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  • A series of images displays the sequence of a rice paper mask crumbling away from a woman’s face. In the first image, the artist holds a gray rice-paper mask over her face. Throughout the series of images, she presses the mask to her face repeatedly as the mask crumbles into smaller and smaller pieces. It crumbles away at her touch, even as she attempts to hold it to her face. Throughout the series, the mask becomes more fragmented. In the last image, the mask falls away displaying the artist’s face.
    Self-Portrait (Coming Undone- Rice Paper Variation)
    12142021-1d
    digital photographs
    English
    Miya Turnbull
    Image
    Halifax, Nova Scotia, Canada
  • A series of images displays a woman holding life-sized photographs of herself in masks and face paint over her face. Each photo is taken of the artist’s chest up and the photographs the artist is holding lines up with her shoulders. Many of the images are distorted via digital editing or double exposure, creating an eerie atmosphere. The images are meant to be reminiscent of the Zoom call layout, and can be seen as a video call with all the artist’s different selves.
    Photos as Masks
    12142021-1e
    digital images
    English
    Miya Turnbull
    Image
    Halifax, Nova Scotia, Canada
  • A series of twelve photographs displaying a woman wearing origami sculptures as partial masks. The sculptures include paper cranes, frogs, boxes, cootie catchers, and butterflies. Each origami sculpture is printed with a photograph of one or more of the artist’s facial features. She holds the masks so that the printed feature covers that portion of her face.
    Origami Self-Portraits
    12142021-1f
    digital photographs
    English
    Miya Turnbull
    Image
    Halifax, Nova Scotia, Canada
  • A photograph of a woman standing up, leaning forward slightly in a nude, spandex bodysuit with another nude full-body bodysuit draped over her. Her elbows are angled upwards with a squared appearance. The body suit hangs on her face and drapes in front of her body, down to the floor. The arms of the suit loop over behind her own and hang behind her arms, creating the illusion of four arms.
    Self Portrait Variations 7
    12142021-1g
    reproductive photographs
    English
    Miya Turnbull
    Image
    Halifax, Nova Scotia, Canada
  • An abstract photograph of a tan bodysuit draped over an obscured figure. The figure wears a black bodysuit, blending seamlessly into the black background. This creates the illusion of the tan suit floating in space. An uncannily realistic paper mache mask of the artist’s face lays at the figure’s feet.
    Self-Portrait Variations 8
    12142021-1h
    original photographs
    English
    Miya Turnbull
    Image
    Halifax, Nova Scotia, Canada
  • A compilation of several photographs in a four by four grid taken during the artist’s performance with 'skin' suits (tan body suits). The artist’s body is obscured by a black bodysuit, which blends into the black backdrop seamlessly. She poses dynamically, draping the tan body suit over herself, creating twisted, abstract poses. These poses express movement and gestures, reminiscent of letters in a written language. Attached to some of the poses, and detached from others, are paper mache masks of the artist’s face.
    Self-Portrait (Body Language)
    12142021-1i
    digital photographs
    English
    Miya Turnbull
    Image
    Halifax, Nova Scotia, Canada
  • Passacaglia
    11212021-1a
    sheet music
    English
    Doris Dabrowski
    Text
    Philadelphia, PA
  • Anxiety
    11212021-1b
    sheet music
    English
    Doris Dabrowski
    Text
    Philadelphia, PA
  • A photograph of an artistic setup on a wooden table outdoors. In the foreground of the image there is a Croquis sketchbook, and to the right of it an assorted tray of colored pencils. Behind the two items is a small, reddish-orange coffee cup and a half eaten pastry.
    Sip N' Sketch
    11222021-1a
    colored pencils
    English
    Laura Glanz
    Image
    Vermont, USA
  • A photograph taken from an overhead angle. The photograph depicts a large lake in the background, with large concrete steps in the foreground. A person sits on the steps, their backpack next to them and their fishing pole stationed within the rocks separating the steps and the lake. They are sitting in a contemplating stance.
    COVID state of mind 1
    11222021-2a
    travel photography
    English
    Tsveta Antova
    Image
  • A photograph of the inside of an abandoned building from a broken glass window. The building is constructed of glass panes, similar to a greenhouse. The foreground is submerged in a darker blue lighting while the background and trees behind the building are glowing in the sunlight.
    COVID state of mind 2
    11222021-2b
    travel photography
    English
    Tsveta Antova
    Image
  • A photograph of a tall, abandoned building, framed within overgrown plants. The building has numerous arched windows and three towering pillars are visible at each corner. There are plants growing within the building and on its higher surfaces, and the outside brick is worn.
    COVID state of mind 3
    11222021-2c
    travel photography
    English
    Tsveta Antova
    Image
  • A photograph of a building, similar to a castle, during the daytime. The exterior is composed of worn brick, and there are few small windows within the structure. As if to show the scale of the building, there are two children by the castle, one climbing up one of its walls and the other on the grassy area in front of it, playing with two dogs. The children look tiny in comparison to the castle.
    COVID state of mind 4
    11222021-2d
    travel photography
    English
    Tsveta Antova
    Image
  • A wide angle photograph of a kid hanging onto the metal bar of a bridge. The bridge is made of brick and stone and sits on top of a grassy field. The kid is wearing an orange backpack and is climbing back onto the bridge, bathed in sunlight. In the background, the walls of a castle-like building are visible.
    COVID state of mind 5
    11222021-2e
    travel photography
    English
    Tsveta Antova
    Image
  • A painting done on paper. The painting is separated into two sides, one red and one blue. The red side has white lettering, reading “WE HAVE TO FIGHT FOR CHANGE”, and the blue side depicts a person wearing a mask, saying “Your teenagers are angry and fighting. We care more about systemic racism & climate change than a lot of u. We won’t rest until we r all free.” There is a black line going horizontally through both sides and one going down vertically on the blue side.
    We Have To Fight For Change
    11222021-3a
    political posters
    English
    Zed Omri
    Image
    Bradford, United Kingdom
  • A scanned drawing done in pencil and colored pencil of two people, sketched over partially illegible writing on a white background. The person on the left is blue, wearing a mask, striped shirt, and has short hair. The person on the right is in red, with longer hair and bangs. There are scribbles of red, blue and purple surrounding the two people. The handwriting is mostly covered by the people and scribbles, backwards and in different proportions. Some of the writing reads “how can anyone be surprised that our generation has such shit mental health after u lot well and true f!cked it” and “there is a 40 week wait for gender services in the UK and it is not gonna get any better because our government doesn’t care.”
    unnamed 1
    11222021-3b
    portraits
    English
    Zed Omri
    Image
    Bradford, United Kingdom
  • A mixed media digital and painted poster with a dark watercolor background. At the top left corner there is a set of hands with a lit match in the left and cash in the right, setting the Earth on fire. To the right is a pistol. In the center there is a laptop with the logos for Facebook and Twitter, next to three extended fists. There is a person at the bottom of the poster shielding their face. The dark blue text surrounding the poster reads “Billionaires wealth rises to $10.2 trillion amid COVID crisis”, “Sixth mass extinction of wildlife accelerating, scientists warn”, “Protests about police brutality are met with waves of more police brutality across U.S.”, “wildfires rage across California”, “Polish women travel abroad for abortions ahead of law change” and “Free school meals: the Tory MPs defending refusal to support campaign”.
    unnamed 2
    11222021-3c
    comic strips
    English
    Zed Omri
    Image
    Bradford, United Kingdom
  • A drawing divided into four panels done in a sketchy, watercolor style. 

