures of similar design, two in the front and one in the back. The largest sculpture in the back is on a brown base. The sculpture is made out of clear yellow knitted glass, and begins rounded on the bottom, leading up to a thinner circular shape, like a neck. The neck is curved to the left, and has seven leaf-like shapes encompassing a round, textured orange core, similar to an unbloomed flower. An LED light rod is encompassed within the sculpture, illuminating the inside and flower. The two sculptures at the front are similar with a smaller design featuring five leaf-like shapes and different textured orange cores.
    Untitled 1
    08042022-1a
    sculpture (visual works)
    English
    Image
    Seattle, WA -122.330062 47.6038321
  • Three glass sculptures of similar design, two in the front and one in the back. The largest sculpture in the back is on a teal base. The sculpture is made out of clear blue knitted glass, and begins rounded on the bottom, leading up to a thinner circular shape, like a neck. The neck has seven leaf-like shapes encompassing a round, textured, peach-colored core, similar to an unbloomed flower. An LED light rod is encompassed within the sculpture, illuminating the inside and flower. The two sculptures at the front are similar with a smaller design featuring five leaf-like shapes and different textured, peach-colored cores illuminated from within.
    Untitled 2
    08042022-1b
    sculpture (visual works)
    English
    Image
    Seattle, WA -122.330062 47.6038321
  • The top of a glass sculpture pictured zoomed in. The sculpture is made out of clear blue knitted glass. The top has six leaf-like shapes encompassing a round, textured, peach-colored core, similar to an unbloomed flower. An LED light rod is encompassed within the sculpture, illuminating the inside and flower.
    Untitled 3
    08042022-1c
    sculpture (visual works)
    English
    Image
    Seattle, WA -122.330062 47.6038321
  • A knitted glass sculpture on a circular black base, pointing to the right. A metal ladder reaches out from the center of the base, the rungs and inside of the ladder illuminated with LED lights. Pouring out from the base and entangling upwards, almost trapping the ladder within its cage, is a knitted black material.
    Untitled 5
    08042022-1e
    sculpture (visual works)
    English
    Image
    Seattle, WA -122.330062 47.6038321
  • A knitted glass sculpture on a circular black base. A metal ladder reaches out from the center of the base, the rungs and inside of the ladder illuminated with LED lights. Pouring out from the base and entangling upwards, almost trapping the ladder within its cage, is a knitted black material.
    Untitled 6
    08042022-1f
    sculpture (visual works)
    English
    Image
    Seattle, WA -122.330062 47.6038321
  • A knitted glass sculpture displayed on a metal stand with two holders on either side for the sculpture to rest in. The sculpture resembles a sun, with a hollow, circular knitted base of orange and yellow glass, with a hole in the center. Countless petal-like yellow shapes line the outside of the circular base, like sun rays.
    Untitled 7
    08042022-1g
    sculpture (visual works)
    English
    Image
    Seattle, WA -122.330062 47.6038321
  • A sculpture made out of knitted glass. Purple, pink, and blue glass are intertwined to create a knitted object. Two black knitting needles with clear, diamond shaped gems on the end are angled as if they are in use, with the glass looped on the needles.
    Untitled 8
    08042022-1h
    sculpture (visual works)
    English
    Image
    Seattle, WA -122.330062 47.6038321
  • A mannequin in scrubs and a face shield. Sewn onto the scrubs are face masks with Michigan COVID-19 statistics embroidered on.
    Pandemic: Weight-Bearer (BUT MY RIGHTS!)
    11292021-4a
    exhibition installation photography
    English
    Jjenna Hupp Andrews
    Image
    Latitude : 43.016169 | Longitude : -83.690021
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