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  • A photograph of old-style screw tools on a wooden display. The tools are superglued to a wooden slab behind them, which is hanging on the white wall behind it. This display is in the corner of two white walls.
    Yesterdayโ€™s Tools Refitted for Tomorrowโ€™s Work 1
    02052022-1a
    hand tools
    English
    Michael Dowling
    Image
    Decatur County, Georgia, United States of America
  • A photograph of a table in a home workshop. The table is covered in a pile of miscellaneous items and tools, many of which are separated into zipped plastic bags, concealing the contents from viewers. At the back of the table is a metal gray tool cabinet with 18 small drawers. To the right of it is a smaller wooden tool cabinet with small plastic drawers that contain nails of various shapes and sizes. Above it, attached to the white wall, is a one-compartment white cabinet.
    Yesterdayโ€™s Tools Refitted for Tomorrowโ€™s Work 2
    02052022-1b
    hand tools
    English
    Michael Dowling
    Image
    Decatur County, Georgia, United States of America
  • A photograph of a hand-saw display in a home workshop. The hand saws are hanging from a wooden pole in-between a white panel and the side of a white one-compartment cabinet. Below the display are four smaller cabinets with many small plastic drawers containing nails and other small items of various shapes and sizes.
    Yesterdayโ€™s Tools Refitted for Tomorrowโ€™s Work 3
    02052022-1c
    hand tools
    English
    Michael Dowling
    Image
    Decatur County, Georgia, United States of America
  • A photograph of a table in a home workshop. Against the wall at the back of the table are two metal tool cabinets, each with an open drawer full of Hook Eyes and Thumb Screws of various shapes and sizes. Some of the drawers have typed black labels on them to identify their contents, such as Alum Nails, Springs, and Hinges. To the right is a smaller wooden tool cabinet with small plastic drawers that contain nails of various shapes and sizes.
    Yesterdayโ€™s Tools Refitted for Tomorrowโ€™s Work 4
    02052022-1d
    hand tools
    English
    Michael Dowling
    Image
    Decatur County, Georgia, United States of America
  • A digital drawing of a tunnel formed by hundreds of hands with green nails and skin in shades of blue. The hands are reaching, grabbing, and signing various letters in American Sign Language. This tunnel leads to a small opening at the center of the image that is empty and gray.
    Phobia
    02052022-2a
    paintings (visual works)
    English
    Madison Ritscher
    Image
    Arizona, United States of America
  • A photograph of a painting on a wooden easel. The painting depicts a non-binary white person pictured from shoulders up, while standing in the board-game aisle of a store. The person has short brown hair, bright blue eyes, and has an unbothered look on their face. They are wearing white rimmed glasses, silver stud earrings, and a white tee. The shelves of games behind them include Rubik's Cubes, UNO, and the game of Life.
    Alter ego
    02052022-2b
    paintings (visual works)
    English
    Madison Ritscher
    Image
    Arizona, United States of America
  • A photograph of a painting hanging on a white wall. The painting is a collage of images. Starting in the lower right corner there is a seated tan-skinned person with their back to the viewer, wearing a yellow cap and looking up into binoculars. Above them are the words “On All Floors” painted in black. To the left of these words is an image panel of a dark-skinned person standing in a desert village. They are wearing a white hair scarf and a long lime green traditional garment, while holding a long spear that extends outside the boundaries of the panel. Entering the panel from the upper left corner is the backend of a toy rocket ship, being held by a faceless tan-skinned child that is sitting on a white couch. Below the couch, a woman with long brown hair, tan skin, and a flowy white garment poses properly with her eyes closed. She is standing atop a boxy metal machine, which resembles a printer with drawer compartments. Leaves decorate the machine's exterior.
    On All Floors
    02052022-2c
    paintings (visual works)
    English
    Madison Ritscher
    Image
    Arizona, United States of America
  • A photograph of a painting on a wooden easel. The painting depicts the famous African American basketball player Deandre Ayton pictured from waist up, while holding up a basketball. He has short black hair, a black mustache and beard, brown eyes, and is looking directly at viewers. He is wearing a #22 basketball jersey that depicts the silhouette of a sunset cityscape, as well as a gray sport sleeve on his left arm. He also has indistinguishable tattoos up his right arm, and peeking out from behind his jersey.
