Creativity in the Time of COVID

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Item description

A geometric display of many combined photographs of mason jars. The jars are arranged in vertical lines, with 14 columns total. They vary in size, shape, and placement, creating a staggered look horizontally. The jars contain various objects such as cotton balls, jelly, seashells, rocks, small colorful toys, pickles, and household cooking staples. While the arrangement of the jars is uniform, there is no pattern to their contents.

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Image 1970

Vertical Jars

My project is entitled “Family Life Instalments.” With five kids at home, age ranges 5 to 14, my partner Lily and I have had to be pretty creative with how we fill the time to keep the kids occupied. And we have a lot of material to offer a glimpse into a “family life” during these times. (If any one, in fact, wants to see!) The work consists of digital photographs and art of physical objects found in our home. For example, the first file is a year of parchment paper baking, all of the photos I’ve taken of a year’s worth of baking with parchment, and the second file is some of the window art Lily and the kids have done, using glue, food colouring, watercolour and painter’s tape. All work is done in our home.

Date

January 1, 1970

Rights Statement

https://creativecommons.org/licenses/by-nc-sa/4.0/

Full Metadata for Vertical Jars

Type

digital image

Subject

digital images

Title

Vertical Jars

Identifier

01052022-1h

Description

A geometric display of many combined photographs of mason jars. The jars are arranged in vertical lines, with 14 columns total. They vary in size, shape, and placement, creating a staggered look horizontally. The jars contain various objects such as cotton balls, jelly, seashells, rocks, small colorful toys, pickles, and household cooking staples. While the arrangement of the jars is uniform, there is no pattern to their contents.

Temporal Coverage

January 1, 1970

Date Submitted

January 1, 1970

Language

English

Spatial Coverage

New Brunswick, Canada -66.750183 46.500283

Rights

https://creativecommons.org/licenses/by-nc-sa/4.0/

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an infinite cloak of air 3

A collage with different shades of red covering the majority of the piece. The top is a light red, the middle is pink, and the bottom is a muted pink color. Lining the top and bottom are strips from book pages, painted over and mostly illegible. Towards the bottom, a section of discoloration turns the area dark, like a spill of coffee across the collage. Blue discoloration peaks through the red in the top half.

A digital artwork of hands in varying skin tones making fists, high fives, thumbs up and peace signs. Above it is the artist’s signature “Alana Kay ART”. In the center in large letters is “LOVE” in bold with lives of bright colors and “all people”, in red cursive below it.

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Alana Kay Latiolais

A digital artwork of hands in varying skin tones making fists, high fives, thumbs up and peace signs. Above it is the artist’s signature “Alana Kay ART”. In the center in large letters is “LOVE” in bold with lives of bright colors and “all people”, in red cursive below it.

A digital collage of two shopping carts stacked on top of one another. The bottom cart is plastic, whilst the top cart is wire. They are a stark contrast to the white textured background. Small plus signs dot the white background in a regular grid. Some of the symbols are blurred, causing a warped ripple effect on the otherwise orderly surface of the backdrop.

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A digital collage of two shopping carts stacked on top of one another. The bottom cart is plastic, whilst the top cart is wire. They are a stark contrast to the white textured background. Small plus signs dot the white background in a regular grid. Some of the symbols are blurred, causing a warped ripple effect on the otherwise orderly surface of the backdrop.

A psychedelic digital collage, featuring an older White woman standing in the center. She wears a camo outer layer that fits like a surgical gown, a matching camo bandana, and a purple mask. Under this, gray plaid pants peak through. Surrounding her are brightly colored lines, following the contour of her silhouette. The lines go from green in the center, to pink, to orange, to a maroon red around the edge of the image.

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A psychedelic digital collage, featuring an older White woman standing in the center. She wears a camo outer layer that fits like a surgical gown, a matching camo bandana, and a purple mask. Under this, gray plaid pants peak through. Surrounding her are brightly colored lines, following the contour of her silhouette. The lines go from green in the center, to pink, to orange, to a maroon red around the edge of the image.

