Creativity in the Time of COVID

Search

Suggestions: video, installation art, audio

Item description

A digitally combined assembly of photographs. The photographs are all rectangular and put together in a grid pattern that is 8 photographs wide and 8 photographs tall, with 64 photographs total. Every photograph is of a sheet of parchment paper with marks where something has been cooked on it.

Browse the collection

Image | 2020

Parchment Paper Baking

My project is entitled “Family Life Instalments.” With five kids at home, age ranges 5 to 14, my partner Lily and I have had to be pretty creative with how we fill the time to keep the kids occupied. And we have a lot of material to offer a glimpse into a “family life” during these times. (If any one, in fact, wants to see!) The work consists of digital photographs and art of physical objects found in our home. For example, the first file is a year of parchment paper baking, all of the photos I’ve taken of a year’s worth of baking with parchment, and the second file is some of the window art Lily and the kids have done, using glue, food colouring, watercolour and painter’s tape. All work is done in our home.

Date

May 20, 2020

Rights Statement

https://creativecommons.org/licenses/by-nc-sa/4.0/

Full Metadata for Parchment Paper Baking

Type

digital image

Subject

digital images

Title

Parchment Paper Baking

Identifier

01052022-1a

Description

A digitally combined assembly of photographs. The photographs are all rectangular and put together in a grid pattern that is 8 photographs wide and 8 photographs tall, with 64 photographs total. Every photograph is of a sheet of parchment paper with marks where something has been cooked on it.

Temporal Coverage

May 20, 2020

Date Submitted

January 5, 2022

Language

English

Spatial Coverage

New Brunswick, Canada -66.750183 46.500283

Rights

https://creativecommons.org/licenses/by-nc-sa/4.0/

Related Items

A motivational graphic made on yourquote.in. The background is a hazy city below an orange sky. Above it, in red, the text reads “What you do is far more important than what you get. -Niladri Mahajan.” In the bottom left corner is a yourquote.in watermark. In the bottom right corner is the silhouette of a person overlooking the city on a cliff.

Rays In Time of Darkness 7

Niladri Mahajan

A motivational graphic made on yourquote.in. The background is a hazy city below an orange sky. Above it, in red, the text reads “What you do is far more important than what you get. -Niladri Mahajan.” In the bottom left corner is a yourquote.in watermark. In the bottom right corner is the silhouette of a person overlooking the city on a cliff.

A motivational graphic made on yourquote.in. The background is two people with their backs to the camera, raising their hands up and making peace signs. Above it, in orange, is the quote “More you age more you become aware of life’s profound beauty, enigma and meaningfulness. - Nilandri Mahajan.” In the bottom right corner is a yourquote.in watermark.

Rays In Time of Darkness 8

Niladri Mahajan

A motivational graphic made on yourquote.in. The background is two people with their backs to the camera, raising their hands up and making peace signs. Above it, in orange, is the quote “More you age more you become aware of life’s profound beauty, enigma and meaningfulness. - Nilandri Mahajan.” In the bottom right corner is a yourquote.in watermark.

A motivational graphic made on yourquote.in. The background is the silhouette of two hands held together by their pinkies against a purple and orange gradient background. The quote above it, in orange, reads “Infinity is an instant. Moment of love defines it. -Nilandri Mahajan”. In the bottom right corner is a yourquote.in watermark.

Rays In Time of Darkness 9

Niladri Mahajan

A motivational graphic made on yourquote.in. The background is the silhouette of two hands held together by their pinkies against a purple and orange gradient background. The quote above it, in orange, reads “Infinity is an instant. Moment of love defines it. -Nilandri Mahajan”. In the bottom right corner is a yourquote.in watermark.

A digital drawing of people playing string instruments on a light blue background. There are many small people of different colors. The people are all standing on varying sizes and shades of green circles with red, yellow, orange, green, and purple vine-like shapes coming up from the bottom and going underneath the green circles, resembling lily pads.

World Ensemble - Parts, Together 1

A digital drawing of people playing string instruments on a light blue background. There are many small people of different colors. The people are all standing on varying sizes and shades of green circles with red, yellow, orange, green, and purple vine-like shapes coming up from the bottom and going underneath the green circles, resembling lily pads.

A digital artwork titled “time prevailing changes” in capital black letters across the top. The piece depicts a girl with tan skin, split down the middle. On the left side, the girl has black hair pulled into a ponytail, a red bindi in the middle of her forehead, and her eyes lined with black. She is wearing a light green outfit and a blue sash. Surrounding her is a clothing item hanging on a clothing line, a blue mop bucket with a mop, and a yellow broom and dustpan. On the right side, the girl has her black hair pulled into a higher ponytail, is wearing a red and green earring, and a green shirt with red details. Surrounding her is a stack of files, a group of heads turned towards each other talking, and a computer. Beneath the artwork is a description that goes as follows:

“The following artwork is based on a real-life story of an anonymous person who comes from a poor tribal family in Gujarat, India. It shows two phases of the girl’s life. On the left hand side, she is shown in poor clothes with a bun along with bucket, broom, and clothes around. This depicts her phase when she used to do the job of sweeping and cleaning in an office. Her chores were just restricted to cleaning, and she didn’t have any post in her office. This continued till half of the covid period.”

“After mid 2020 she started taking interest in other office works too. She learnt how to operate computers and started getting basic education including learning English. She also went for community meetings with her NGO team and learnt to interact with villagers. Now she participates in community liaison and networking. Her dressing style changed as per her changed role from normal clothes to modern clothes. This is all depicted on the right side with modern clothes, files, computer, and community meetings.”

