Creativity in the Time of COVID

Search

Suggestions: video, installation art, audio

Browse the collection

Image

PANDEMIC

Sushroota Sarkar

I have only submitted one picture and named it as PANDEMIC. We all know the reason why and I have tried to make this pic much more creative by using a Globe as a prop where the child's emotions have been captured, it shows that how much scared the child is because of the pandemic. The hands from both the sides indicates the virus which we are still dealing with.

Photography is my passion and I wanted to do something related with the present situation.

My tribute to all those who have lost their lives because of the deadly virus. This photograph is my tribute.

Rights Statement

https://creativecommons.org/licenses/by-nc-sa/4.0/

Full Metadata for PANDEMIC

Type

Photograph

Subject

digital photographs

Title

PANDEMIC

Identifier

09222021-3a

Creator

Sushroota Sarkar

Description

A digital photograph of a scared, young boy holding a brightly colored globe and wearing a mask. There are several hands reaching towards the boy coming from outside the frame.

Date Submitted

January 1, 1970

Language

English

Spatial Coverage

Kolkata, West Bengal, India 88.3638953 22.5726459

Rights

https://creativecommons.org/licenses/by-nc-sa/4.0/

Related Items

Rays In Time of Darkness 2

Niladri Mahajan

A photograph of a flower.

Rays In Time of Darkness 3

Niladri Mahajan

A photograph of a flower.

COVID-19 SCENARIO & IT'S IMPACT ON HUMAN LIFE 1

A digital photograph in black and white of a clothesline drying a checkered scarf and two masks.

COVID-19 SCENARIO & IT'S IMPACT ON HUMAN LIFE 2

A digital photograph in black and white of the outside of a home. There is a ladder with some clothes or fabric draped up, a bucket, a window, and a shoe.

COVID-19 SCENARIO & IT'S IMPACT ON HUMAN LIFE 3

A digital photograph in black and white of a man pulling a plastic bag over his head.

COVID-19 SCENARIO & IT'S IMPACT ON HUMAN LIFE 4

A digital photograph in black and white of a child inside a room, pushing their hand up against a window.

COVID-19 SCENARIO & IT'S IMPACT ON HUMAN LIFE 5

A digital photograph in black and white of a blurred child running outside in front of an empty building. There is a pile of trash bags in the background.

COVID-19 SCENARIO & IT'S IMPACT ON HUMAN LIFE 6

A digital photograph in black and white of a woman's reflection in a window. She is wearing a mask. On the other side of the window is a statue of a Hindu deity.

COVID-19 SCENARIO & IT'S IMPACT ON HUMAN LIFE 7

A digital photograph in black and white of a man walking and wearing a mask. In the background there is a mural on the wall.

COVID-19 SCENARIO & IT'S IMPACT ON HUMAN LIFE 8

A digital photograph in black and white of a car back windshield. In its reflection is a man wearing a mask.

Thursday zoom art club 3

Thursday zoom art club 7

Thursday zoom art club 8

Thursday zoom art club 9

Challah in Quarantine 2

Paintings from the Time of Covid 4

Richard McGarry

A photograph of a board perched on a tree.

Temple's Growth 1

Whitney Whitfield

A sunrise view of rows of tall palm trees, black from the shadow of the sun. Rows of tall palm trees illuminated from behind by the sun just above the horizon. The sun is towards the bottom of the scene, the sky around it a faint orange while the rest of the sky is a light blue. A heart is visible within the clouds.

Temple's Growth 2

Whitney Whitfield

A forest view. Trees and lush greenery fill the background and reflect on to shallow puddles on the brown ground. Leaves are scattered on the ground and in the puddles.

Temple's Growth 3

Whitney Whitfield

A calico cat pictured on a furry pillow resting on a carpet, the scene dim. The cat is white with orange and black spots around its face and body.

Temple's Growth 4

Whitney Whitfield

A forest with tall trees. In the foreground, tall, leafy, green plants cover the ground. Sun shines through the leaves of the trees and reflects throughout the scene.

Temple's Growth 5

Whitney Whitfield

A yellow leaf pictured underneath shallow water. The water ripples, showing the brown ground.

