Viewing 1620 items in this data set

  • A pen drawing on a black background. To the bottom right is a white baseball with gray stitching. A singular text message is above the baseball in the top right corner. In a white text bubble with black lettering reads “Kids are catching it.”. Next to the piece on the right are the name and the words “Moriah LeFebvre”, “Untitled”, “Ink drawing”, and “2020”.
    Works In Rough Going: Recovery Community and Communication During the Pandemic 6
    06072022-1f
    prints (visual works)
    English
    Moriah LeFebvre
    Image
    Durham, North Carolina -78.9018053 35.996653
  • A pen drawing on a blue, cyanotype-printed background. The bottom half of the piece has a horizontal print of a single flower with five petals that overlap each other, a thin stem, and at the bottom of the stem a set of leaves that reach upwards. Above the flower and to the right are three text messages: the first, “One of my best and oldest friends found her boyfriend dead tonight from a heroin overdose”; underneath that “This disease is alive and well”; and finally “I’m so grateful you’re still here with us and you’re clean”. Each text message is on a light blue text bubble with white lettering. Next to the piece on the right are the name and the words “Moriah LeFebvre”, “Untitled”, “Ink drawing”, and “2020”.
    Works In Rough Going: Recovery Community and Communication During the Pandemic 7
    06072022-1g
    prints (visual works)
    English
    Moriah LeFebvre
    Image
    Durham, North Carolina -78.9018053 35.996653
  • A pen drawing on a white background. At the bottom of the drawing are two tin cans, the one on the left laying on its side to show the empty inside, and the one on the right standing upside down. Connecting the two cans from their respective bottoms is a twine string that tangles together in the middle of the piece. At the top to the left is a text message in a white text bubble and black lettering, reading “Had a using dream last night and after I used I called you to tell you I relapsed”. In response on the right in a black text bubble and white lettering is “Glad I was there” with a heart symbol following the message. Underneath the piece to the right are the words “Moriah LeFebvre”, “Untitled”, “Ink drawing”, and “2020”.
    Works In Rough Going: Recovery Community and Communication During the Pandemic 8
    06072022-1h
    prints (visual works)
    English
    Moriah LeFebvre
    Image
    Durham, North Carolina -78.9018053 35.996653
  • A black pen drawing on a white background. At the bottom of the piece is a tied plastic bag bulging with water, holding a goldfish. The goldfish rests at the bottom of the bag. The bag remains on the white floor, which fades into a black darkness past the bag. At the top of the piece is a text message conversation beginning on the right side with a gray text bubble and white lettering reading “Have they moved you to the ICU?”. The response continues to the left in three messages in white text bubbles and black lettering: the first, “Yea”; underneath that “It’s on a Covid for, we’re all in glass rooms”; correcting the error is “Floor*”. Next to the piece on the right are the name and the words “Moriah LeFebvre”, “Untitled”, “Ink drawing”, and “2020”.
    Works In Rough Going: Recovery Community and Communication During the Pandemic 9
    06072022-1i
    prints (visual works)
    English
    Moriah LeFebvre
    Image
    Durham, North Carolina -78.9018053 35.996653
  • A blue pen drawing on a white background. To the top left is a text message in a white text bubble and black lettering, reading “God I can’t wait to see your masked face”. Above the top right corner of the message is a small white heart within a circular blue bubble from the receiver. Beneath the messages and to the right side is a foldable lawn chair, unfolded for someone to sit on. Next to the piece on the right are the words “Moriah LeFebvre”, “Untitled”, “Ink drawing”, and “2020”.
    Works In Rough Going: Recovery Community and Communication During the Pandemic 10
    06072022-1j
    prints (visual works)
    English
    Moriah LeFebvre
    Image
    Durham, North Carolina -78.9018053 35.996653
  • A wispy white flower with a green stem on a white background, with white q-tips arranged meaningfully among the flower stems, as if the q-tip stick and cotton attached are flowers as well. Blowing away from the flower to the top left corner are wisps of q-tip cotton, as if being carried by the wind.
    To The Wind
    06102022-1a
    sculpture (visual works)
    English
    Image
    Chicago, Illinois -87.6244212 41.8755616
  • Three white q-tips on a white background, arranged horizontally across the bottom. Each q-tip has an assortment of dark green, angular leaves on the top, like a tree.