“Thus, during the COVID period, she upscaled herself by engaging into office work and also supported her family through increased salary. Now she has a post called office assistant along with suitable income, ready for new tasks and challenges herself with new experiences.” all in black text.

Beneath the description are the words “name: Chaitali D. Sinha” in the left corner and “date: 15th May 2022” in the right corner.

Time Prevailing Changes

Chaitali D. Sinha

A digital artwork titled “time prevailing changes” in capital black letters across the top. The piece depicts a girl with tan skin, split down the middle. On the left side, the girl has black hair pulled into a ponytail, a red bindi in the middle of her forehead, and her eyes lined with black. She is wearing a light green outfit and a blue sash. Surrounding her is a clothing item hanging on a clothing line, a blue mop bucket with a mop, and a yellow broom and dustpan.

A digital drawing of a computer screen. Across the bottom are logos of different apps and computer buttons. The screen is divided into nine rectangles. In each rectangle is a person playing a guitar. The people are of all different skin tones, each with different clothing, hair color, and style. The people are all looking at each other. In between and overlapping the rectangles with the people are green vines.

World Ensemble - Parts, Together 2

A digital drawing of a computer screen. Across the bottom are logos of different apps and computer buttons. The screen is divided into nine rectangles. In each rectangle is a person playing a guitar. The people are of all different skin tones, each with different clothing, hair color, and style. The people are all looking at each other. In between and overlapping the rectangles with the people are green vines.

A series of images displays a woman holding life-sized photographs of herself in masks and face paint over her face. Each photo is taken of the artist’s chest up and the photographs the artist is holding lines up with her shoulders. Many of the images are distorted via digital editing or double exposure, creating an eerie atmosphere. The images are meant to be reminiscent of the Zoom call layout, and can be seen as a video call with all the artist’s different selves.

Photos as Masks

A series of images displays a woman holding life-sized photographs of herself in masks and face paint over her face. Each photo is taken of the artist’s chest up and the photographs the artist is holding lines up with her shoulders. Many of the images are distorted via digital editing or double exposure, creating an eerie atmosphere. The images are meant to be reminiscent of the Zoom call layout, and can be seen as a video call with all the artist’s different selves.

A digital illustration on top of a photograph of two hands placed on top of eachother, the top hand is facing down, outlined in black, placed on the others wrist with the inside of the hand facing upwards. The hand on the bottom is full of red lines that swirl around each other without touching. The lines are closest together at the fingers and palm spreading and straightening out as they get farther away. In the photo the person has light colored skin and red nail polish. A circle of red lines spread out from the wrist of the hand below, blending into the background. The background around the photo is white.

RED BODY WITHOUT OUTLINE 3

A digital illustration on top of a photograph of two hands placed on top of eachother, the top hand is facing down, outlined in black, placed on the others wrist with the inside of the hand facing upwards. The hand on the bottom is full of red lines that swirl around each other without touching. The lines are closest together at the fingers and palm spreading and straightening out as they get farther away. In the photo the person has light colored skin and red nail polish. A circle of red lines spread out from the wrist of the hand below, blending into the background.

Le olbaid adna otleus (SOTITOS) 2

Le olbaid adna otleus (SOTITOS) 4

A photoshopped image of a train ticket. The ticket has two orange borders on the top and bottom: the top is blank, and the bottom has two orange arrow symbols pointing in opposite directions within a white circle to the left side and the black, dotted words “no return” capitalized on the right side. In between the two borders is a white background with faint yellow lines, text fills the background in dotted gray and dotted black. At the top: “class” capitalized and “under” in lowercase, “price” capitalized and “on your head” in lower case. In the middle “valid until” capitalized and “the system changes” in lowercase. Underneath that, “from” and “cradle”, “route” and “fixed”, “validity” and “none”, “to” and “grave” all in lowercase.

Train ticket

A photoshopped image of a train ticket. The ticket has two orange borders on the top and bottom: the top is blank, and the bottom has two orange arrow symbols pointing in opposite directions within a white circle to the left side and the black, dotted words “no return” capitalized on the right side. In between the two borders is a white background with faint yellow lines, text fills the background in dotted gray and dotted black. At the top: “class” capitalized and “under” in lowercase, “price” capitalized and “on your head” in lower case.

Untitled 1

An abstract digital drawing of a person’s profile, turned to the right side on a gray background. The person has eyes with gray and blue irises, and pink lips. Their face and neck are shaded with different colors; their neck is an orange tone and their face is brown and green with orange highlights. A gray and white color that resembles chrome highlights their face, neck, and their hair, which is also orange and yellow.

An abstract digital drawing of a person on a blue background. The person’s face is yellow with sections of orange, gray, and purple to create shadows. Their eyes are white, red, green, and purple. Their green lips are opened wide, and in their mouth is a red, orange, and white mass of color. Surrounding their face and neck are more colors and circle-like forms of color that are highlighted with white.

Untitled 2

An abstract digital drawing of a person on a blue background. The person’s face is yellow with sections of orange, gray, and purple to create shadows. Their eyes are white, red, green, and purple. Their green lips are opened wide, and in their mouth is a red, orange, and white mass of color. Surrounding their face and neck are more colors and circle-like forms of color that are highlighted with white.