    Phx Suns
    02052022-2d
    paintings (visual works)
    English
    Madison Ritscher
    Image
    Arizona, United States of America
  • A photograph of the upside-down triangular window of a cream coloured fabric tent. The tent has bright red stitching. Two red strings hold the fabric window shade up and out of the way, revealing the small wooden table and chair inside. In the tent wall opposite from this are two other triangular windows, but one is also upside-down and the other is not.
    Tent (post-nomadic) 2
    02072022-1b
    tents (portable buildings)
    English
    Greg Shelnutt
    Image
    Newark, Delaware, United States of America
  • A photograph of the scaffolding for a dome shaped tent. The scaffolding is made of wooden rods, secured by nailed-down black material and tightly wrapped red string. This was built in a well-lit room with white walls, wooden floors, and a wooden ceiling. There are blue mats and building materials scattered around the floor, and there’s a 3 step ladder on the floor, in the center of the dome. In the left corner of the room is a doorway with a bright red EXIT sign overhead.
    Tent (post-nomadic) 3
    02072022-1c
    tents (portable buildings)
    English
    Greg Shelnutt
    Image
    Newark, Delaware, United States of America
  • A selfie of a white man wearing a cream coloured hooded sweatshirt with red stitching. The sweatshirt looks tattered because much of the fabric is unraveling along the edges. He is also wearing gray rimmed glasses and is in an unspecified room with cases of thin booklets on his left, and a black bike on his right.
    Tent (post-nomadic) 4
    02072022-1d
    self-portraits
    English
    Greg Shelnutt
    Image
    Newark, Delaware, United States of America
  • A photograph of a page in a sketchbook. There is a small, text-filled paper from another book taped onto the page. Many phrases and parts of sentences are highlighted including, “Reality is only a bait,” and “the Cosmic Tent.” Other writing is scribbled into the sketchbook around the book page. Some of these say, “By control w/ annihilation,” and “Zero (encircled), Not Positive, Not Negative, But Zero”.
    Tent (post-nomadic) 5
    02072022-1e
    collages (visual works)
    English
    Greg Shelnutt
    Image
    Newark, Delaware, United States of America
  • A selfie of a white man wearing a cream coloured hooded sweatshirt with red stitching. The sweatshirt looks tattered because much of the fabric is unraveling along the edges. He is also wearing gray rimmed glasses and is in an unspecified room with cases of thin booklets on his left, and a black bike on his right.
    Tent (post-nomadic) 6
    02072022-1f
    self-portraits
    English
    Greg Shelnutt
    Image
    Newark, Delaware, United States of America
  • A photograph of the scaffolding for a dome shaped tent. The scaffolding is made of wooden rods, secured by nailed-down black material and tightly wrapped red string. This was built in a well-lit room with white walls, wooden floors, and a wooden ceiling. There are blue mats and building materials scattered around the floor, and there’s a 3 step ladder on the floor, in the center of the dome. In the left corner of the room is a doorway with a bright red EXIT sign overhead.
    Tent (post-nomadic) 7
    02072022-1g
    tents (portable buildings)
    English
    Greg Shelnutt
    Image
    Newark, Delaware, United States of America
  • A close-up photograph of the flooring inside a dome shaped tent. It is handmade from cream coloured fabric and red stitching that result in pentagon and diamond shapes. In the distance (at the top of the image), the floor runs into the tent walls, which are also made of cream colored fabric and red stitching. These walls are supported by wooden rods and red strings.
    Tent (post-nomadic) 8
    02072022-1h
    tents (portable buildings)
    English
    Greg Shelnutt
    Image
    Newark, Delaware, United States of America
  • A photograph of a handmade hooded sweatshirt and pants lying on a wooden floor. They are both made from cream coloured cloth and red stitching, with fabric unraveling at all of the unsealed ends. This is in a room with a wooden bookshelf on the left, a floral patterned blue and red carpet on the right, and a doorway at the top of the photo.