    Peace
    06102022-1b
    sculpture (visual works)
    English
    Image
    Chicago, Illinois -87.6244212 41.8755616
  • A set from a production of a musical. To the left is a tall red building with blue windows and a blue door. In the middle of the set, on the back wall,  is a large television screen with a blue and yellow frame, the inside of the screen displaying a black and white image of the production in front of it. In front of both sides of the screen are two circular arches; the one to the left is pink and attached to a light green platform, and the one on the right is blue and attached to a light purple platform, with orb-like light fixtures attached to both arches. People in 60’s era clothes decorate the stairs and stage below, posed as if they are dancing to a coordinated number. The stage floor is decorated with a large blue, cobble-stone like pattern. Behind the set are tall trees, shadowed by darkness.
    Robert Mark Morgan 1
    06142022-3a
    stages (performance spaces)
    English
    Robert Mark Morgan
    Image
    St. Louis, MO -90.1910154 38.6280278
  • A set from a theater production. The background of the set is a large, rectangular, glowing red rectangle that illuminates the stage. Within the rectangle are tall, black pillars surrounded by a leaf-like pattern, as if depicting trees or a forest. On the right side of the stage is a small, two step platform that holds a table. A man sits on a chair next to it, wearing a hat, button down with a vest, brown pants, and shoes; holding a shotgun. To the side of the table is a taller wooden structure; a girl wearing a brown and white dress sits on the floor in front of it, her arm outstretched towards a container. Past the scene to the far left side of the stage is a red sheet, shrouding an object or person within the darkness.
    Robert Mark Morgan 2
    06142022-3b
    stages (performance spaces)
    English
    Robert Mark Morgan
    Image
    St. Louis, MO -90.1910154 38.6280278
  • A set from a theater production. The background displayed on a screen is of a bluish purple clouded sky, with the clouds almost as if being pushed in motion. In front of the screen is an elaborate platformed structure, with two sides and a smaller, rounded platform with a circular arch in the middle. In the middle platform sits a person wearing a brown trench coat in a chair-like contraption. On the left side of the person is a mustached man standing; wearing a black bowler hat, black trench coat, and black gloves. To the right side is a woman with short blonde hair wearing a brown hat, long pink dress, and brown gloves. Underneath the platform is a stage bathed in red light, with three light yellow velvet chairs arranged around a table to the left. On top of the table is a diorama of a city, and on the side of the table are the words “Pericate Saint Andrews” in a yellow, sophisticated font.
    Robert Mark Morgan 3
    06142022-3c
    stages (performance spaces)
    English
    Robert Mark Morgan
    Image
    St. Louis, MO -90.1910154 38.6280278
  • A set from a theater production. At the back of the stage is a screen: the top left corner displays a picture of a moon with a second moon to the right of it, both moons shrouded in fog; the center of the screen is a black color that fades into blue at the bottom, the screen and lighting paints the rest of the stage in a textured blue shadow. Suspended from the ceiling to the right are the doors and windows of a house, dangling within the air. Beneath the door frames is a wooden platform with a step, a woman in a blue dress perches on the platform with her hands resting on her knees. Behind her is a yellow armchair, a small wooden side table with a lantern placed next to it. To the raised right side of the platform is a bed and a dresser. Wooden frames decorate the platform, as if the original place of the doors and windows. On the outside of the platform are smaller pieces of wood sticking up from the ground like a fence, with wooden wheels scattered throughout the scenery.
    Robert Mark Morgan 4
    06142022-3d
    stages (performance spaces)
    English
    Robert Mark Morgan
    Image
    St. Louis, MO -90.1910154 38.6280278
  • A set from a theater production. The stage is a crescent shape with six steps in the center that lead up to a smaller, rounded platform. The walls surrounding the stage are filled with images of documents, and two flags, one the American flag and the other the US Department of State flag. In the center of the stage beneath the steps is a small podium; a man wearing a gray suit jacket, white button down, and gray tie stands behind it and talks into the skinny microphone, as if giving a speech. Chairs reside on each side of the steps, though the people that once resided in them stand at the top of the crescent shaped platform. Decorating the platform are people of different races standing in various positions, the majority of them wearing matching suits. Additional onlookers remain closer to the edge of the stage; two on each side, one sat in a chair while the other stands. In the middle, a person records the scene.