An abstract digital drawing of a monster on a red background. The monster is dressed in orange and is wearing black shoes. Its head is circular and yellow, and it has red eyes outlined with black, and a round mouth with two white fangs in the center and two red fangs on either side. Its left hand is curled and its right hand is opened, reaching forward. A black hole on its chest is outlined with red and highlighted in white, with a red and white anatomically correct heart inside of it. In capitalized yellow handwriting are the words “bubble let me in!” at the top left and “I need hugs” in the bottom right.

Untitled 3

An abstract digital drawing of a monster on a red background. The monster is dressed in orange and is wearing black shoes. Its head is circular and yellow, and it has red eyes outlined with black, and a round mouth with two white fangs in the center and two red fangs on either side. Its left hand is curled and its right hand is opened, reaching forward. A black hole on its chest is outlined with red and highlighted in white, with a red and white anatomically correct heart inside of it.

An abstract digital drawing with different sized boxes and figures or symbols inside of them. The boxes are green, blue, red, and tan, with figures of contrasting colors. Some of the figures are humanlike, with their legs spread apart and arms stretched upwards; a different figure is reaching down and touching its toes. In the top right is an outline of a face and towards the center is a blue swirl.

Untitled 4

An abstract digital drawing with different sized boxes and figures or symbols inside of them. The boxes are green, blue, red, and tan, with figures of contrasting colors. Some of the figures are humanlike, with their legs spread apart and arms stretched upwards; a different figure is reaching down and touching its toes. In the top right is an outline of a face and towards the center is a blue swirl.

An abstract digital drawing on a black background. At the top of the piece are two blue circles with a yellow circle in the center and a red line down through the middle, resembling eyes. A red and green half circle resembles a mouth. Surrounding this face-like figure are long, rounded strokes of bright and intersecting, contrasting colors.

Untitled 5

An abstract digital drawing on a black background. At the top of the piece are two blue circles with a yellow circle in the center and a red line down through the middle, resembling eyes. A red and green half circle resembles a mouth. Surrounding this face-like figure are long, rounded strokes of bright and intersecting, contrasting colors.

An abstract digital drawing on a blue background. In the center is the shape of an eye with a tan and red colored eyelid. The inside of the eye is a slightly darker blue and green on the right side. In place of an iris and pupil is a sunburst of yellow and red, highlighted with white. Green, purple, and gray forms highlighted with a white line the bottom of the eye and stretched outwards from the top left side of the eye.

Untitled 6

An abstract digital drawing on a blue background. In the center is the shape of an eye with a tan and red colored eyelid. The inside of the eye is a slightly darker blue and green on the right side. In place of an iris and pupil is a sunburst of yellow and red, highlighted with white. Green, purple, and gray forms highlighted with a white line the bottom of the eye and stretched outwards from the top left side of the eye.

An abstract digital drawing on a blue background. At the top of the piece are circular, orange strokes that resemble a vortex. Inside of the vortex is a gray form with an orange center. A stream of blue, gray, and orange highlighted by white flows down and to the left side, creating a bubble. Overlapping, green scribbled lines fill the bottom of the piece.

Untitled 7

An abstract digital drawing on a blue background. At the top of the piece are circular, orange strokes that resemble a vortex. Inside of the vortex is a gray form with an orange center. A stream of blue, gray, and orange highlighted by white flows down and to the left side, creating a bubble. Overlapping, green scribbled lines fill the bottom of the piece.

An abstract digital drawing on a black background. A large sphere made of blue and orange strokes fills the left side of the piece. Strokes of red and yellow lines highlighted with white and gray flow around the circle, encompassing its bottom and left side.

Untitled 8

An abstract digital drawing on a black background. A large sphere made of blue and orange strokes fills the left side of the piece. Strokes of red and yellow lines highlighted with white and gray flow around the circle, encompassing its bottom and left side.

An abstract, geometrical digital drawing on a black background with intersecting red, green, yellow, and orange lines. Within the shapes created by the lines meeting are solid colors.

Untitled 9

An abstract, geometrical digital drawing on a black background with intersecting red, green, yellow, and orange lines. Within the shapes created by the lines meeting are solid colors.

Homemade paint swatches of different hues of pink, brown, yellow, purple, green, blue, and black. There are 12 squares divided into two rows of six with each swatch being given a name of a different bird: summer tanager, song sparrow, purple martin, american goldfinch, wood thrush, common yellowthroat, eastern meadowlark, carolina wren, eastern bluebird, red-winged blackbird, yellow warbler, and hermit thrush.

Birdclock 2

Jennifer Cabral

Homemade paint swatches of different hues of pink, brown, yellow, purple, green, blue, and black. There are 12 squares divided into two rows of six with each swatch being given a name of a different bird: summer tanager, song sparrow, purple martin, american goldfinch, wood thrush, common yellowthroat, eastern meadowlark, carolina wren, eastern bluebird, red-winged blackbird, yellow warbler, and hermit thrush.

A chart of 54 homemade, square paint swatches in hues of brown, blue, and yellow. The swatches are arranged in different patterns throughout the chart.

Birdclock 3

Jennifer Cabral

A chart of 54 homemade, square paint swatches in hues of brown, blue, and yellow. The swatches are arranged in different patterns throughout the chart.

A black and white double exposure picture of two native people–the Assiniboine–wearing traditional native headdresses and regalia. The two are looking to the right side, their image overlapping with those of human skulls, animal skulls, and a mountain plain.

