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Browsing 1621 items in our collection
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- dcterms:dateSubmitted: 2021-09-26
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Strange Salad
A colorful fused glass dish resembling a salad pictured on a white background. The bottom left portion of the dish has a translucent teal background and the bottom right has a translucent background. Throughout the dish are pieces of angular green glass that resemble lettuce. Purple circles with red and white circles within them are scattered throughout the piece. A large piece of green is in the top left and a darker green is in the top right, with green and blue circles with black in the center.View item -
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Street Boy
Nikolina PajićCrayon drawing of boy on the street.View item -
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Street Samba
Cynthia FriedlobAn abstract digital drawing on a white background. The drawing is composed of different sized geometric squares and rectangles. The squares and rectangles have a bright, spring-like color palette, filled with various shades of blues, purples, browns, greens, yellows, oranges, and pinks. The shapes are separated, but many have shapes of contrasting colors within them. Underneath the piece to the left side are the words and name “Street Samba” and beneath that with a copyright symbol “2022 Cynthia Friedlob” in a black, standard font.View item -
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Strength Through Female War Survivors' Stories 1
Julie MarinoA screenshot of the front cover of a book. On the cover are 4 separate bodies of text, all separated by small horizontal red lines. The first reads “New York Times Bestseller” in dark blue text. The 2nd is the book’s title in large bold red text; A Woman of No Importance. The 3rd reads “The Untold Story of the American Spy Who Helped Win World War 2”, in dark blue text again. Below this is the author’s name, Sonia Purnell, and the note “author of Clementine: The Life of Winston Churchill” also in red text.View item -
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Strength Through Female War Survivors' Stories 2
Julie MarinoA digital screenshot of the front cover of the book “The Alice Network” by Kate Quinn. At the top of the cover are the words “New York Times Bestseller” in red text. Below that is a quote from another bestselling author in black italicized text. The words “A Novel” are written above the title in small blue text, and the title is written in bold red. Below the title is the author’s name in black text. Behind the text is a digital illustration of a woman with her back to the audience, wearing a green hat, white scarf, and black trench coat.View item -
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Strength Through Female War Survivors' Stories 3
Julie MarinoA digital screenshot of the front cover of the book "Surviving the Forest" by Adiva Geffen. At the top of the cover is the author’s name and below it, the book title in large orange text. Below this is a decorative line dash, and then the phrase “a WW2 Historical Novel, Based on a True Story of a Jewish Holocaust Survivor.” The cover image is a creative digital illustration of a young woman and a little girl holding hands while walking along a dirt road. They are facing away from the viewer.View item -
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Strength Through Female War Survivors' Stories 4
Julie MarinoA screenshot of a creative promotional for the movie "The Last Days" by James Mcall. Text on the promotional reads, “Academy Award Winner Best Documentary Feature” in yellow text highlighted in dark purple, “Steven Speilberg and The shoah foundation present” in black text, “The Last Days” in large white lettering with red undertones, and then “A film by James Mcall” in very small white lettering. The cover image shows a person sitting on very large steps that lead up to tall stone walls, where a couple of small buildings are partially hidden behind.View item -
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Strong Woman 1
A figurine sculpted out of polymer clay, reminiscent of the “We Can Do It” woman from World War II posters. The figurine has tan skin and short black hair, tied up by a white spotted red bandana. A white covid mask covers her face, and she wears a teal blue health care worker’s coat rolled past her elbows, khakis, and black shoes. Her hands rest against her hips, and she stands on a speckled gray surface. The figurine is placed on a pebbled ground outdoors, with grass and plants blurred in the background behind it.View item -
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Strong Woman 2
A figurine sculpted out of polymer clay, reminiscent of the “We Can Do It” woman from World War II posters. The figurine has tan skin and short black hair, tied up by a white spotted red bandana. She has a round nose and her eyes are shut, outlined in black, and a slight pink blush below them. She wears a teal blue health care worker’s coat rolled past her elbows, khakis, and black shoes. Her hands rest against her hips, and she stands on a speckled gray surface. The figurine is placed on a white desktop, in front of a stack of books and to the right of the bottom of a computer monitor.View item -
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Sueños oníricos, misivas de resistencia 1
Lorenzo CamachoAn illustrated postcard of a burning cabin. The outside of the cabin is white with a dark wooden door and wooden panels for a roof. Small pieces of wood are attached to the cabin, patching up holes. An orange and yellow fire blazes on the rooftop, trailing down to the right side of the home. Greenery engulfs the cabin on its left side. In front of the cabin is a gray paved road, and to the far right of the illustration leafy plants peak in. A deep, dark, blue sky fills the space above the cabin.View item -
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Sueños oníricos, misivas de resistencia 10
Lorenzo CamachoThe back of a white postcard with text to the left side and blank lines on the right.View item -
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Sueños oníricos, misivas de resistencia 11