    Robert Mark Morgan 5
    06142022-3e
    stages (performance spaces)
    English
    Robert Mark Morgan
    Image
    St. Louis, MO -90.1910154 38.6280278
  • A set from a theater production. The larger depiction of the set is an abstractly designed house. Suspended from the ceiling is the frame for the point of a roof: made out of two vertical pieces of wood that meet to form the point, and three horizontal slats of wood that are intersected by a rectangular window in the middle. This visual of the roof opens into the inside of the house, with a pink patterned wallpaper. A windmill sits above the frame of the house, among the dark yellow background. The walls of the ornate, dimly-lit house are filled with windows and doors. The main scene takes place within the open kitchen; a white man sits alone at a table, wearing a blue button down, khaki pants, brown shoes, and is holding an opened black book, reading. The remainder of the scene is filled with furniture: an orange velvet couch, small wooden coffee table, a side table with a desk lamp, and a desk cover the space. The stage floor is hardwood, adding to the depiction of the home.
    Robert Mark Morgan 6
    06142022-3f
    stages (performance spaces)
    English
    Robert Mark Morgan
    Image
    St. Louis, MO -90.1910154 38.6280278
  • A theater set on a stage, depicting the inside of an elegant, victorian-era room. The walls are teal ordained with gold detailing and framing. Two rectangular windows in the center of the wall have sheer green and gold curtains and a view of a victorian cityscape. On the left side of the wall is a painting, and mirroring that on that right side is a bookcase. Throughout the room are different pieces of furniture and tables: a white couch, a white circular seat, smaller yellow and gray chairs, and golden end tables and shelves fill the space. An elaborate chandelier hangs from the dome-like ceiling. In the foreground is a greyscale, scale model of the set.
    Robert Mark Morgan 7
    06142022-3g
    stages (performance spaces)
    English
    Robert Mark Morgan
    Image
    St. Louis, MO -90.1910154 38.6280278
  • A set from a theater production. The backdrop of the stage is a brown-toned cityscape; a large windowed wall with an art-deco, circle and square pattern opens up into a door for a balcony that overlooks the city. A person stands in the doorway of the wall, with white hair, and wearing a gray shawl, long white shirt, and black pants, their arms up in movement as they overlook the city. In front of the windowed backdrop is an armchair on the left side and a foot cushion on the right. The stage floor has a dark blue square texture. Towards the left side of the stage, a young boy with short, light brown hair, wearing a dark gray jacket with the sleeves pushed above his elbows, a light gray t-shirt, and black pants stands within the spotlight, a gray square object clutched in his left hand.
    Robert Mark Morgan 8
    06142022-3h
    stages (performance spaces)
    English
    Robert Mark Morgan
    Image
    St. Louis, MO -90.1910154 38.6280278
  • A theater set onstage depicting an elegant, almost vampiric interior. At the center of the scene is a dinner table upon a small platform, a yellow curtain suspended behind the table, pulled up on either side to act as a doorway or to frame the table. Similar curtained doorways are found on the far left and far right of the stage. A balcony covers the top part of the stage, with spiraling staircases on either side of the center curtain leading up to the space. On top of each staircase railing is a mask with a monstrous face. The gothic-like detailing of the balcony railing and design is enhanced by the dark red wallpaper and lighting that shroud the background of the stage. Two light fixtures with three dark orange lights hang from the ceiling from the far left and far right side of the stage.
    Robert Mark Morgan 9
    06142022-3i
    stages (performance spaces)
    English
    Robert Mark Morgan
    Image
    St. Louis, MO -90.1910154 38.6280278
  • A stage from a theater production. A circular structure made with horizontal wood slats envelopes the proscenium arch exterior to frame the center of the stage. Above the structure, to the right side, is a glowing white crescent moon. Decorating the proscenium, long pieces of skinny fabric dangle from the ceiling, like vines. To the left of the stage stands a man in what looks to be pirate garb. He poses, looking at the woman standing on a spiraling staircase to the far right, who wears a golden hat and similar golden clothing. Round white orbs decorate the right side, and a glowing purple and pink striped back wall is in the background. The floor of the stage is checkered with a textured, swirling pattern from the lighting reflected onto it from above.