Take As A Giving 1

Jennifer Cabral

A black and white double exposure picture of two native people–the Assiniboine–wearing traditional native headdresses and regalia. The two are looking to the right side, their image overlapping with those of human skulls, animal skulls, and a mountain plain.

A black and white double exposure image of a native person from the Assiniboine tribe, wearing a traditional headdress and regalia. The person is turned to the left and holding a thin object that resembles a spear. Behind them are a group of animals running through hilly plains.

Take As A Giving 2

Jennifer Cabral

A black and white double exposure image of a native person from the Assiniboine tribe, wearing a traditional headdress and regalia. The person is turned to the left and holding a thin object that resembles a spear. Behind them are a group of animals running through hilly plains.

A black and white double exposure image of a young native person from the Assiniboine tribe standing next to a taller person wrapped in a patterned cloth. Overlaid in the center is a tower of rocks, and behind them are mountains.

Take As A Giving 3

Jennifer Cabral

A black and white double exposure image of a young native person from the Assiniboine tribe standing next to a taller person wrapped in a patterned cloth. Overlaid in the center is a tower of rocks, and behind them are mountains.

An outdoor scene where a child who has long hair and is wearing a dress is pictured running through a street. The image is in black in white, the background lined with palm trees and a water fountain. Towards the right and encompassing the child is a circle where the color is negative, making the trees white and the sky in the background black.

Membranes 1

Jennifer Cabral

An outdoor scene where a child who has long hair and is wearing a dress is pictured running through a street. The image is in black in white, the background lined with palm trees and a water fountain. Towards the right and encompassing the child is a circle where the color is negative, making the trees white and the sky in the background black.

A person wearing a long sleeve, cuffed jeans, and white socks, sitting on carpet and pictured in black and white. Their right leg is bent at the knee, their foot touching their left thigh. They are leaning down slightly, so their left hand is reaching over their right shin. Towards the right is a circle where the color is negative, encompassing most of the person’s right leg and hand.

Membranes 2

Jennifer Cabral

A person wearing a long sleeve, cuffed jeans, and white socks, sitting on carpet and pictured in black and white. Their right leg is bent at the knee, their foot touching their left thigh. They are leaning down slightly, so their left hand is reaching over their right shin. Towards the right is a circle where the color is negative, encompassing most of the person’s right leg and hand.

A dining room scene with an older person sitting at a table alone in an eclectic room, pictured in black and white. The person sits at a small round table, facing the left side and is eating. They are wearing a plaid short sleeve shirt, shorts, and boat shoes. Behind the person is a framed abstract painting, and two floor lamps are on the left side. A living room chair and couch are placed towards the bottom left corner. Towards the center and encompassing the person is a circle where the color is negative.

Membranes 3

Jennifer Cabral

A dining room scene with an older person sitting at a table alone in an eclectic room, pictured in black and white. The person sits at a small round table, facing the left side and is eating. They are wearing a plaid short sleeve shirt, shorts, and boat shoes. Behind the person is a framed abstract painting, and two floor lamps are on the left side. A living room chair and couch are placed towards the bottom left corner. Towards the center and encompassing the person is a circle where the color is negative.

A digitally drawn self portrait. The portrait depicts a woman with long, wavy, reddish-brown hair. She wears a purple top, blue square-framed glasses, and has three piercings in her right ear. The background is a light orange and yellow gradient.

Untitled 5

A digitally drawn self portrait. The portrait depicts a woman with long, wavy, reddish-brown hair. She wears a purple top, blue square-framed glasses, and has three piercings in her right ear. The background is a light orange and yellow gradient.

A digital painting of an elderly Asian woman being presented with a cup of tea. The woman is sitting in a large black chair with a pillow behind her. She has short gray hair, round golden glasses, pearl earrings, a gray floral embroidered pantsuit, and a wide smile. On the opposite side of the brown table, a younger Asian woman hands over the glass teacup on a small white plate. She is reaching out towards the elderly woman from the right, and has her back to the viewer so only the pearl earring in her left ear is visible. Due to the soft painting style, the background is a blur of blues, pinks, and yellows that look like reflections on the wall.

Untitled 1

A digital painting of an elderly Asian woman being presented with a cup of tea. The woman is sitting in a large black chair with a pillow behind her. She has short gray hair, round golden glasses, pearl earrings, a gray floral embroidered pantsuit, and a wide smile. On the opposite side of the brown table, a younger Asian woman hands over the glass teacup on a small white plate. She is reaching out towards the elderly woman from the right, and has her back to the viewer so only the pearl earring in her left ear is visible.

A digital painting of a woman’s face partially submerged in water in a tub, surrounded by water toys. The woman is Asian with black hair, dark brown eyes, and a small mole directly below her slightly parted lips. Her halo of hair swirls as light reflects off the toys leaving tones of purple, green, and yellow across her face.

Untitled 2

A digital painting of a woman’s face partially submerged in water in a tub, surrounded by water toys. The woman is Asian with black hair, dark brown eyes, and a small mole directly below her slightly parted lips. Her halo of hair swirls as light reflects off the toys leaving tones of purple, green, and yellow across her face.

A coloring book cover. The book title is written in a thick, white font, reading “when we all stayed home” in capital letters across the top, with the word “home” underneath the word “stayed”. Beneath that is the subheading “a coloring book about the coronavirus” in the same font and capital letters, the words “the coronavirus” underneath the first part of the sentence. The cover’s illustration depicts a blue house with a family looking out of the window of the house, towards the paved sidewalk in front of it. The house is surrounded by trees, and the ground is a dark blue while the sky is a lighter blue.