Temple's Growth 6

Whitney Whitfield

An outdoor view. A tree peaks in from the left side, its leaves weighing downwards. A patch of grass is in the foreground, leading to a field of taller grass and plants. Tall trees line the horizon, with a cloudy blue sky above. The sun beams down onto the field and trees.

Temple's Growth 8

Whitney Whitfield

A clear lake filled with many rocks of various sizes. Light from the sun illuminates the water, reflecting onto the rocks. A black woman’s arm is outstretched, her hand open and reaching for one of the rocks within the water. A gold bracelet is resting on her wrist.

Temple's Growth 9

Whitney Whitfield

A wooden trail within a forest. The trail winds back before meeting with another vertical pathway. Tall trees and greenery surround the trail. Light shines through gaps within the tree’s leaves.

Temple's Growth 10

Whitney Whitfield

A black woman posed with her right arm in front of her, her hand resting on her forehead. Her hair is pulled into long braids that fall down her shoulder and back. She is wearing a striped white and navy blue sweater and has small golden hoop earrings and a septum piercing. She has faint pink makeup on her eyelids and is looking down, her eyes closed.

Self-Portrait (Feeling Discombobulated)

A photograph of a woman wearing an abstracted paper mache mask. The mask is a self portrait, featuring the facial features (eyes, eyebrows, nose, and lips) of the artist as printed photographs, creating an uncannily realistic appearance. The features on the mask are distorted and rearranged, illustrating the piece’s title, “Feeling Discombobulated.”

Self-Portrait (Woven/Coming Undone)

A series of six images of a portrait of a woman wearing paper mache masks with realistic human features in front of a white background.

Self-Portrait (Coming Undone- Rice Paper Variation)

A series of images displays the sequence of a rice paper mask crumbling away from a woman’s face. In the first image, the artist holds a gray rice-paper mask over her face. Throughout the series of images, she presses the mask to her face repeatedly as the mask crumbles into smaller and smaller pieces. It crumbles away at her touch, even as she attempts to hold it to her face. Throughout the series, the mask becomes more fragmented. In the last image, the mask falls away displaying the artist’s face.

Origami Self-Portraits

A series of twelve photographs displaying a woman wearing origami sculptures as partial masks. The sculptures include paper cranes, frogs, boxes, cootie catchers, and butterflies. Each origami sculpture is printed with a photograph of one or more of the artist’s facial features. She holds the masks so that the printed feature covers that portion of her face.

Self-Portrait (Body Language)

A compilation of several photographs in a four by four grid taken during the artist’s performance with 'skin' suits (tan body suits). The artist’s body is obscured by a black bodysuit, which blends into the black backdrop seamlessly. She poses dynamically, draping the tan body suit over herself, creating twisted, abstract poses. These poses express movement and gestures, reminiscent of letters in a written language. Attached to some of the poses, and detached from others, are paper mache masks of the artist’s face.

Plane in Winter 1

A plane pictured in a clear blue sky. The bottom of the plane is white, and its positioning makes it look as if it is flying upwards towards the top of the sky. Narrow contrails follow the plane's ascent.

Untitled-1

A pear blossom tree branch. The branch is pictured in the center of the photograph and is a light brown with green moss. On stems extending from the branch are bunches of white flowers that have green centers and green leaves. In the background are more branches with flowers on them, the blue sky seen through some of the gaps between branches.

Untitled 2

A pond surrounded by trees and plants. The trees are different species and are mostly green except for one with red leaves. There are green bushes, one orange bush, and one purple bush. The trees, plants, and blue sky reflect on the dark water. In the bottom right corner are short wooden posts with rope tying them together, creating a barrier. Short green plants line the barrier.

Untitled 3

A brown deer pictured in a field of grass. The deer is looking at the viewer. Behind the deer are tall trees and green plants. Sunlight filters in from the top of the photo.

Untitled 4

A group of deer pictured in front of a house. The deer are grazing the grass. Orange and red leaves line the ground. Trees with leaves changing their colors to red, orange, and yellow fill the scene. In the bottom right is a gray street. Sunlight illuminates the left side.