A digital collage created on top of a selfie taken by the artist. Parts of the base image, like the shoulder-up selfie of a white woman sitting in a wooden chair, are visible. However, her face is covered by a mask of a flat digital texture– A white background with cartoonish oranges topped with green leaves.This leaves only her eyes and smiling mouth visible. Her hair is also covered by thin pink and blue stripes. Behind her head and the back of the wooden chair she is sitting in, the background has been replaced with densely packed white, orange, yellow, teal, and blue-grey triangles.

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A digital collage created on top of a selfie taken by the artist. Parts of the base image, like the shoulder-up selfie of a white woman sitting in a wooden chair, are visible. However, her face is covered by a mask of a flat digital texture– A white background with cartoonish oranges topped with green leaves.This leaves only her eyes and smiling mouth visible. Her hair is also covered by thin pink and blue stripes. Behind her head and the back of the wooden chair she is sitting in, the background has been replaced with densely packed white, orange, yellow, teal, and blue-grey triangles.

A digital collage made up of a black and white photograph of two bike tires sitting on a bench. At the top of the image is a series of cyan lines. At the bottom of the image sits a row of yellow lines. Across the middle of the image is a green brush stroke. Though this stroke is not legible it gives the impression of a string of letters.

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A digital collage made up of a black and white photograph of two bike tires sitting on a bench. At the top of the image is a series of cyan lines. At the bottom of the image sits a row of yellow lines. Across the middle of the image is a green brush stroke. Though this stroke is not legible it gives the impression of a string of letters.

A storm blowing in over a mountain. The entire image has a blue-grey tone, from the heavy clouds to the misty mountain top. In the foreground, a few spindly tree branches set themselves apart from the chilly background.

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A storm blowing in over a mountain. The entire image has a blue-grey tone, from the heavy clouds to the misty mountain top. In the foreground, a few spindly tree branches set themselves apart from the chilly background.

A sun pictured rising behind a thick row of trees. The orange blaze of the sun is a sharp contrast to the watery blue-green sky and gnarled black structures of the trees.

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A sun pictured rising behind a thick row of trees. The orange blaze of the sun is a sharp contrast to the watery blue-green sky and gnarled black structures of the trees.

A digital drawing of a mysterious black symbol against a white background. A central circle of white is surrounded by a secondary circle of black, followed by a thinner circle of white, creating a “target symbol”. This is surrounded by a fringed circle of black, giving the impression of a spinning cyclone.

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A digital drawing of a mysterious black symbol against a white background. A central circle of white is surrounded by a secondary circle of black, followed by a thinner circle of white, creating a “target symbol”. This is surrounded by a fringed circle of black, giving the impression of a spinning cyclone.

A selfie taken by an older white woman with blonde hair. Colorful lines are drawn over the image. Behind the woman, blue dots create a whimsical effect. Thin purple strokes through the hair make her hair appear to have purple highlights. A yellow drawing over the mask gives it a woven appearance. Blue lines create the appearance of the collar of a striped shirt. Finally, in the right bottom portion of the image, a small green scribble adds more color to the mix.

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A selfie taken by an older white woman with blonde hair. Colorful lines are drawn over the image. Behind the woman, blue dots create a whimsical effect. Thin purple strokes through the hair make her hair appear to have purple highlights. A yellow drawing over the mask gives it a woven appearance. Blue lines create the appearance of the collar of a striped shirt. Finally, in the right bottom portion of the image, a small green scribble adds more color to the mix.

A selfie taken by an older white woman from inside of a dark car. A green light shining in front of her created an unnatural cast across her face. Dark shadows contrast the bright green light. Through the rear windshield shines the red glow from her brake lights.

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A selfie taken by an older white woman from inside of a dark car. A green light shining in front of her created an unnatural cast across her face. Dark shadows contrast the bright green light. Through the rear windshield shines the red glow from her brake lights.

Cover artwork consisting of 14 individual paintings shrunk to fit into one larger painting. The piece takes the form of a number eight, or an upwards infinity symbol, with abstract colors and lines looping, striping, curling, and reflecting each other on a bright blue background. Parts of the painting at the top branch off from the original “8” or infinity, in organic, circular shapes. The title “the Grieving project” is in a typewriter font at the bottom left of the piece, the words “the” and “project” in white and “Grieving” in black. Underneath the title is the name “Lisa A. Sniderman” in black and the same font. On the right side in a black, cursive font is the word “Aoede”.