Use of child's creativity to cope with the pandemic 1

Headwaters Relief Organization

A coloring book cover. The book title is written in a thick, white font, reading “when we all stayed home” in capital letters across the top, with the word “home” underneath the word “stayed”. Beneath that is the subheading “a coloring book about the coronavirus” in the same font and capital letters, the words “the coronavirus” underneath the first part of the sentence. The cover’s illustration depicts a blue house with a family looking out of the window of the house, towards the paved sidewalk in front of it.

A coloring book cover. The book title is written in a thick, white font, reading “when we all wore masks” in capital letters across the top, with the word “masks” underneath the words “all wore”. Beneath that is the subheading “a coloring book about the coronavirus” in the same font and capital letters, the words “the coronavirus” underneath the first part of the sentence. The cover’s illustration depicts a blue house with a family waving from the window of the house, at the dark-skinned mail person, wearing a blue uniform and bag filled with mail in front of the house. On the sidewalk to the left is a tan-skinned person wearing a blue dress, their hair pulled into a ponytail with a tan-skinned kid wearing a green shirt and brown shorts. Everyone outside is wearing a white COVID mask. The house is surrounded by trees, and the ground is a dark blue while the sky is a lighter blue.

Use of child's creativity to cope with the pandemic 2

Headwaters Relief Organization

A coloring book cover. The book title is written in a thick, white font, reading “when we all wore masks” in capital letters across the top, with the word “masks” underneath the words “all wore”. Beneath that is the subheading “a coloring book about the coronavirus” in the same font and capital letters, the words “the coronavirus” underneath the first part of the sentence. The cover’s illustration depicts a blue house with a family waving from the window of the house, at the dark-skinned mail person, wearing a blue uniform and bag filled with mail in front of the house.

A coloring book cover. The book title is written in a thick, white font, reading “when we all got vaccinated” in capital letters across the top, with the word “vaccinated” underneath the beginning words. Beneath that is the subheading “a coloring book about the coronavirus” in the same font and capital letters, the words “the coronavirus” underneath the first part of the sentence. The cover’s illustration depicts a blue house with a family waving from the window of the house, at the dark-skinned mail person, wearing a blue uniform and bag filled with mail in front of the house. On the sidewalk to the left is a tan-skinned person wearing a blue dress, their hair pulled into a ponytail with a tan-skinned kid wearing a yellow shirt and brown shorts. Everyone outside is wearing a white COVID mask. The house is surrounded by trees, and the ground is a dark blue while the sky is a lighter blue with white clouds. The sun is in the top right corner, making the scene bright.

Use of child's creativity to cope with the pandemic 3

Headwaters Relief Organization

A coloring book cover. The book title is written in a thick, white font, reading “when we all got vaccinated” in capital letters across the top, with the word “vaccinated” underneath the beginning words. Beneath that is the subheading “a coloring book about the coronavirus” in the same font and capital letters, the words “the coronavirus” underneath the first part of the sentence. The cover’s illustration depicts a blue house with a family waving from the window of the house, at the dark-skinned mail person, wearing a blue uniform and bag filled with mail in front of the house.

A coloring book cover. The book title is written in spanish in a thick, white font, reading “cuando todos llevamos tapabocas” in capital letters across the top, with the word “tapabocas” underneath the beginning of the title. Beneath that is the subheading “un libro para colorear sobre el coronavirus” in the same font and capital letters. The english translation of the title and heading “when we all wore masks” and “a coloring book about the coronavirus” is in the same font in blue, underneath the spanish title. The cover’s illustration depicts a blue house with a family waving from the window of the house, at the dark-skinned mail person, wearing a blue uniform and bag filled with mail in front of the house. On the sidewalk to the left is a tan-skinned person wearing a blue dress, their hair pulled into a ponytail with a tan-skinned kid wearing a green shirt and brown shorts. Everyone outside is wearing a white COVID mask. The house is surrounded by trees, and the ground is a dark blue while the sky is a lighter blue.

Use of child's creativity to cope with the pandemic 4

Headwaters Relief Organization

A coloring book cover. The book title is written in spanish in a thick, white font, reading “cuando todos llevamos tapabocas” in capital letters across the top, with the word “tapabocas” underneath the beginning of the title. Beneath that is the subheading “un libro para colorear sobre el coronavirus” in the same font and capital letters. The english translation of the title and heading “when we all wore masks” and “a coloring book about the coronavirus” is in the same font in blue, underneath the spanish title.

A grayscale digital drawing. The drawing depicts a person sitting nude, with their back towards the viewer. Their hair is pulled into a bun on top of their head. They are leaning against their knees, their arms wrapped around themselves so their hands are partially visible around their waist. Their head is turned to the left side.

Isolation

A grayscale digital drawing. The drawing depicts a person sitting nude, with their back towards the viewer. Their hair is pulled into a bun on top of their head. They are leaning against their knees, their arms wrapped around themselves so their hands are partially visible around their waist. Their head is turned to the left side.

A digital poster. The poster has a bright pink background with small splotches of red and white. At the top of the poster are the words “sins invalid” in white text against a black background with the first letter of each word capitalized. Underneath the title are two circle pictures: the one on the left is a person with brown skin, smiling, their hair in long braids that curl at the ends and turn purple; the one on the right is a person with brown skin, wearing a blue, green, and yellow patterned button up, their hair short on the sides and tall on the top. Above the images are names: to the left; “Claudia Alick” in white capital letters against a purple background, and to the right; “Cyree Jarelle Johnson” in the same fashion. Towards the bottom of the poster are two captions with the words: “IG live: loving w/ three hearts” and “Thursday, July 28th || 7 pm EST/4 pm PST” with the first letter of each word capitalized in white, against a purple background.

