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  • A photograph of a resin sculpture shaped like a cresting ocean wave, on a white backdrop, viewed horizontally from the side and placed upside down with the wave cresting to the right. The base of the sculpture is the semi-transparent blue-green of the ocean. White swirls coat the top of it like swirling sea foam. The wave is on the left, rising from the base and curling over in the shape of a letter C, with the top of the wave coming over the ocean base.
    Covid Wave 5
    07242021-1e
    small sculpture
    English
    Yvette Robinson
    Image
    East Lansing, MI
  • A photograph of a resin sculpture shaped like a cresting ocean wave, on a white backdrop, viewed horizontally from the front facing left with the wave cresting to the right. The base of the sculpture is the semi-transparent blue-green of the ocean. White swirls coat the top of it like swirling sea foam. The wave is on the left side, rising from the base and curling over in the shape of a letter C, with the top of the wave over the ocean base.
    Covid Waves 6
    07242021-1f
    small sculpture
    English
    Yvette Robinson
    Image
    East Lansing, MI
  • A photograph of a man standing outside in front of trees. The man is white, older, with gray hair, a gray mustache, and a short gray beard. He is wearing glasses, a green long sleeve shirt that says “Autumn classic 8K” surrounded by leaves, and jeans. He is holding a screwdriver. To his left is a bird feeder. To his right is a wooden birdhouse mounted on a pole with a camouflage covering. The bird house is rectangular, with a flat roof and a door that opens at the bottom. Inside the bird house is a toy stuffed bluebird.
    Gene's Bluebird Houses 1
    08022021-1a
    birdhouses
    English
    Gene Wasserman
    Image
    Haslett, MI
  • A photograph of a smiling man standing next to a wooden bird house. The man is white, older, with gray hair, a gray mustache, and a short gray beard. He is wearing glasses and a green long sleeve shirt that says “Autumn classic 8K” surrounded by leaves. The bird house is mounted to a pole covered in camouflage that is almost as tall as he is. The bird house is rectangular, with a roof that extends out over it and a tiny circle for the birds to enter from. Below the entrance is a black engraving of a bird. There is a label on the side of the bird house with text that is unreadable.
    Gene's Bluebird Houses 2
    08022021-1b
    birdhouses
    English
    Gene Wasserman
    Image
    Haslett, MI
  • A photograph of a birdhouse mounted on a pole in front of trees. The birdhouse is a vertical rectangle made of wood, with a flat roof that extends over the edges of the house and an entrance hatch with a round hole at the top. The hatch is open to show the inside. Inside the bird house is a stuffed toy bluebird with an orange belly and a blue head.
    Gene's Bluebird Houses 3
    08022021-1c
    birdhouses
    English
    Gene Wasserman
    Image
    Haslett, MI
  • A photograph of a man using a drill press machine. The man is white, older, with gray hair, a gray mustache, and a short gray beard. He is wearing glasses and a long-sleeve green shirt. He is using the machine with both hands to drill a piece of wood. Behind him is a second drill press machine with a block of wood on the work surface.
    Gene's Bluebird Houses 4
    08022021-1d
    birdhouses
    English
    Gene Wasserman
    Image
    Haslett, MI
  • A photograph of a wooden bird house. The bird house is a vertical rectangle with a flat roof that extends over the edge of the top. At the top of the front is a smaller rectangular piece of wood with a round hole and grooves underneath. Below the grooves is a black engraving of a bird, and below that the word “WoodCraft”.
    Gene's Bluebird Houses 5
    08022021-1e
    birdhouses
    English
    Gene Wassermann
    Image
    Haslett, MI
  • A photograph of someone holding a photograph. The photograph being held is of a bluebird sitting on top of an American flag that is hanging down on a pole.  Behind the flag are pine trees.
    Gene's Bluebird Houses 6
    08022021-1f
    birdhouses
    English
    Gene Wasserman
    Image
    Haslett, MI
  • A photograph of a wooden cabinet door with a painted poster of a bird on it. The poster is dark, with a grayish-brown background painted with a tree bark texture and a hole at the top of the tree. The bird is dark blue and looking left. In the bottom right corner are the words “bring back the bluebirds”.
    Gene's Bluebird Houses 7
    08022021-1g
    birdhouses
    English
    Gene Wasserman
    Image
    Haslett, MI
  • A photograph of a wall with rows of bird houses hanging from it. The bird houses are made of various types of wood, with circular holes in the front. Below the hole are several grooves in the wood. Some of the birdhouses have a black engraving of a bird and the word “WoodCraft” below the grooves. To the left of the bird houses are small blocks of wood with the same bird logo painted on them and a small blue shelf with drawers full of metal parts. In the bottom right corner is the top of a drill press woodworking machine.