The Grieving Project

Lisa A. Sniderman

Cover artwork consisting of 14 individual paintings shrunk to fit into one larger painting. The piece takes the form of a number eight, or an upwards infinity symbol, with abstract colors and lines looping, striping, curling, and reflecting each other on a bright blue background. Parts of the painting at the top branch off from the original “8” or infinity, in organic, circular shapes. The title “the Grieving project” is in a typewriter font at the bottom left of the piece, the words “the” and “project” in white and “Grieving” in black. Underneath the title is the name “Lisa A.

A photo collage of 19 different photographs of people, the majority of the individuals white and male. Each person is either posing for the camera or in their element, playing an instrument, painting, recording audio, or using an audio interface. The collage is framed with a gradient, light to dark blue color.

The Grieving Project Team

Lisa A. Sniderman

A photo collage of 19 different photographs of people, the majority of the individuals white and male. Each person is either posing for the camera or in their element, playing an instrument, painting, recording audio, or using an audio interface. The collage is framed with a gradient, light to dark blue color.

Illuminations in Dark Times: An Embroidered Bestiary 27

A black and white photograph of an abandoned cabin and the surrounding nature. The wood of the cabin is deteriorating, slightly warping the outside of the structure. To the right are tire tracks through the snowy ground. Around the cabin are thin, dead trees. Behind it, a contrasting, lush forest of pine trees. The sky is white with clouds, but fades into a deeper gray and black around the edges.

Accessible Journey 1

A black and white photograph of an abandoned cabin and the surrounding nature. The wood of the cabin is deteriorating, slightly warping the outside of the structure. To the right are tire tracks through the snowy ground. Around the cabin are thin, dead trees. Behind it, a contrasting, lush forest of pine trees. The sky is white with clouds, but fades into a deeper gray and black around the edges.

Starbodies 1

A photograph of Lake Marie in Wyoming. In the foreground are piles of tan, brown, and red rocks that split down the middle for a stream of running water that appears a foggy white as it journeys through the rocks. The background opens up into the view of the deep blue lake, with a forest of tall trees and high mountains encompassing the area. The lake and surrounding area are free of visitors.

Accessible Journey 3

A photograph of Lake Marie in Wyoming. In the foreground are piles of tan, brown, and red rocks that split down the middle for a stream of running water that appears a foggy white as it journeys through the rocks. The background opens up into the view of the deep blue lake, with a forest of tall trees and high mountains encompassing the area. The lake and surrounding area are free of visitors.

Southern Spiced: A Brown Girl’s Tale 2

Felicia Taylor E.

Southern Spiced: A Brown Girl’s Tale 3

Felicia Taylor E.

A digitally combined assembly of photographs. The photographs are all rectangular and put together in a grid pattern that is 8 photographs wide and 8 photographs tall, with 64 photographs total. Every photograph is of a sheet of parchment paper with marks where something has been cooked on it.

Parchment Paper Baking

A digitally combined assembly of photographs. The photographs are all rectangular and put together in a grid pattern that is 8 photographs wide and 8 photographs tall, with 64 photographs total. Every photograph is of a sheet of parchment paper with marks where something has been cooked on it.

A digitally combined collage of photographs. The photographs all are of decorated glass, vary in size and shape, and are stacked on top of each other. The decorations on the top two thirds are geometric and colorful like stained glass. The bottom third is of drawn flowers, with lightly snow-covered grass and a brick step on the other side of the window.

Window Art

A digitally combined collage of photographs. The photographs all are of decorated glass, vary in size and shape, and are stacked on top of each other. The decorations on the top two thirds are geometric and colorful like stained glass. The bottom third is of drawn flowers, with lightly snow-covered grass and a brick step on the other side of the window.

A digitally combined collage of many, many photographs. Each photograph is of a paper card, including birthday cards, get well soon cards, holiday cards, and more. There are roughly 500 cards arranged in a square grid. They are so small that the details of each aren’t visible and form a colorful patchwork.

Hallmark Cards

A digitally combined collage of many, many photographs. Each photograph is of a paper card, including birthday cards, get well soon cards, holiday cards, and more. There are roughly 500 cards arranged in a square grid. They are so small that the details of each aren’t visible and form a colorful patchwork.