Untitled 2

A digital poster. The poster has a bright pink background with small splotches of red and white. At the top of the poster are the words “sins invalid” in white text against a black background with the first letter of each word capitalized. Underneath the title are two circle pictures: the one on the left is a person with brown skin, smiling, their hair in long braids that curl at the ends and turn purple; the one on the right is a person with brown skin, wearing a blue, green, and yellow patterned button up, their hair short on the sides and tall on the top.

A collage with different shades of red covering the majority of the piece. The top is a light red, the middle is pink, and the bottom is a muted pink color. Lining the top and bottom are strips from book pages, painted over and mostly illegible. Towards the bottom, a section of discoloration turns the area dark, like a spill of coffee across the collage. Blue discoloration peaks through the red in the top half.

an infinite cloak of air 3

A collage with different shades of red covering the majority of the piece. The top is a light red, the middle is pink, and the bottom is a muted pink color. Lining the top and bottom are strips from book pages, painted over and mostly illegible. Towards the bottom, a section of discoloration turns the area dark, like a spill of coffee across the collage. Blue discoloration peaks through the red in the top half.

A digital artwork of hands in varying skin tones making fists, high fives, thumbs up and peace signs. Above it is the artist’s signature “Alana Kay ART”. In the center in large letters is “LOVE” in bold with lives of bright colors and “all people”, in red cursive below it.

Untitled 1

Alana Kay Latiolais

A digital artwork of hands in varying skin tones making fists, high fives, thumbs up and peace signs. Above it is the artist’s signature “Alana Kay ART”. In the center in large letters is “LOVE” in bold with lives of bright colors and “all people”, in red cursive below it.

A digital collage of two shopping carts stacked on top of one another. The bottom cart is plastic, whilst the top cart is wire. They are a stark contrast to the white textured background. Small plus signs dot the white background in a regular grid. Some of the symbols are blurred, causing a warped ripple effect on the otherwise orderly surface of the backdrop.

Untitled 1

A digital collage of two shopping carts stacked on top of one another. The bottom cart is plastic, whilst the top cart is wire. They are a stark contrast to the white textured background. Small plus signs dot the white background in a regular grid. Some of the symbols are blurred, causing a warped ripple effect on the otherwise orderly surface of the backdrop.

A psychedelic digital collage, featuring an older White woman standing in the center. She wears a camo outer layer that fits like a surgical gown, a matching camo bandana, and a purple mask. Under this, gray plaid pants peak through. Surrounding her are brightly colored lines, following the contour of her silhouette. The lines go from green in the center, to pink, to orange, to a maroon red around the edge of the image.

Untitled 2

A psychedelic digital collage, featuring an older White woman standing in the center. She wears a camo outer layer that fits like a surgical gown, a matching camo bandana, and a purple mask. Under this, gray plaid pants peak through. Surrounding her are brightly colored lines, following the contour of her silhouette. The lines go from green in the center, to pink, to orange, to a maroon red around the edge of the image.

A digital collage created on top of a selfie taken by the artist. Parts of the base image, like the shoulder-up selfie of a white woman sitting in a wooden chair, are visible. However, her face is covered by a mask of a flat digital texture– A white background with cartoonish oranges topped with green leaves.This leaves only her eyes and smiling mouth visible. Her hair is also covered by thin pink and blue stripes. Behind her head and the back of the wooden chair she is sitting in, the background has been replaced with densely packed white, orange, yellow, teal, and blue-grey triangles.

Untitled 3

A digital collage created on top of a selfie taken by the artist. Parts of the base image, like the shoulder-up selfie of a white woman sitting in a wooden chair, are visible. However, her face is covered by a mask of a flat digital texture– A white background with cartoonish oranges topped with green leaves.This leaves only her eyes and smiling mouth visible. Her hair is also covered by thin pink and blue stripes. Behind her head and the back of the wooden chair she is sitting in, the background has been replaced with densely packed white, orange, yellow, teal, and blue-grey triangles.

A digital collage made up of a black and white photograph of two bike tires sitting on a bench. At the top of the image is a series of cyan lines. At the bottom of the image sits a row of yellow lines. Across the middle of the image is a green brush stroke. Though this stroke is not legible it gives the impression of a string of letters.

Untitled 4

A digital collage made up of a black and white photograph of two bike tires sitting on a bench. At the top of the image is a series of cyan lines. At the bottom of the image sits a row of yellow lines. Across the middle of the image is a green brush stroke. Though this stroke is not legible it gives the impression of a string of letters.

A storm blowing in over a mountain. The entire image has a blue-grey tone, from the heavy clouds to the misty mountain top. In the foreground, a few spindly tree branches set themselves apart from the chilly background.

Untitled 5

A storm blowing in over a mountain. The entire image has a blue-grey tone, from the heavy clouds to the misty mountain top. In the foreground, a few spindly tree branches set themselves apart from the chilly background.

A sun pictured rising behind a thick row of trees. The orange blaze of the sun is a sharp contrast to the watery blue-green sky and gnarled black structures of the trees.

