A multimedia drawing on white paper. Long black lines separate the page into panels. The space between these panels is filled with a navy green color. The actual panels are filled with long, squiggly worm shapes in different tones of red and yellow. Near the upper edge of the page, the panel lines converge in a way that resembles a cityscape.

A multimedia drawing on white paper. Long and short strokes of color outlined in black form rectangular panels in hues of orange, red and yellow. These panels are lined up edge to edge, occasionally overlapping, to form a collage around the page with the smallest panels at the center.

A painting on a white background. A large purple paint stroke zigzags down the page, its path being mimicked by thin black streaks. Over this, two smaller blue zig zags frame an intricate collage of small angular black shapes. The blue zig zags are also covered in patches of angular white shapes. The painting is sliced into a 5 by 3 grid formed from two horizontal red lines and four diagonal lines. Of the diagonal lines, the two in the middle are red, and the other two are black.

An abstract painting made with acrylic and pastels. The painting depicts numerous geometric shapes overlapping each other to create shapes within the different blocks of color. To the left of the painting are white rectangles and triangles outlined in black, on top of a dark brown background. The right side of the painting has a light brown background, a large dark brown square, outlined in black, covers the majority of the background.

An abstract painting made with acrylic and pastels. The painting has numerous geometric shapes overlapping each other to create shapes within the different blocks of color. At the middle of the piece is a large rectangle outlined in black, the majority of it is white. Smaller rectangles and geometric shapes segment the rectangle in dark brown, light brown and white. At the top of the rectangle is the beginning of a light brown semi-circle that becomes dark brown as it extends past the rectangle into the right half of the painting.

An abstract painting made with acrylic and pastels. The painting has numerous geometric shapes overlapping each other to create shapes within the different blocks of color. The top left portion of the painting is a partial square made out of white rectangles and triangles outlined in black. Towards the middle of that square is a small, dark brown triangle. To the right of that square are three organic triangles in light and dark brown. The bottom portion of the painting is a large dark brown rectangle segmented by a smaller white rectangle, outlined in black.

An abstract painting made with acrylic and pastels. The painting has numerous geometric shapes overlapping each other to create shapes within the different blocks of color. Off center to the left is a cluster of white, geometric, rectangle-like shapes outlined in black. Connected to the top and bottom of the group of white are two, light brown rectangles, also outlined in black. Filling the rest of the canvas are longer, dark brown rectangles and triangles, outlined in black.

An abstract painting, sunlight partially illuminating the left side of it, the natural texture of the canvas and brush strokes are visible within the light. The painting has numerous geometric shapes overlapping each other to create shapes within the different blocks of color. In the center of the painting are large triangular shapes that surround smaller, square and rectangular shapes in white, tan, yellow, and dark brown; all of the shapes are outlined in black. Encompassing the large group of shapes are dark brown, angular borders.

An abstract painting, sunlight partially illuminating the left side of it, the natural texture of the canvas and brush strokes are visible within the light. The painting has numerous geometric shapes overlapping each other to create shapes within the different blocks of color. The majority of the painting is focused on the right side, in which a large group of angular shapes, squares, and rectangles are grouped together. The shapes are white, tan, dark brown, and light purple; all of them outlined in black. Encompassing the large group of shapes are dark brown, angular borders.

A photograph of an abstract painting, sunlight partially illuminating the piece, the natural texture of the canvas and brush strokes are visible within the light. The painting has numerous geometric shapes overlapping each other to create shapes within the different blocks of color. The shapes take up the majority of the space on the canvas.

An abstract painting made with acrylic and pastels, the brush stroked and texture of the canvas are visible. The painting has numerous geometric, and angular shapes that come together to form a large, irregular rectangle. Within the rectangle, different shapes in both white and tan are segmented by black lines. In the little space surrounding the rectangle is a yellowish-green.

An abstract painting made with acrylic and pastels, the brush stroked and texture of the canvas are visible. The painting has numerous angular shapes that come together to form a large, irregular rectangle. Within the rectangle, different triangles and rectangles in white are segmented by black lines. In the little space surrounding the rectangular shape is a yellow-tan color.

An abstract painting made with acrylic and pastels. The painting has numerous angular shapes that come together to form a large, irregular rectangle. Within the rectangular shape are smaller, irregular rectangles and triangles, in white, pink, light brown, and tan, segmented by black lines. In the space surrounding the rectangular shape is a light brown.

An abstract painting made with printmaking ink on watercolor paper. The appearance is similar to that of acrylic paint; with long, textured brush strokes that have different shades of vivid green, red, and blue weaved throughout them. These strokes are overlapped horizontally so in parts where the ink breaks or a stroke ends, a different stroke continues. Where the colors blend, there are hints of brown.

An abstract painting made with printmaking ink on watercolor paper. The appearance is similar to that of acrylic paint; with long, textured brush strokes that have different shades of vivid green, red, and blue weaved throughout them. These strokes are overlapped horizontally on each other continuously, making it hard to find where one begins and another ends. Where the colors blend, there are hints of brown.

An abstract painting made with printmaking ink on watercolor paper. The appearance is similar to that of acrylic paint; with long, textured brush strokes that have different shades of vivid green, red, and blue weaved throughout them. These strokes are overlapped on each other continuously, dragged down from the top to the bottom of the page. Where the colors blend, there are hints of brown.

An abstract painting made with printmaking ink on watercolor paper, the texture of the paper visible. The appearance is similar to that of acrylic paint; with long brush strokes that are mostly vivid blue but have different shades of green and red weaved throughout them. These strokes are dragged down from the top to the bottom of the page. Where the colors overlap and blend, there are hints of brown.

An abstract painting made with printmaking ink on watercolor paper. The appearance is similar to that of acrylic paint; with large, textured brush strokes, separating the painting into two sides. The bigger side is a vivid blue with hints of green almost taking over the whole canvas, and the smaller side a sliver of green with hints of brown.

An oil painting on canvas depicting a surreal underwater creature, with one large tentacle that breaks off into smaller, spindly tentacles. The tentacles are a light blue color with a white underside. Encompassing the tentacles is a red mass filled with numerous bubbles in a multitude of blue, purple, white, red, and orange. The bubbles are clustered together organically, leaving space for the deep black of the sea to show through, almost like the bubbles are being gathered by the creature.

A multi-media drawing of an astronaut flying through space. The astronaut is tethered to an Earth in the lower left corner, and is flying directly in front of what appears to be the moon. They are surrounded by flying dark figures as they approach another planet that appears to be Jupiter. The background is a yellow-to-blue diagonal gradient.

A multi-media drawing on green-ish paper, of a person wielding a spear. The only visible feature of the person is their hands which firmly hold the spear pointed downward. The tip of the spear is covered in blood, and directly below it is part of a body with a bloody torso lying horizontally. The body is shirtless, with orange bottoms. The background is unevenly shaded black and white, with many small bright red spots that resemble cheetah-print. Two rectangular holes in the background reveal miniature purple and teal pen drawings of various, indistinguishable robotic-like figures.

A pen drawing on yellow paper of a figure, centered, sitting with their legs crossed and head down, resting in their hands. The figure is outlined in orange, and has strips of wavy blue lines running down its chest, arms, and legs. Rather than hair, the figure has small green plant-like shapes growing out of the top of its head. The background is hot pink with small dark blue spots that resemble that of cheetah-print.

A photograph of a black pen drawing on lined paper, of a figure sitting and hugging their legs close. Instead of a head on its shoulders, there is a large grenade. Surrounding and partially covering the figure are congested pen strokes and scribbles.