Untitled 5

A sunset pictured behind trees. The cloudy sky is a pale orange at the top, a dark blue in the middle, and a brighter orange peaks through the dark blue clouds. The mostly leafless trees framing the scene are in shadow. At the top right side, a street light comes into view.

Untitled

A poster pictured in a window. The poster is of an empty bus car, with a sign that reads “spit spreads death” in bold, capitalized letters hanging under one of the front windows. The poster is positioned against the window, with thin blinds halfway shut behind it. In the reflection of the window is a tree, a light-colored car, and a house. A man wearing a COVID mask and black shirt is to the right side. The image is in black and white.

About This Time. Four variations on discarded PPE masks. 1

A collage of the same photograph of a discarded blue COVID mask on a dirt ground. The mask is folded as if it has been used. In the center are nine squares of this image, surrounded by increasingly smaller squares of the same image filling the background repeatedly.

About This Time. Four variations on discarded PPE masks. 2

A collage of the same photograph of three discarded blue COVID surgical masks on tan ground. The masks are folded as if they have been used. In the center are nine squares of this image, surrounded by increasingly smaller squares of the same image filling the background repeatedly.

About This Time. Four variations on discarded PPE masks. 3

A collage of the same photograph of a discarded red COVID mask partially covered with sand on a sandy ground. The mask is folded as if it has been used. In the center are nine squares of this image, surrounded by increasingly smaller squares of the same image filling the background repeatedly.

About This Time. Four variations on discarded PPE masks. 4

A collage of the same photograph of a discarded, black COVID mask upside down on a sandy ground. The mask is folded as if it has been used. In the center are nine squares of this image, surrounded by increasingly smaller squares of the same image filling the background repeatedly, the color inverting.

Birdclock 1

Jennifer Cabral

A sky pictured in black and white. Different trees line the bottom of the image, with one tall tree towards the left reaching up to the top of the photograph. A flock of birds fill the cloudy sky.

Untitled 1

A forest pictured in a worm’s eye view. The leaves of the trees are a bright yellowish green; the sun illuminates parts of the leaves. Through the gaps of leaves and branches is a cloud-dotted blue sky.

Untitled 2

Two white flowers pointing upwards, sticking out from the few leaves that surround them. The flowers are in focus while the rest of the background is blurred.

Untitled 3

A small, leafy branch reaching to the top right. A bee hangs off of tiny white flowers on the branch. The branch is in focus while the background with more branches is blurred.

Untitled 4

Peach colored flowers pictured from above. The flowers have six petals that overlap each other and a green center. Two flowers are in focus while the remainder of the flowers and their green leaves are blurred in the background.

Jen's fence 1

Jennifer Ramirez

A photograph of a wooden fence decorated with detailed paintings of dinosaurs. There are two dinosaurs, each quite large and touching both the bottom and top edges of the fence. On the left is a bright blue T-Rex with very short arms and hind legs with three claws each. It has wide eyes and is lurching forward with its mouth wide open, revealing large sharp teeth. On the right is a bright green stegosaurus with wide eyes, a beak-like mouth, and two rows of spikes that trail from its neck to the end of the tail.

Jen's fence 2

Jennifer Ramirez

A photograph of a young girl posing in front of wings drawn on a privacy fence. The girl has pale skin, short brown hair, and a wide grin. She is wearing a white short-sleeved shirt and grey shorts with black sandals. The tall wooden fence behind her is decorated with a detailed chalk drawing of large, rainbow colored angel wings. The girl is perfectly centered in front of the wings so that they seem to be her own.

Jen's fence 3

Jennifer Ramirez

A photograph of a mural done in chalk on a brown fence. On the far left reads “HAPPY EASTER” in pastel colors, followed by easter eggs also drawn in pastel colors. Next, are five yellow chicks drawn in realism style. In the center of the mural is an Easter basket with a blue cloth inside and more Easter eggs. On the right of the Easter basket are three bunnies, one black, one brown, and one gray, these bunnies are also drawn in a realism style. The far right of the mural reads “HAPPY SPRING” in pastel colors.