    Gene's Bluebird Houses 8
    08022021-1h
    birdhouses
    English
    Gene Wasserman
    Image
    Haslett, MI
  • A photograph of 8 watercolor paintings. 6 of the paintings are done on brown paper lunch bags; 5 of the paintings are of different colored flowers, and one is of a green snake. The other 2 paintings are done on scraps of white paper; one is a red circle surrounded by lines with the word “wow” below it, and the other is of a blue flower.
    My Creative Experience
    08032021-1a
    watercolors (paintings)
    English
    Jenny Hansen
    Image
    Texas
  • An acrylic painting of a pathway, with some areas  shrouded in darkness and others illuminated in light. The pathway is surrounded by walls and is partially covered by a roof that resembles the wavy panels of a tin roof. The walls and floor are a light gray with faint blue and red undertones. The areas where the roof covers the path are reflected black onto the ground, and the areas where there is no roof show the lightness of the ground. As the path continues into the distance, it turns white with outside light.
    The Path (Still)
    10272022-1a
    acrylic paintings (visual works)
    English
    Connie Manna
    Image
    Westport, CT
  • An acrylic painting of an empty train tunnel. The platform to the left, before the train tracks, is painted in a gradient so the edges are black and the middle is white. Before the tracks is a thick yellow line that separates the deepness of the tracks from the platform on both sides. On the wall of the platform to the right are red, yellow, and black posters that reflect onto the ground of the platform.
    The Tunnel (Still)
    10272022-1b
    acrylic paintings (visual works)
    English
    Connie Manna
    Image
    Westport, CT
  • An acrylic painting of an empty theater, looking down to the stage from the balcony. Several rows of red seats are in the foreground, and there is a brown railing at the edge. The left and right balconies are angled towards the back, with gold-trimmed red draping along the base of the railing. The backdrop of the yellow, rectangular stage is dark and framed by a wooden proscenium arch. Drifting onstage are the shadows of performers.
    The WCP (Still)
    10272022-1c
    acrylic paintings (visual works)
    English
    Connie Manna
    Image
    Westport, CT
  • A screenshot of a webpage’s directory with black text and a white background. At the top left corner is the name of the website, “COVID-19 signage archive”; and at the top right are links to different sections of the website, titled “about”, “map”, “tags”, and “upload”. In the far right corner is a search bar. This section is separated by a bar with the word “browse” underneath it in the center. Four squares fill the page with different information: an “all signs” link which displays four random signs, “by location” which gives 10 sample locations across the world, “by date or text” which lists keywords, and “by tag” which provides filters to see specific signs. Underneath the four boxes is a link that reads “or, submit a sign you’ve seen!”.
    COVID-19 Signage Archive 1
    10302022-1a
    Web sites
    English
    Eli Fessler
    Image
    Honolulu, HI
  • A screenshot of a webpage with black text and a white background. At the top left corner is the name of the website, “COVID-19 signage archive”; and at the top right are links to different sections of the website, titled “about”, “map”, “tags”, and “upload”. In the far right corner is a search bar. A thin line separates the top from the webpage content. Towards the left half of the page is an image of a handmade sign made on white paper. The sign reads “no mask”, “no service + proof of vax required for dine-in” in all capital blue letters, surrounding a drawing of a cartoon-ish face with a long, brown and green mouth. To the right of the sign is tracking information: “location” and “Seattle, WA”, “date” and “dec. 8, 2021”, “author” and “h”, “tags” and “emoji, english, hand-written, masks, vaccines”, “text” and “no mask no service + proof of vax required for dine-in”. Underneath this section is a directory to see the previous sign, the next sign, a random one, or all.
    COVID-19 Signage Archive 2
    10302022-1b
    Web sites
    English
    Eli Fessler
    Image
    Honolulu, HI
  • A screenshot of a webpage with black text and a white background. At the top left corner is the name of the website, “COVID-19 signage archive”; and at the top right are links to different sections of the website, titled “about”, “map”, “tags”, and “upload”. In the far right corner is a search bar. A thin line separates the top from the webpage content. Underneath is a map that is in black with the continents in white. Throughout the continents are red dots that mark where the signs can be located. Beneath the map is a list of 74 cities across the world with these signs.
    COVID-19 Signage Archive 3
    10302022-1c
    Web sites
    English
    Eli Fessler
    Image
    Honolulu, HI
  • A screenshot of a webpage with black text and a white background. At the top left corner is the name of the website, “COVID-19 signage archive”; and at the top right are links to different sections of the website, titled “about”, “map”, “tags”, and “upload”. In the far right corner is a search bar. A thin line separates the top from the webpage content. There is a long list of tags, with a number next to each tag to designate how many signs have been posted with each tag. The tags list languages, whether a sign was hand-written, and what the sign pertains to in regards to rules and regulations. Towards the bottom of the page are tag definitions for words such as “closures”, “distancing”, “emoji”, “floor marker”, “governmental”, “hand-written”, “limits”, “masks”, “sanitizing”, “symptoms”, “typos”.