Untitled 6

A sun pictured rising behind a thick row of trees. The orange blaze of the sun is a sharp contrast to the watery blue-green sky and gnarled black structures of the trees.

A digital drawing of a mysterious black symbol against a white background. A central circle of white is surrounded by a secondary circle of black, followed by a thinner circle of white, creating a “target symbol”. This is surrounded by a fringed circle of black, giving the impression of a spinning cyclone.

Untitled 7

A digital drawing of a mysterious black symbol against a white background. A central circle of white is surrounded by a secondary circle of black, followed by a thinner circle of white, creating a “target symbol”. This is surrounded by a fringed circle of black, giving the impression of a spinning cyclone.

A selfie taken by an older white woman with blonde hair. Colorful lines are drawn over the image. Behind the woman, blue dots create a whimsical effect. Thin purple strokes through the hair make her hair appear to have purple highlights. A yellow drawing over the mask gives it a woven appearance. Blue lines create the appearance of the collar of a striped shirt. Finally, in the right bottom portion of the image, a small green scribble adds more color to the mix.

Untitled 8

A selfie taken by an older white woman with blonde hair. Colorful lines are drawn over the image. Behind the woman, blue dots create a whimsical effect. Thin purple strokes through the hair make her hair appear to have purple highlights. A yellow drawing over the mask gives it a woven appearance. Blue lines create the appearance of the collar of a striped shirt. Finally, in the right bottom portion of the image, a small green scribble adds more color to the mix.

A selfie taken by an older white woman from inside of a dark car. A green light shining in front of her created an unnatural cast across her face. Dark shadows contrast the bright green light. Through the rear windshield shines the red glow from her brake lights.

Untitled 9

A selfie taken by an older white woman from inside of a dark car. A green light shining in front of her created an unnatural cast across her face. Dark shadows contrast the bright green light. Through the rear windshield shines the red glow from her brake lights.

Cover artwork consisting of 14 individual paintings shrunk to fit into one larger painting. The piece takes the form of a number eight, or an upwards infinity symbol, with abstract colors and lines looping, striping, curling, and reflecting each other on a bright blue background. Parts of the painting at the top branch off from the original “8” or infinity, in organic, circular shapes. The title “the Grieving project” is in a typewriter font at the bottom left of the piece, the words “the” and “project” in white and “Grieving” in black. Underneath the title is the name “Lisa A. Sniderman” in black and the same font. On the right side in a black, cursive font is the word “Aoede”.

The Grieving Project

Lisa A. Sniderman

Cover artwork consisting of 14 individual paintings shrunk to fit into one larger painting. The piece takes the form of a number eight, or an upwards infinity symbol, with abstract colors and lines looping, striping, curling, and reflecting each other on a bright blue background. Parts of the painting at the top branch off from the original “8” or infinity, in organic, circular shapes. The title “the Grieving project” is in a typewriter font at the bottom left of the piece, the words “the” and “project” in white and “Grieving” in black. Underneath the title is the name “Lisa A.

A photo collage of 19 different photographs of people, the majority of the individuals white and male. Each person is either posing for the camera or in their element, playing an instrument, painting, recording audio, or using an audio interface. The collage is framed with a gradient, light to dark blue color.

The Grieving Project Team

Lisa A. Sniderman

A photo collage of 19 different photographs of people, the majority of the individuals white and male. Each person is either posing for the camera or in their element, playing an instrument, painting, recording audio, or using an audio interface. The collage is framed with a gradient, light to dark blue color.

Illuminations in Dark Times: An Embroidered Bestiary 27

A black and white photograph of an abandoned cabin and the surrounding nature. The wood of the cabin is deteriorating, slightly warping the outside of the structure. To the right are tire tracks through the snowy ground. Around the cabin are thin, dead trees. Behind it, a contrasting, lush forest of pine trees. The sky is white with clouds, but fades into a deeper gray and black around the edges.

Accessible Journey 1

A black and white photograph of an abandoned cabin and the surrounding nature. The wood of the cabin is deteriorating, slightly warping the outside of the structure. To the right are tire tracks through the snowy ground. Around the cabin are thin, dead trees. Behind it, a contrasting, lush forest of pine trees. The sky is white with clouds, but fades into a deeper gray and black around the edges.

Starbodies 1

A photograph of Lake Marie in Wyoming. In the foreground are piles of tan, brown, and red rocks that split down the middle for a stream of running water that appears a foggy white as it journeys through the rocks. The background opens up into the view of the deep blue lake, with a forest of tall trees and high mountains encompassing the area. The lake and surrounding area are free of visitors.

Accessible Journey 3

A photograph of Lake Marie in Wyoming. In the foreground are piles of tan, brown, and red rocks that split down the middle for a stream of running water that appears a foggy white as it journeys through the rocks. The background opens up into the view of the deep blue lake, with a forest of tall trees and high mountains encompassing the area. The lake and surrounding area are free of visitors.

Southern Spiced: A Brown Girl’s Tale 2

Felicia Taylor E.

Southern Spiced: A Brown Girl’s Tale 3

Felicia Taylor E.

A digitally combined collage of photographs. The photographs all are of decorated glass, vary in size and shape, and are stacked on top of each other. The decorations on the top two thirds are geometric and colorful like stained glass. The bottom third is of drawn flowers, with lightly snow-covered grass and a brick step on the other side of the window.

Window Art

A digitally combined collage of photographs. The photographs all are of decorated glass, vary in size and shape, and are stacked on top of each other. The decorations on the top two thirds are geometric and colorful like stained glass. The bottom third is of drawn flowers, with lightly snow-covered grass and a brick step on the other side of the window.