Jen's fence 4

Jennifer Ramirez

A photograph of a mural made with chalk on a wooden fence. The mural is of a detailed purple dragon. The dragon has three visible legs, a tail that curls around its body, and two wings. The body and the tail of the dragon are covered in large scales. The dragon has one visible yellow eye and is looking to the left.

Rosie's Park Mural 1

Jennifer Ramirez

A photograph of a mural on the side of a building. The mural is in an abstract, geometric style with a sunset in the background and three foxes in the foreground. The bottom of the mural is shades of green representing grass and the earth. The middle of the mural is the colors of the sunset, such as yellows, pinks, and oranges. At the top of the mural are shades of blue representing the night sky, as well as a crescent moon.

Rosie's Park Mural 2

Jennifer Ramirez

A photograph of a mural done on the side of a building. The mural is of a forest scene done in an abstract, geometric style. In the center of the mural is a sun with rays going outwards to the edge of the piece. The bottom of the sun is covered by a green hill, on this hill is a black dog, facing forward with its tongue out. To the left of the sun and dog is a large bird with it’s wings spread, flying towards the center of the piece. On the right of the sun and dog is a small, blue squirrel, holding an acorn in its hand and looking at the camera.

Use of child's creativity to cope with the pandemic 5

Headwaters Relief Organization

A child with tan skin and short black hair, wearing a green shirt and sitting at a black table. They hold a red marker in their fist and are coloring a page that reads “I am coronavirus (COVID-19)” in capital letters. Underneath the words is a large COVID cell with a face that is partly red. Smaller COVID cells decorate the rest of the uncolored page.

Use of child's creativity to cope with the pandemic 6

Headwaters Relief Organization

Two children standing in front of a house. The child on the left is wearing: a mosaic patterned mask; a shirt with a princess with blonde braided hair, a blue dress, and snowflakes in the center with two panels of purple with pink flowers on it; and dark blue long shorts with colorful hearts patterned on them. The child on the right is wearing: a blue mask patterned with white dots; a white shirt with blue dots and yellow sequins in the center; and purple pants with white owls patterned on them.

Use of child's creativity to cope with the pandemic 7

Headwaters Relief Organization

A child pictured outside. They have brown skin, brown curly hair, and are holding their right hand up in a thumbs up position. They are wearing: a peach colored shirt with the words “New York stay skater free” in capital black letters with a picture of a green dinosaur on the front; and black shorts with white details. In their left hand are three different colored crayons and resting on their right leg is a coloring book about the coronavirus. They are sitting on an upright tire. Other people and children fill the background out of focus.

Use of child's creativity to cope with the pandemic 8

Headwaters Relief Organization

A person holding a child on their lap, sitting in a lawn chair. The person has brown skin and short, black hair. They are wearing: a striped white, gray, pink, and black shirt; and light wash jeans with fraying on them. The child in their lap has tan skin and black hair pulled into five small sections, tied off with a red hair tie. They are wearing a red shirt with a white bear on it, and striped red and white shorts with white lace details. In their left hand are three crayons. Opened on the person’s lap in front of the child is a coloring book with colorful scribbles on it.

Use of child's creativity to cope with the pandemic 9

Headwaters Relief Organization

A group of children sitting on the tiled floor of a room. Three children in the front are in focus. The first child on the left is wearing a white shirt, blue shorts, and a blue COVID mask. A coloring book is opened in their lap. The second child is wearing a pink dress. Their hair is pulled into four separate sections with colorful hair ties. On their lap is also a coloring book. Their feet are outstretched and adorned with white shoes.

Washing Your F**king Hands

A graffiti piece on a wall filled with graffiti. The piece features a golden, bottle-like shape with two eyes that are halfway shut and blue. The bottle has two white hands that are holding the word “covid” which is painted in capital green bubble letters, outlined with white and black. To the right of the bottle is a creature that looks similar to a blue COVID cell, with wide white eyes that have yellow pupils and a message written in black that states “wash your fucking hands” in capital letters. The blue from the COVID cell-like creature surrounds the rest of the piece.