Lorenzo CamachoAn illustrated postcard separated into squares and sections. Purple rain clouds fill the top row with a different color in each square, from left to right: dark blue, teal, light purple, light pink, and red. These colors create five columns. Throughout each column is an abstract face made out of lines. The dark blue column has the face of a person with their head in their hand, their tears forming a puddle. The teal column has the face of a depressed person, the rain falling around them.View item -
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Sueños oníricos, misivas de resistencia 12
Lorenzo CamachoThe back of a white postcard with text to the left side and blank lines on the right. The text to the left, written in spanish, is translated as follows: “I dream of a pavement of eyes blinking and crying in the rain. Sometimes the tears form a red puddle, others are confused with the rain, a few rise instead of falling. There are also people with empty eyes and sockets who cry. Their passing over the pavement seems natural. You don't hear anything. They cry over the eyes on the asphalt and they blink and cry back.”View item -
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Sueños oníricos, misivas de resistencia 13
Lorenzo CamachoAn illustrated postcard with a red background with thin yellow lines that create squares on the right side and move outward diagonally on the left. A person illustrated in black with thick short hair and a yellow blush on their cheek holds the skeleton of themself, their head and hair the same on the other body.View item -
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Sueños oníricos, misivas de resistencia 14
Lorenzo CamachoThe back of a white postcard with text to the left side and blank lines on the right. The text to the left, written in spanish, is translated as follows: “I dreamed that I was in the U with my friends and that they murdered us. It was all very bloody. When the paramilitaries left, we had to hide our bodies and hide ourselves (another post mortem body) so that no one would see us, since we were supposed to have been discharged.”View item -
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Sueños oníricos, misivas de resistencia 15
Lorenzo CamachoAn illustrated postcard with a tan orange background. A person is outlined in black and filled in with shades of blue, green, yellow, and orange. They have black hands and are holding a red teacup in their left hand and a saucer in their right. The teacup has a white figure of a person inside of it and the saucer has two black figures of people inside of it, holding on to the sides of the bowl.View item -
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Sueños oníricos, misivas de resistencia 16
Lorenzo CamachoThe back of a white postcard with text to the left side and blank lines on the right.View item -
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Sueños oníricos, misivas de resistencia 17
Lorenzo CamachoAn illustrated postcard with an off white background. In between small, colorful houses is a pathway decorated with plants. Three skeletons stand on the pathway wearing clothing; sweaters, skirts, and pants. A person wearing a yellow dress stands next to one of the skeletons, holding a picture of her son to see if he could be recognized by the dead. Small clouds float around them at the top right corner.View item -
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Sueños oníricos, misivas de resistencia 18
Lorenzo CamachoThe back of a white postcard with text to the left side and blank lines on the right.View item -
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Sueños oníricos, misivas de resistencia 19
Lorenzo CamachoAn illustrated post card. In dark blue on a white background is a skull with the top portion replaced by flat land. On the land is a gravestone with a crow perched on top of it to the left and a small house to the right. Lining the side are leafy plants. To the right of the image is a drawing of plant roots, a person’s head beneath the roots and their hair filling the space instead of dirt.View item -
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Sueños oníricos, misivas de resistencia 2
Lorenzo CamachoThe back of a white postcard with text to the left side and blank lines on the right.View item -
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Sueños oníricos, misivas de resistencia 20
Lorenzo CamachoThe back of a white postcard with text to the left side and blank lines on the right. The text to the left, written in spanish, is translated as follows: “Last night I dreamed that in the mountains where you can see crops like green scale mats, they were planting ESMAD (the Mobile Anti-Disturbance Squadron). There were pieces in which there were barely two or three, but there were others where there were many and as they grew, they learned to hit.”View item -
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Sueños oníricos, misivas de resistencia 21
Lorenzo CamachoAn illustrated postcard. A dark sky and shining moon overlook a city with countless green, blue, and purple homes, dotted with trees. Most of the lights are on in the homes as people look out of their windows. A stork flies through the city, holding a baby blanket in its beak.View item -
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Sueños oníricos, misivas de resistencia 22
Lorenzo CamachoThe back of a white postcard with text to the left side and blank lines on the right. The text to the left, written in spanish, is translated as follows: “I dreamed that the eyes that were lost during the violence of the strike returned to their owners. It was night. The moon was full and the young people looked out of the windows of the houses while some storks carried their lost eyes wrapped in baby blankets. With their beaks, the storks put their eyes where they belonged.”View item -
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Sueños oníricos, misivas de resistencia 23
Lorenzo CamachoAn illustrated postcard depicting a bedroom. The room has a dark green wall; small decorations and plants are placed throughout the room. A large window takes up the majority of the wall, with light purple curtains and the window panels opened inwards. Outside is nothing but darkness. On the floor is a purple bed with the flag of Columbia resting on it, which is a horizontal stripe of yellow, blue, and then red.View item
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