A digitally combined collage of many, many photographs. Each photograph is of a paper card, including birthday cards, get well soon cards, holiday cards, and more. There are roughly 500 cards arranged in a square grid. They are so small that the details of each aren’t visible and form a colorful patchwork.

Hallmark Cards

A digitally combined collage of many, many photographs. Each photograph is of a paper card, including birthday cards, get well soon cards, holiday cards, and more. There are roughly 500 cards arranged in a square grid. They are so small that the details of each aren’t visible and form a colorful patchwork.

An assortment of round, button-like objects in varying shapes, sizes, patterns, and colors. Among them are a red letter “G” on a wooden plaque, CDs, a fan, a button with the word “noel”, a dartboard, a donut with pink frosting, and an Ultra Ball from the Pokemon series.

All the Circles We Could Find in our House

An assortment of round, button-like objects in varying shapes, sizes, patterns, and colors. Among them are a red letter “G” on a wooden plaque, CDs, a fan, a button with the word “noel”, a dartboard, a donut with pink frosting, and an Ultra Ball from the Pokemon series.

An assortment of small objects laid out on four rectangular cloth surfaces that together form a checkerboard. The top left surface is off white, the top right is pale blue, the bottom left is blue, and the bottom right is pale green. The objects are arranged neatly but in no particular pattern. Many are too small to make out; among the more visible are a fabric checkerboard, a folded up map with the words “The Australian” visible at the top, a blue, white, red, and yellow flag, a red personal fan, and various pieces of jewelry.

I Spy

An assortment of small objects laid out on four rectangular cloth surfaces that together form a checkerboard. The top left surface is off white, the top right is pale blue, the bottom left is blue, and the bottom right is pale green. The objects are arranged neatly but in no particular pattern. Many are too small to make out; among the more visible are a fabric checkerboard, a folded up map with the words “The Australian” visible at the top, a blue, white, red, and yellow flag, a red personal fan, and various pieces of jewelry.

A digitally combined patchwork of tiles. Each tile features a depiction of Medusa formed by shards of glass, with white and transparent glass for skin and shades of green to form her snake hair. The image is repeated in squares of four, with the tiles rotated so the faces face each other, forming a 9-square quilt-like pattern. Three of the squares are true to color; the top left, bottom center, and middle right. Two of the squares are tinted pale green; the top center and left center. The top right and bottom left drama are tinted red. The center and bottom left are tinted yellow.

Medusa Tile

A digitally combined patchwork of tiles. Each tile features a depiction of Medusa formed by shards of glass, with white and transparent glass for skin and shades of green to form her snake hair. The image is repeated in squares of four, with the tiles rotated so the faces face each other, forming a 9-square quilt-like pattern. Three of the squares are true to color; the top left, bottom center, and middle right. Two of the squares are tinted pale green; the top center and left center. The top right and bottom left drama are tinted red. The center and bottom left are tinted yellow.

A mixed-media digital artwork depicting 14 stiff rectangular flags raised into a cloudy sky at different heights, pointed in different directions. The fabric of the flags is a woven texture of socks, each with a different design. Some are pointed away so their patterns aren’t visible; among the visible are a basketball on a gray background, rainbow dots on a black background, and striped blue and white.

Raising Socks

A mixed-media digital artwork depicting 14 stiff rectangular flags raised into a cloudy sky at different heights, pointed in different directions. The fabric of the flags is a woven texture of socks, each with a different design. Some are pointed away so their patterns aren’t visible; among the visible are a basketball on a gray background, rainbow dots on a black background, and striped blue and white.

A geometric display of many combined photographs of mason jars. The jars are arranged in vertical lines, with 14 columns total. They vary in size, shape, and placement, creating a staggered look horizontally. The jars contain various objects such as cotton balls, jelly, seashells, rocks, small colorful toys, pickles, and household cooking staples. While the arrangement of the jars is uniform, there is no pattern to their contents.

Vertical Jars

A geometric display of many combined photographs of mason jars. The jars are arranged in vertical lines, with 14 columns total. They vary in size, shape, and placement, creating a staggered look horizontally. The jars contain various objects such as cotton balls, jelly, seashells, rocks, small colorful toys, pickles, and household cooking staples. While the arrangement of the jars is uniform, there is no pattern to their contents.

A digital canvas of small photographs interrupted by patches of white. The photographs, so small they seem to pixelate the image, depict the sky at all times of day under all weather conditions. In the white between the images are colorful silhouettes of skydivers with their parachutes billowing above them, surrounded by squares of sky.

Sky Divers

A digital canvas of small photographs interrupted by patches of white. The photographs, so small they seem to pixelate the image, depict the sky at all times of day under all weather conditions. In the white between the images are colorful silhouettes of skydivers with their parachutes billowing above them, surrounded by squares of sky.

A photograph of evergreen trees. The photograph has been distorted into squares that have been re-arranged, so that each square shows the texture of an evergreen branch, but the shape of a distinct tree cannot be found. Light peeks through the branches on the top left, and a white sky shines above the tips of the trees in the upper right corner.

The Evergreens Behind our House

A photograph of evergreen trees. The photograph has been distorted into squares that have been re-arranged, so that each square shows the texture of an evergreen branch, but the shape of a distinct tree cannot be found. Light peeks through the branches on the top left, and a white sky shines above the tips of the trees in the upper right corner.