Healthcare is Human 1

Pictured in black and white, a healthcare worker wearing safety glasses and a surgical mask holds two small vials in front of his face. His face is the focal point of the image, blurring his hands and the vials so the vials are ghostly and nearly indistinguishable.

Healthcare is Human 2

Pictured in black and white, a weary-looking woman wearing a dark shirt and bright earrings looks down with her head slightly tilted, her eyes mostly closed standing outdoors. Her hair and shoulders blend against a dark backdrop. To her left, the image is splintered, interrupting the scene with an exposed brick surface and a crack in the wall. To the left, the woman’s portrait is repeated, darker and slightly transparent.

Healthcare is Human 3

Pictured in black and white from the shoulders up, a healthcare worker looks straightforward, her expression unreadable beneath a surgical mask. She is lit harshly from the left, casting the right side of her face into shadow. A floral headband holds back her hair, there is a stethoscope draped over her neck resting on her shoulders, and her surroundings are shrouded in shadow.

Healthcare is Human 4

Pictured in black and white from the knees up, a person stands in a brightly lit hospital hallway, waving to the viewer. Their clothes are all black, a striking difference from their white surroundings. Their shirt reads “I am freaking essential”, and they are wearing a black COVID face mask that reads “black lives matter”.

Healthcare is Human 5

Pictured in black and white from the shoulders up, a healthcare worker looks in the distance. Soft light illuminates the top of her face, highlighting her eyes and contrasting with the black COVID mask she is wearing that throws the rest of her face into shadow. She is wearing a white turtleneck. The background is dark and out of focus with a bright spot in the center.

Healthcare is Human 6

Pictured in black and white, three people sit in an office setting. In focus is a man in a white shirt wearing a dark COVID mask sitting in front of a microphone. The person on the left holds their hand over their mouth, and is wearing a surgical mask. The person in the center is faced away from the camera, their form in shadow. The room is lit from a bright window in the background that puts the scene slightly in shadow.

Healthcare is Human 7

Pictured in black and white, a healthcare worker leans against a window, their reflection a ghostly mirror of themself. They are wearing glasses, a surgical mask, scrubs with a hospital logo below the shoulder, and a nametag that reads “Hospice”, Lilian A”, “RN”, “registered nurse”. The light from the window illuminates their head and shoulders, leaving their body and surroundings in shadow. The scenery outside of the window is blurred and indistinguishable.

Healthcare is Human 8

Pictured in black and white, four people wearing COVID masks stand in a blurred parking lot in front of a stop sign, surrounded by safety cones. On the left, a person in a camouflage military uniform stands next to a stopped car, reviewing a stack of papers. In the center, a man stands waiting with his hands together, and behind him stands another person in a military uniform. To the right, another military person has their hand extended, holding a clipboard in their other hand.

Healthcare is Human 9

Pictured in black and white, a healthcare worker sits with their hands laced together, looking towards the viewer. Soft light from a window on the left illuminates the left side of their face and their body, leaving the right side of their face in shadow. They are wearing a COVID mask.They are leaned forward slightly, their shoulders looking tense. Behind them, in shadow, is a door.

Healthcare is Human 10

Pictured in black and white, a healthcare worker looks into the distance. Half of their face is covered by a surgical mask, but the part of their face that is visible looks concerned or conflicted. They are wearing scrubs. Light comes from the left, illuminating their face. In the shadowy background is a door with a label too hazy to read.

Portrait of Mama di Nhantonia

Pictured in a dark room is an elderly Cape Verdean woman who has dark skin and short, gray curly hair tied in a white headwrap. She is wearing a long, green and brown beaded necklace and a brown shirt. She is harshly lit from the right side with the rest of her face in shadow.

Lensu maradu na kabesa

Pictured in a dark room is the back of a head wrapped with a fabric headwrap. The fabric is a blue color and knotted at the bottom of the head to keep it in place, the ends of the piece sticking upwards and downwards. The left side of the picture is dimly lit, putting the remainder of the scene in shadow.