    Robert Mark Morgan 10
    06142022-3j
    stages (performance spaces)
    English
    Robert Mark Morgan
    Image
    St. Louis, MO -90.1910154 38.6280278
  • A stained glass window made up of coloured and painted glass pieces held together by metallic strips. The window is a rectangle, mostly consisting of vertical strips of transparent, coarsely textured glass. The window is split down the center, with duplicate depictions of blue and yellow banners. There is a red diamond at the very center of the window, with smaller red and yellow glass squares decorating the borders.
    Untitled 1
    06142022-4a
    stained glass (visual works)
    English
    Image
    St. Louis, MO -90.1910154 38.6280278
  • A stained glass window made up of coloured and painted glass pieces held together by black lead strips. The window is a square, mostly consisting of vertical strips of transparent, coarsely textured glass. Aligned down the center of the window are thin yellow and green glass strips, forming the stem of a flower. This connects at the top, to a rose made from brown and cream colored glass petals. Extending out from the sides of the rose are green leafy vines.
    Untitled 2
    06142022-4b
    stained glass (visual works)
    English
    Image
    St. Louis, MO -90.1910154 38.6280278
  • An unfinished stained glass window spread on a wooden workshop table. Only the bottom half of the square window is complete, with big and small rectangular glass pieces laying vertically side by side. Lead strips line all the intersections and extend into the unfinished upper half, marking the empty spaces where more glass will go. A white paper equal to the size of the window sits directly under it, with lines and number notations, serving as a blueprint for the window design. There are a few other tools on the table used for the window making process.
    Untitled 3
    06142022-4c
    stained glass (visual works)
    English
    Image
    St. Louis, MO -90.1910154 38.6280278
  • An unfinished stained glass window spread on a wooden workshop table. About 75 percent of the square window is complete, with big and small rectangular glass pieces laying vertically side by side. Images of a rose and leafy vines are beginning to come into formation. Lead strips line all the intersections and extend into the unfinished upper left half, marking the empty spaces where more glass will go. A white paper equal to the size of the window sits directly under it, with lines and number notations, serving as a blueprint for the window design. There are some paper leaf cutouts and a few other tools on the table used for the window making process.
    Untitled 4
    06142022-4d
    stained glass (visual works)
    English
    Image
    St. Louis, MO -90.1910154 38.6280278
  • A stained glass window made up of coloured and painted glass pieces held together by black lead strips. The upper half of the window is transparent, coarsely textured glass. The lower half is layered in rows starting with purple glass spikes, wavy blue shapes, and another straight row of the transparent glass. Aligned down the center of the window are one yellow square and two red square shapes, with a blue glass piece waving off the top. Off to the left side is a yellow circle resembling a moon, and there are blue diamonds in both upper corners. These pieces depict an image of a red boat sailing across turbulent waters.
    Untitled 5
    06142022-4e
    stained glass (visual works)
    English
    Image
    St. Louis, MO -90.1910154 38.6280278
  • An unfinished stained glass window spread on a wooden workshop table. Only the bottom half of the square window is complete, with curved blue glass beginning to form the image of water waves. Lead strips line all the intersections and extend into the unfinished upper half, marking the empty spaces where more glass will go. A white paper equal to the size of the window sits directly under it, with lines and number notations, serving as a blueprint for the window design. There are a few other tools on the table used for the window making process.
    Untitled 6
    06142022-4f
    stained glass (visual works)
    English
    Image
    St. Louis, MO -90.1910154 38.6280278
  • Three identical stained glass windows made up of coloured and painted glass pieces held together by black lead strips. The windows are vertical rectangles made up of mostly transparent, coarsely textured glass squares and strips. Framing them are skinny strips of green glass that intersect at each corner, leaving a square gap that is filled with pink glass. Aligned down the center is a green and pink arrow pointing downward at a pink diamond shape.
    Untitled 7
    06142022-4g
    stained glass (visual works)
    English
    Image
    St. Louis, MO -90.1910154 38.6280278
  • A collage of three photos showing the process of a stained glass window being made. The first, and largest, image shows the unfinished window on a wooden workshop table. Only the border is complete, with big and small rectangular glass pieces laying vertically side by side. The second image shows a white man standing at a wooden workshop table, working on the unfinished window. The third image is a closeup of the completed window, with a green and pink arrow pointing downward, and silver lead strips lining all the intersections.
    Untitled 8
    06142022-4h
    stained glass (visual works)
    English
    Image
    St. Louis, MO -90.1910154 38.6280278
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