    Tent (post-nomadic) 9
    02072022-1i
    protective wear
    English
    Greg Shelnutt
    Image
    Newark, Delaware, United States of America
  • A photograph of some building materials on a wooden workshop table. These materials include a metal meter stick, 4 cardboard cutouts that each resemble a crown, and many short copper poles. The poles are standing upright and have flattened edges on both sides except for one that is bent inward into a flattened pyramid shape on top.
    Tent (post-nomadic) 10
    02072022-1j
    tents (portable buildings)
    English
    Greg Shelnutt
    Image
    Newark, Delaware, United States of America
  • A painting of many large symbols, shapes, and brush strokes overlapping one another. This pile of red, white, yellow, and blue fill the canvas, mixing at points of intersection to create pops of green and gray.
    VARDA
    02082022-1b
    paintings (visual works)
    English
    Eli Bucksbaum
    Image
    Denver, Colorado, United States of America
  • An abstract painting of shapes and forms in hues of blue, orange, yellow, and gray being pushed and pulled by trails of black and white lines. A blue box in the upper left corner overlooks the scene like a camera lens. Under it, a white zig-zag snakes over to an orange triangle. A variation of curvy and bent lines over the page resemble what could be faces. Behind them, some of the colored shapes mix or dissolve into others.
    Potty Trained
    02082022-1c
    paintings (visual works)
    English
    Eli Bucksbaum
    Image
    Denver, Colorado, United States of America
  • A painting of a barren bedroom corner with a red ceiling, bright orange walls, and a bright orange floor. There is a large window in the wall on the left, and an image of a beach on the right wall. Below the beach image is a small blue bed and a naked person with pink skin is sinking into the lush blue waves of the blanket. Their backside faces the viewer as they hang on to pillows in an attempt to escape the waves.
    Acrylic Dumpster Fire
    02082022-1d
    paintings (visual works)
    English
    Eli Bucksbaum
    Image
    Denver, Colorado, United States of America
  • A colorful painting that extends to all edges of the canvas. It is a collage of horizontal brush strokes, mixing hues of blue, purple, white, and red. Clusters of smaller vertical paint strokes move down the canvas, adding pops of yellow, orange, green and black that mix and mingle in their own way. The contrast between horizontal lines and vertical clusters resemble distorted reflections on water.
    You're Invited
    02082022-1e
    paintings (visual works)
    English
    Eli Bucksbaum
    Image
    Denver, Colorado, United States of America
  • A multicolored painting that extends to all edges of the canvas. It is a collage of short horizontal and vertical brush strokes in nearly every color, ranging from light pink to forest green to maroon. Mostly darker shades of colors are used, giving the painting an overall dim mood. The phrase “WE ARE ALL CHILDREN” is scratched into the center of the canvas.
    We Are All Children
    02082022-1f
    paintings (visual works)
    English
    Eli Bucksbaum
    Image
    Denver, Colorado, United States of America
  • Masks Don't Grow On Trees
    06142022-5a
    mixed media works
    English
    Image
    Orlando, Florida -81.3790304 28.5421109
  • An abstract marker drawing of a horse on white paper. The horse is drawn in black marker in a swirling, branch-like pattern. The horse is standing, its front hooves dangling in the air as if it just jumped up, and its mouth is open, red tongue visible. The horse has blue eyes and a black mane that flies to the left side of the paper, with its tail following in a similar fashion. Surrounding the horse on the bottom of the page are yellow and red scribbles that look reminiscent of flames. Smaller stars of color and black scribbles outline the horse throughout the rest of the piece.
    Urgent Revolution 2
    06202022-2b
    paintings (visual works)
    English
    Image
    Lansing, Michigan -84.5553805 42.7337712
  • An abstract oil pastel drawing placed in a light brown wooden frame. The top of the drawing has rhombuses in purple, blue, orange, red, and pink. A cutout of a drawing of a woman with long ginger hair, green eyes, and pink lips overlaps the rhombuses, almost upside down. The rest of the piece has a yellow background, with two blue martini glasses at the bottom and three rectangular, brown striped boxes, the middle box the thickest. A sideways martini glass rests in the middle of the center box with smaller blocks of color falling out of it. The drawing is scattered with clippings of different high-heeled shoes and a rose.
    Urgent Revolution 5
    06202022-2e
    oil pastels
    English
    Image
    Lansing, Michigan -84.5553805 42.7337712
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