1 "pitada di kankan"

Pictured against a dark background is a long, silver, metal cylinder with ridges on the bottom and top. At the very top of the object are small holes, and a rusted, round piece of metal with small spikes. The object is lit from the right side, putting the left side in shadow.

Bargadjo Boi

A whip made from a cow’s tail, pictured horizontally against a dark background. The whip is long, a yellow-brown color, and has ridges that segment it into smaller rounded shapes. The majority of the whip is in light while the top part is in shadow.

Fizga Kanhota

A dark-skinned hand pictured against a dark background. The hand is positioned in a horizontal fist, with the thumb tucked between the pointer finger and middle finger; a gesture used to ward off evil spirits. The majority of the hand is in shadow.

Kafe di vovo

A coffee mug pictured on a dark background from a birds eye view. The mug has a metallic silver rim and handle with small indents throughout. The mug is filled with a brown liquid and is lit from the top, illuminating the silver and the liquid inside.

Pilon

A tall, dark wooden mortar pictured against a dark background. The body of the bowl is large and tapers into the foot of the bowl. The wood is textured and worn revealing the tan underside of the material. There are two dark, long horizontal lines that span from the top to the bottom of the mortar, and three vertical lines that intersect them in the middle and bottom.

Black Joy - Sunflower Hues 2

A Black woman pictured in a sunflower field from the shoulder up. She is turned to the left side and has her left hand resting on her head, looking to the left. Her hair is shoulder length and in twists. A shell hangs off of a shorter twist in the front and an orange flower rests above her ear. A small hoop earring with a white gem is in her ear. She is wearing a bright red halter dress that goes around her neck. The sunflowers are tall and the fields continue with faint trees and a blue sky in the horizon.

Black Joy - Sunflower Hues 3

A Black woman pictured in a sunflower field. She is facing the front and has her left hand resting on her cheek as her right hand rests on her head. Her hair is shoulder length and in twists, shells hang off of a shorter twist in the front and a longer one near her shoulder; an orange flower rests above her ear. A small hoop earring with a white gem is in her ear. She is wearing a bright red halter dress that goes around her neck. The sunflowers are tall and the fields continue with faint trees and a blue sky in the horizon.

Black Joy - Sunflower Hues 4

A Black woman pictured in a sunflower field. She is facing the left side and has both of her arms stretched out. Her hair is shoulder length and in twists, a shell hangs off of a shorter twist in the front and an orange flower rests above her ear. A small hoop earring with a white gem is in her ear. She is wearing a bright red halter dress that goes around her neck. The sunflowers are tall and the fields continue with faint trees and a blue sky in the horizon.

Black Joy - Sunflower Hues 5

A Black woman pictured in a sunflower field, smiling. She is facing the left side and has her left hand resting on her chest while her right hand is holding an orange flower . Her hair is shoulder length and in twists, a shell hangs off of a shorter twist in the front. A small hoop earring with a white gem is in her ear. She is wearing a bright red halter dress that goes around her neck. The sunflowers are tall and the fields continue with faint trees and a blue sky in the horizon.

Black Joy - Sunflower Hues 6

A sunflower pictured up close in a sunflower field. The flower has a large brown center, and countless, smaller curled yellow petals. Leaves and more flowers are blurred in the background.

Black Joy - Sunflower Hues 7

A sunflower pictured up close in a sunflower field. The flower has a large brownish-yellow center, and countless, curled yellow petals. Leaves and more flowers are blurred in the background. A small bee flies to the center of the flower.

Black Joy - Sunflower Hues 8

A Black woman pictured in a sunflower field, smiling. Her hair is shoulder length and in twists, a shell hangs off of a shorter twist in the front. A small hoop earring with a white gem is in her ear. She is wearing a bright red halter dress that goes around her neck. The sunflowers are tall and the fields continue with faint trees and a blue sky in the horizon.

Covid Series 1

A person with fair skin and shoulder length blonde hair pictured outside of a grocery store, wearing a sleeveless black and white blouse, black pants, shoes, a brown crossbody bag, and a blue COVID mask. They are pushing a metal cart with a green handle bar, filled with bagged groceries towards the parking lot.

