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Browsing 1621 items in our collection
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Works In Rough Going: Recovery Community and Communication During the Pandemic 10
Moriah LeFebvreA blue pen drawing on a white background. To the top left is a text message in a white text bubble and black lettering, reading “God I can’t wait to see your masked face”. Above the top right corner of the message is a small white heart within a circular blue bubble from the receiver. Beneath the messages and to the right side is a foldable lawn chair, unfolded for someone to sit on. Next to the piece on the right are the words “Moriah LeFebvre”, “Untitled”, “Ink drawing”, and “2020”.View item -
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Works In Rough Going: Recovery Community and Communication During the Pandemic 2
Moriah LeFebvreA pen drawing on a blue, cyanotype-printed background. At the bottom center are two mugs, one a standard, coffee mug shape and the other rounder and wider. The coffee mug is white and filled with a deep blue color while the round mug is white and filled with a lighter blue color, a tea bag floating within it.View item -
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Works In Rough Going: Recovery Community and Communication During the Pandemic 3
Moriah LeFebvreA pen drawing on a black background. To the bottom right corner is a COVID mask drawn in gray and white, bent as if to resemble the shape when it is on someone’s face. Above the mask in the top left corner is a text message, reading “Horribly needing to be around others and fearing them” in a white text bubble and black lettering. Next to the piece on the right are the name and the words “Moriah LeFebvre”, “Untitled”, “Ink drawing”, and “2020”.View item -
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Works In Rough Going: Recovery Community and Communication During the Pandemic 4
Moriah LeFebvreA pen drawing on a white background. A gray hammer with a black handle emerges from the right side and rests upwards on its circular face. The hammer creates a skinny, black shadow on the surface it rests on. Above the hammer to the left is a text message that reads “My god it’s ground hog day. But the unfunny version.” In a white text bubble outlined in black and black lettering. Underneath the piece is the name and the words “Moriah LeFebvre”, “Untitled”, “Ink drawing”, and “2020”.View item -
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Works In Rough Going: Recovery Community and Communication During the Pandemic 5
Moriah LeFebvreA grayscale pen drawing on a black background. Upside down and to the right side is a large thermometer, the word “WelchAllyn” across the top. Extending from the top of the thermometer is a curly cord that leads to a thin probe at the bottom of the drawing.View item -
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Works In Rough Going: Recovery Community and Communication During the Pandemic 6
Moriah LeFebvreA pen drawing on a black background. To the bottom right is a white baseball with gray stitching. A singular text message is above the baseball in the top right corner. In a white text bubble with black lettering reads “Kids are catching it.”. Next to the piece on the right are the name and the words “Moriah LeFebvre”, “Untitled”, “Ink drawing”, and “2020”.View item -
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Works In Rough Going: Recovery Community and Communication During the Pandemic 7
Moriah LeFebvreA pen drawing on a blue, cyanotype-printed background. The bottom half of the piece has a horizontal print of a single flower with five petals that overlap each other, a thin stem, and at the bottom of the stem a set of leaves that reach upwards. Above the flower and to the right are three text messages: the first, “One of my best and oldest friends found her boyfriend dead tonight from a heroin overdose”; underneath that “This disease is alive and well”; and finally “I’m so grateful you’re still here with us and you’re clean”.View item -
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Works In Rough Going: Recovery Community and Communication During the Pandemic 8
Moriah LeFebvreA pen drawing on a white background. At the bottom of the drawing are two tin cans, the one on the left laying on its side to show the empty inside, and the one on the right standing upside down. Connecting the two cans from their respective bottoms is a twine string that tangles together in the middle of the piece. At the top to the left is a text message in a white text bubble and black lettering, reading “Had a using dream last night and after I used I called you to tell you I relapsed”.View item -
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Works In Rough Going: Recovery Community and Communication During the Pandemic 9
Moriah LeFebvreA black pen drawing on a white background. At the bottom of the piece is a tied plastic bag bulging with water, holding a goldfish. The goldfish rests at the bottom of the bag. The bag remains on the white floor, which fades into a black darkness past the bag. At the top of the piece is a text message conversation beginning on the right side with a gray text bubble and white lettering reading “Have they moved you to the ICU?”.View item -
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World Ensemble - Parts, Together 1
Nathan FischerA digital drawing of people playing string instruments on a light blue background. There are many small people of different colors. The people are all standing on varying sizes and shades of green circles with red, yellow, orange, green, and purple vine-like shapes coming up from the bottom and going underneath the green circles, resembling lily pads.View item -
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World Ensemble - Parts, Together 2
Nathan FischerA digital drawing of a computer screen. Across the bottom are logos of different apps and computer buttons. The screen is divided into nine rectangles. In each rectangle is a person playing a guitar. The people are of all different skin tones, each with different clothing, hair color, and style. The people are all looking at each other. In between and overlapping the rectangles with the people are green vines.View item -
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Worry!
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Wunnahunny Charlie
Mike FazziniView item -
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Yesterday’s Tools Refitted for Tomorrow’s Work 1
Michael DowlingA photograph of old-style screw tools on a wooden display. The tools are superglued to a wooden slab behind them, which is hanging on the white wall behind it. This display is in the corner of two white walls.View item -
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Yesterday’s Tools Refitted for Tomorrow’s Work 2
Michael DowlingA photograph of a table in a home workshop. The table is covered in a pile of miscellaneous items and tools, many of which are separated into zipped plastic bags, concealing the contents from viewers. At the back of the table is a metal gray tool cabinet with 18 small drawers. To the right of it is a smaller wooden tool cabinet with small plastic drawers that contain nails of various shapes and sizes. Above it, attached to the white wall, is a one-compartment white cabinet.View item -
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Yesterday’s Tools Refitted for Tomorrow’s Work 3
Michael DowlingA photograph of a hand-saw display in a home workshop. The hand saws are hanging from a wooden pole in-between a white panel and the side of a white one-compartment cabinet. Below the display are four smaller cabinets with many small plastic drawers containing nails and other small items of various shapes and sizes.View item -
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Yesterday’s Tools Refitted for Tomorrow’s Work 4
Michael DowlingA photograph of a table in a home workshop. Against the wall at the back of the table are two metal tool cabinets, each with an open drawer full of Hook Eyes and Thumb Screws of various shapes and sizes. Some of the drawers have typed black labels on them to identify their contents, such as Alum Nails, Springs, and Hinges. To the right is a smaller wooden tool cabinet with small plastic drawers that contain nails of various shapes and sizes.View item -
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You're Invited
Eli BucksbaumA colorful painting that extends to all edges of the canvas. It is a collage of horizontal brush strokes, mixing hues of blue, purple, white, and red. Clusters of smaller vertical paint strokes move down the canvas, adding pops of yellow, orange, green and black that mix and mingle in their own way. The contrast between horizontal lines and vertical clusters resemble distorted reflections on water.View item -
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YouDoYou
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ZENOBIA’S CORONA-TION (Queen Zenobia of Palmyra)
An acrylic on paper painting of Queen Zenobia. The painting resembles a stone carving with a brown color. Queen Zenobia sits on a throne, wearing robes and heavy jewelry. On top of her head is a white and red COVID cell with a red piece of sequins on the front. Another person stands to her right, fanning her with the large leaf of a plant. A large bird rests on the top left of the throne and a dog sits in the bottom left. Underneath the painting is the name “zenobia” in capital letters. The painting is in a large gold frame with indents along the frame.View item -
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Zion: Impressions of the National Park
Connie PhillipsView item
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