An assortment of round, button-like objects in varying shapes, sizes, patterns, and colors. Among them are a red letter “G” on a wooden plaque, CDs, a fan, a button with the word “noel”, a dartboard, a donut with pink frosting, and an Ultra Ball from the Pokemon series.

All the Circles We Could Find in our House

An assortment of round, button-like objects in varying shapes, sizes, patterns, and colors. Among them are a red letter “G” on a wooden plaque, CDs, a fan, a button with the word “noel”, a dartboard, a donut with pink frosting, and an Ultra Ball from the Pokemon series.

An assortment of small objects laid out on four rectangular cloth surfaces that together form a checkerboard. The top left surface is off white, the top right is pale blue, the bottom left is blue, and the bottom right is pale green. The objects are arranged neatly but in no particular pattern. Many are too small to make out; among the more visible are a fabric checkerboard, a folded up map with the words “The Australian” visible at the top, a blue, white, red, and yellow flag, a red personal fan, and various pieces of jewelry.

I Spy

An assortment of small objects laid out on four rectangular cloth surfaces that together form a checkerboard. The top left surface is off white, the top right is pale blue, the bottom left is blue, and the bottom right is pale green. The objects are arranged neatly but in no particular pattern. Many are too small to make out; among the more visible are a fabric checkerboard, a folded up map with the words “The Australian” visible at the top, a blue, white, red, and yellow flag, a red personal fan, and various pieces of jewelry.

A digitally combined patchwork of tiles. Each tile features a depiction of Medusa formed by shards of glass, with white and transparent glass for skin and shades of green to form her snake hair. The image is repeated in squares of four, with the tiles rotated so the faces face each other, forming a 9-square quilt-like pattern. Three of the squares are true to color; the top left, bottom center, and middle right. Two of the squares are tinted pale green; the top center and left center. The top right and bottom left drama are tinted red. The center and bottom left are tinted yellow.

Medusa Tile

A digitally combined patchwork of tiles. Each tile features a depiction of Medusa formed by shards of glass, with white and transparent glass for skin and shades of green to form her snake hair. The image is repeated in squares of four, with the tiles rotated so the faces face each other, forming a 9-square quilt-like pattern. Three of the squares are true to color; the top left, bottom center, and middle right. Two of the squares are tinted pale green; the top center and left center. The top right and bottom left drama are tinted red. The center and bottom left are tinted yellow.

A mixed-media digital artwork depicting 14 stiff rectangular flags raised into a cloudy sky at different heights, pointed in different directions. The fabric of the flags is a woven texture of socks, each with a different design. Some are pointed away so their patterns aren’t visible; among the visible are a basketball on a gray background, rainbow dots on a black background, and striped blue and white.

Raising Socks

A mixed-media digital artwork depicting 14 stiff rectangular flags raised into a cloudy sky at different heights, pointed in different directions. The fabric of the flags is a woven texture of socks, each with a different design. Some are pointed away so their patterns aren’t visible; among the visible are a basketball on a gray background, rainbow dots on a black background, and striped blue and white.

A digital canvas of small photographs interrupted by patches of white. The photographs, so small they seem to pixelate the image, depict the sky at all times of day under all weather conditions. In the white between the images are colorful silhouettes of skydivers with their parachutes billowing above them, surrounded by squares of sky.

Sky Divers

A digital canvas of small photographs interrupted by patches of white. The photographs, so small they seem to pixelate the image, depict the sky at all times of day under all weather conditions. In the white between the images are colorful silhouettes of skydivers with their parachutes billowing above them, surrounded by squares of sky.

A photograph of evergreen trees. The photograph has been distorted into squares that have been re-arranged, so that each square shows the texture of an evergreen branch, but the shape of a distinct tree cannot be found. Light peeks through the branches on the top left, and a white sky shines above the tips of the trees in the upper right corner.

The Evergreens Behind our House

A photograph of evergreen trees. The photograph has been distorted into squares that have been re-arranged, so that each square shows the texture of an evergreen branch, but the shape of a distinct tree cannot be found. Light peeks through the branches on the top left, and a white sky shines above the tips of the trees in the upper right corner.