Covid Series 2

A person with tan skin and a gray mustache and beard pictured behind a wooden desk. They are wearing a black polo shirt with the word “subaru” stitched on the right in white, sunglasses on their head, bracelets, a watch, and a black COVID mask pulled down below their chin. They are pointing at their right wrist with their left pointer finger. Documents and a black keyboard are in front of them on the desk.

Covid Series 3

Three people pictured sitting on a bench inside of a building. They all have medium or dark skin, and are wearing hoodies as well as blue skinny jeans. Two of them are wearing white shoes and have white earbuds plugged into their phones. They are all wearing COVID masks, two of them are black and the other is blue.

Covid Series 4

Two people pictured in a golf cart in a street. They both have dark skin and are wearing uniforms; a baseball cap, a blue long sleeve polo shirt, and gray khakis, like a uniform. They both have COVID masks on, the person in the driver's seat with a standard blue mask and the person in the passenger’s seat wearing a yellow and black mask. They are looking to the right.

Covid Series 5

A worker pictured inside of a grocery store. They have dark skin, short black hair, and are wearing a black COVID mask, a white button down, and a black apron with a green name tag that reads “Josh” in white letters. They are wearing gloves, a black one on their left hand which is held in a fist, and a clear glove on their right hand which they are holding up to wave.

Covid Series 6

An empty hospital bed. The blankets and pillows are moved and bunched up on the bed, like someone had just gotten out of them. The bedside table to the right has papers, styrofoam cups, and a small fruit cup.

Covid Series 7

An aisle of a grocery store, the white shelves are completely empty. The aisle on the other end of it has mostly filled shelves.

Covid Series 8

Two people pictured taking green fabric bags filled with food out of the back of a yellow school bus. Both people have dark skin and short black hair and are wearing white polo shirts, and blue COVID masks. The person putting the bags into an orange cart is wearing blue jeans and blue gloves.

Covid Series 9

The back windshield of a purple subaru. The windshield has white writing that reads “Congrats Jade we all love you so much. We all wish you the best! Hope you have an amazing graduation! You deserve it. Reach for the stars & never give up. We love you so much”. Underneath that are the words and numbers “senior class of 2020” written larger and in all capital letters. Hearts line the top of the windshield and two larger hearts are on the bottom left and right corners.

Covid Series 10

A person pictured outside, in front of a tree and school bus. They are wearing a white shirt, gray cardigan, tote bag, red bandana over their face, glasses, and a green baseball cap. Their left arm is up out of frame, like they were waving or pointing.

Co-Director 1

A ladybug pictured on a large green leaf. The leaf is resting on the ground, with bits of wood chips filling the leaf and weighing it down. The leaf has small holes towards the bottom left and a larger hole at the top.

Co-Director 2

A bright purple flower against a piece of gray wood. The flower has small tendrils instead of petals and the leaves surrounding the flower are brown and shriveled.

Co-Director 3

Two unbloomed flowers in focus. The buds are a pink color while the leaves surrounding them are green, the stems a similar green color. In the center of the picture is a trimmed stem, and a yellow flower is out of focus to the bottom left side.

Co-Director 4

A cylindrical purple flower with purple petals sticking out of the top. A bee hangs off of the bottom of the flower. Similar flowers are out of focus in the background.

Co-Director 5

A small patch of mostly red flowers in tall grass. Smaller purple and blue flowers can be seen throughout the grass. A car and road are in the distance, past a fence that separates the patch from the street.

Co-Director 6

A golden and black bee pollinating a white colored flower. Leaves from other plants are in the background.

Co-Director 7

A plant with a red flowered center. The thick leaves surrounding the plant are triangular and in multiple rows. The plant's leaves are further down towards the ground. A person’s black shoes are in frame.

Co-Director 8

A small patch of orange and pink flowers in a field of grass. A yellow and black bee pollinates a larger orange flower.

Ordinary Observations, A Stay-At-Home Photo Book Book

Untitled 4

A photograph of a folding outdoor chair in the woods. The trees around it are so tall their leaves are not in the frame.