    COVID-19 Signage Archive 4
    10302022-1d
    Web sites
    English
    Eli Fessler
    Image
    Honolulu, HI
  • An oil painted self-portrait of a non-binary person. They have shoulder-length black hair, are wearing a black beanie, a black tank top, black sweatpants, and have black jacket sleeves on their arms. They have black eye makeup on, smudged as if they’ve been crying. They hold a white object in their left hand that resembles a tissue. They are seated on a chair in a bedroom with yellow walls, decorated with various objects. A messy bed is to their left and a small dresser is to their right.
    Power Portrait
    10302022-2a
    oil paintings (visual works)
    English
    Carmen Flores
    Image
    Ann Arbor, MI
  • A closeup of an oil painted self-portrait of a non-binary person. They have shoulder-length black hair and are wearing a black beanie and a black tank top. They have black eye makeup on, smudged as if they’ve been crying. They are in a bedroom with yellow walls and a window is behind them with the blinds pulled down.
    Power Portrait (Detail 1)
    10302022-2b
    oil paintings (visual works)
    English
    Carmen Flores
    Image
    Ann Arbor, MI
  • A closeup of an oil painted self-portrait of a non-binary person. They are sitting on a chair, wearing a black tank top, black sweatpants, and have a black jacket sleeve on their left arm. Grasped in their left hand is a white object that resembles a tissue. A messy bed is to their left.
    Power Portrait (Detail 2)
    10302022-2c
    oil paintings (visual works)
    English
    Carmen Flores
    Image
    Ann Arbor, MI
  • An oil painted self-portrait of a non-binary person. They are sitting in front of a mirror, slightly slouched with their left hand resting on their right leg. Their right hand is holding up a yellow smartphone to take a picture. They have shoulder-length black hair, and the bottom half of their face is visible. They are wearing only a black lace bra and a pair of white Calvin Klein underwear.
    Mirror Painting
    10302022-2d
    oil paintings (visual works)
    English
    Carmen Flores
    Image
    Ann Arbor, MI
  • A mixed media self portrait of a non-binary person. They have short blonde hair with bangs, light colored eyes, a silver nose ring, necklace, and are leaning down towards the viewer. They are wearing a black, lace bra. The colors of the different mediums used to create a pale skin color show through the piece.
    My Gaze
    10302022-2e
    watercolors (paintings)
    English
    Carmen Flores
    Image
    Ann Arbor, MI
  • An abstract linoleum print, proofed with black ink and carved to reveal details in white. The top portion has a person sitting in a windowed room, holding a chain for an anchor that reaches down to the bottom. Next to the windowed room is a cloud with the figure of a person’s airways and lungs filled with white dots coming from the wave of water next to it. The wave overlaps a bar graph. Beside the wave, a plane labeled with the word “patriots” in capital letters flies upwards, and a COVID mask falls from the open plane door. Beneath the top portion is a sea, where a boat moves towards the windowed room with a banner on top of it that reads “help us” in capital letters. The large figure of a person with visible muscle tissue and internal organs swims towards a pulled drain plug. Underneath the scene to the left is a sign that has different recreational activities crossed out with a prohibition symbol. The chain from the anchor held by the person in the top left ties down a large heart filled with different symbols of life. A school bus drives down a road next to the sea, stopped by a barrier. A yellow duck and ducklings in COVID masks stand on paved ground next to the road.
    Covid Chronicles 1
    10312022-4a
    linoleum block printing
    English
    Ellen Shattuck Pierce
    Image
    Boston, MA
  • An abstract linoleum print, proofed with black ink and carved to reveal details in white. In the center, a person sits at a table with a respirator mask. On the table is a symbol of America overlapped with a flag, the stripes from the flag holding down a heart and bust statues of people. Next to the table, a carton of milk is tipped over and spills outwards, creating a flood at the bottom of the piece. Above the person, eyes cry tears, next to an angel with wings that are lungs, and a sun in the right corner. Underneath the sun, on the right, is an empty stadium with a banner that reads “Boston hope” in capital letters. Beneath the stadium is a pig pen, and one of the pigs steps in the spilled milk. To the left side, a truck drives through with a cherry picker in its trunk, holding up a person that puts posters of people on a building.
    Covid Chronicles 2
    10312022-4b
    linoleum block printing
    English
    Ellen Shattuck Pierce
    Image
    Boston, MA
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