Panel 1: In the top panel is a blue couch with a figure lying across it. In the corner of this panel is the word “Home” circled in red with three arrows coming off the circle: wording off of the first arrow reads “Quiet no people that I don’t want to see”; the second arrow reads “familiar”; and the third arrow reads “Safe: no unexpected surprises.”

Panel 2: A square with a blue watercolor-style background. There is a brown cabinet with a tv that is off resting on top of it. In the center of the panel is a hand holding a tv remote.

Panel 3: In the same perspective as panel 2 with the cabinet and the tv. But, the tv is displaying a graph steadily increasing. The TV reads “UK coronavirus death toll passes 75,000” in red. The bottom of the screen reads “Christmas restrictions being debated”. Surrounding the TV are red scribbles. 

Panel 4: The same blue watercolor background. There is a box creating a border in the panel. Spanning the inside the box, two hands, one blue and one red, reach out to each other. In the left upper corner of the box are gravestones. In the bottom left corner there is a blue surgical mask. On the right side is a doctor wearing an apron, mask, face shield, goggles, and gloves. Written repeatedly in red in the center of the panel is “This is never going to end.” Overlapping that writing reads “How many more” five times. The figure from the first panel stands in front, only the back of their head and shoulders visible.
    unnamed 3
    11222021-3d
    comic strips
    English
    Zed Omri
    Image
    Bradford, United Kingdom
  • Ho Chi Minh City during the Fourth Wave of COVID-19 in Vietnam
    07082022-1a
    articles
    English
    Rachel Tough
    Text
    Vietnam 107.9650855 15.9266657
  • A ring made from welded silver and different gemstones pictured on a black background. The majority of the silver has been water-casted, creating organic shapes that resemble forms found in nature. These pieces of silver surround brown and clear colored gems and are wrapped around them or in small droplets throughout the ring.
    Untitled 1
    07122022-1a
    jewelry
    English
    Michael Opipari
    Image
    Madison Heights, Michigan -83.1052028 42.4858692
  • A wide ring made from welded silver with a blue gemstone in the center, pictured against a black background. The majority of the silver has been water-casted, creating organic shapes that resemble forms found in nature. The silver surrounds the gemstone in small droplet-like shapes.
    Untitled 2
    07122022-1b
    jewelry
    English
    Michael Opipari
    Image
    Madison Heights, Michigan -83.1052028 42.4858692
  • A necklace made from neutral colored crystal beads, pictured against a black background. In the center of the necklace is a light blue, medium-sized gemstone. Surrounding the stone are short, silver spikes that reach outwards.
    Untitled 3
    07122022-1c
    jewelry
    English
    Michael Opipari
    Image
    Madison Heights, Michigan -83.1052028 42.4858692
  • A ring made from welded silver with a white gemstone pictured on a black background. The majority of the silver has been water-casted, creating organic shapes that resemble protrusions found in nature. These pieces of silver surround the gemstone and the rest of the ring in small droplets and longer protrusions.
    Untitled 4
    07122022-1d
    jewelry
    English
    Michael Opipari
    Image
    Madison Heights, Michigan -83.1052028 42.4858692
  • A wide ring made from welded silver with white round stones placed throughout, pictured against a black background. The ring leads into a point. The majority of the silver has been water-casted, creating organic shapes that resemble forms found in nature. The silver surrounds the stones in small droplet-like shapes.
    Untitled 5
    07122022-1e
    jewelry
    English
    Michael Opipari
    Image
    Madison Heights, Michigan -83.1052028 42.4858692
  • A piece of jewelry made with welded silver, pictured against a black background. The majority of the silver has been water-casted, creating organic shapes that resemble forms found in nature. The silver surrounds and holds smaller gemstones. Dangling from either side of the piece are about five pearl-like beads.
    Untitled 6
    07122022-1f
    jewelry
    English
    Michael Opipari
    Image
    Madison Heights, Michigan -83.1052028 42.4858692
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