Urgent Revolution 1

Two skeleton figures posed on a pile of dirt and grass. The skeleton on the left has puffy black hair, a large white, diamond-shaped, gemmed ring as a crown, a purple silky piece of fabric as a skirt, and a black piece of fabric like a cape; a small fabric rose sits on the bones of its right hand. The skeleton on the right is positioned beneath the leg of the left skeleton, and has a black hat, black coat with an upright collar, and a striped gray and black piece of fabric with a red gem in the middle acting like a tie.

Urgent Revolution 3

Three seashells resting on a black fabric surface, like the inside of a jacket. A small patch of green grass can be seen at the top corner. The seashells are arranged into a triangle and have the same shape and a white-colored inside. The seashell to the left is empty, the one to the right holds sand with smaller shell particles, and the one at the top has sand and two smaller seashells within it. Sunlight reflects off of the fabric.

Urgent Revolution 4

A dark blue bowl speckled with white, holding a bushel of yellow and red apples. Placed on top of the apples and filling the rest of the bowl are countless, clear gems of different sizes.

Urgent Revolution 8

A person stands in the doorway of a white room within a house. They have short, dark hair, are wearing small framed glasses, a floral patterned shawl-like shirt with a brown, cowl neckline, a dark red, gold, and green paisley skirt, and black shoes. They pose for the picture with their right arm upwards in a “rock on” sign, a gold ring on their pinky and their tongue slightly bitten between his teeth. The shirt lifts with their arm to expose a patch of white skin. Next to them on the left is a bin of clothes with a rendition of the starry night painting by Van Gogh on the wall above it.

Untitled 2

A photograph of the Mario Cuomo bridge in New York, NY, just after sunset. The bridge, which has six pillars that support triangular cable that supports the bridge, is lit up purplish-pink. The support beams that come out of the water are also lit up purplish-pink. In the foreground, below, are the lights of a populated area, and closer to the camera, a tree with no leaves on the right side.

Morning Light

A photograph of a balcony dappled in sunlight. Along the edge of the railing is a planter box filled with red flowers. Below the railing, on the wall, is a row of grasses. Hanging from the top of the balcony are four hanging pots filled with red and white flowers.

The Elder

A photograph of a flowering plant with a black background. The left half of the photograph is taken up by a clump of pale pink and white flowers, each with five heart-shaped petals and yellow centers. On the right are two separate flower buds surrounded by deep green leaves.

Alviso Cats

A photograph of a cat and a kitten sitting in a window. The window frame is painted brown. The cat is an orange tabby with a white face, and the kitten is a calico with an orange face, black ears, and a white chest. Hanging up behind them is a San Francisco Giants baseball cap. The rest of the room behind them is in shadow.

Redwood Neighborhood

A photograph of a garden. In the foreground, brightly lit, is a row of purple pom-pom shaped flowers with tall green stems and light green leaves. In the background, in shadow, is the trunk of a large tree, and behind it, a wooden fence with a lattice top that is dappled with sunlight.

Photos and sketches against doomscrolling 1

A photograph of a mushroom in the woods. The mushroom is tan, with a skinny stem that has a layer of it peeling back, and a top shaped like an upside-down bowl. It is next to rocks and surrounded by green grass. In the background, out of focus, is a green toy dinosaur and some trees.

Photos and sketches against doomscrolling 4

A photograph of a field of cacti. Yellow flowers are blooming from the cacti that are round and bowl-shaped, with many yellow petals surrounding orange centers. Between the flowers are many pale yellow buds.

Photos and sketches against doomscrolling 5

A photograph of a rock garden. The rocks are various shades of red and brown. Between them are dead leaves. In the center of the garden is a small tan mushroom with a skinny stem and a flat top. Behind it, on the left, is a green toy dinosaur.

Photos and sketches against doomscrolling 7

A photograph of a meadow. On the right is a tree trunk and two tall flowers with dark centers that are circled with many narrow pink petals. The rest of the field is filled with grass and pale pink flowers with floppy petals.

San Francisco 1906 and 2020, A city that will forever reinvest itself 2

San Francisco 1906 and 2020, A city that will forever reinvest itself 4