Creativity in the Time of COVID

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Image 1970

Thursday zoom art club 7

Emily Schwab

My mother loves art. My mother loves her children & grandchildren … during The beginning of Covid when everything was a shutdown she started a Thursday painting club where we could all join in … adult children and all our kids (her grandkids) and she would teach us about renound artists .., famous artists .. history behind famous painitings… and then we would all in our separate homes re-create our rendition of those paintings

Date

January 1, 1970

Rights Statement

https://creativecommons.org/licenses/by-nc-sa/4.0/

Full Metadata for Thursday zoom art club 7

Type

Photograph

Subject

digital photographs

Title

Thursday zoom art club 7

Identifier

11032021-1g

Sort Key

thursday-zoom-art-club-7

Creator

Emily Schwab

Temporal Coverage

January 1, 1970

Language

English

Spatial Coverage

Macomb, MI

-82.902901

42.6741189

Rights

https://creativecommons.org/licenses/by-nc-sa/4.0/

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Untitled-1

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Untitled 5

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Use of child's creativity to cope with the pandemic 7

Headwaters Relief Organization

A child pictured outside. They have brown skin, brown curly hair, and are holding their right hand up in a thumbs up position. They are wearing: a peach colored shirt with the words “New York stay skater free” in capital black letters with a picture of a green dinosaur on the front; and black shorts with white details. In their left hand are three different colored crayons and resting on their right leg is a coloring book about the coronavirus. They are sitting on an upright tire. Other people and children fill the background out of focus.

Use of child's creativity to cope with the pandemic 8

Headwaters Relief Organization

A person holding a child on their lap, sitting in a lawn chair. The person has brown skin and short, black hair. They are wearing: a striped white, gray, pink, and black shirt; and light wash jeans with fraying on them. The child in their lap has tan skin and black hair pulled into five small sections, tied off with a red hair tie. They are wearing a red shirt with a white bear on it, and striped red and white shorts with white lace details. In their left hand are three crayons. Opened on the person’s lap in front of the child is a coloring book with colorful scribbles on it.

Use of child's creativity to cope with the pandemic 9

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Healthcare is Human 2

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Healthcare is Human 3

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Healthcare is Human 4

Pictured in black and white from the knees up, a person stands in a brightly lit hospital hallway, waving to the viewer. Their clothes are all black, a striking difference from their white surroundings. Their shirt reads “I am freaking essential”, and they are wearing a black COVID face mask that reads “black lives matter”.

Healthcare is Human 5

Pictured in black and white from the shoulders up, a healthcare worker looks in the distance. Soft light illuminates the top of her face, highlighting her eyes and contrasting with the black COVID mask she is wearing that throws the rest of her face into shadow. She is wearing a white turtleneck. The background is dark and out of focus with a bright spot in the center.

Healthcare is Human 6

Pictured in black and white, three people sit in an office setting. In focus is a man in a white shirt wearing a dark COVID mask sitting in front of a microphone. The person on the left holds their hand over their mouth, and is wearing a surgical mask. The person in the center is faced away from the camera, their form in shadow. The room is lit from a bright window in the background that puts the scene slightly in shadow.

Healthcare is Human 7

Pictured in black and white, a healthcare worker leans against a window, their reflection a ghostly mirror of themself. They are wearing glasses, a surgical mask, scrubs with a hospital logo below the shoulder, and a nametag that reads “Hospice”, Lilian A”, “RN”, “registered nurse”. The light from the window illuminates their head and shoulders, leaving their body and surroundings in shadow. The scenery outside of the window is blurred and indistinguishable.

Healthcare is Human 8

Pictured in black and white, four people wearing COVID masks stand in a blurred parking lot in front of a stop sign, surrounded by safety cones. On the left, a person in a camouflage military uniform stands next to a stopped car, reviewing a stack of papers. In the center, a man stands waiting with his hands together, and behind him stands another person in a military uniform. To the right, another military person has their hand extended, holding a clipboard in their other hand.

Healthcare is Human 9

Pictured in black and white, a healthcare worker sits with their hands laced together, looking towards the viewer. Soft light from a window on the left illuminates the left side of their face and their body, leaving the right side of their face in shadow. They are wearing a COVID mask.They are leaned forward slightly, their shoulders looking tense. Behind them, in shadow, is a door.

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1 "pitada di kankan"

Pictured against a dark background is a long, silver, metal cylinder with ridges on the bottom and top. At the very top of the object are small holes, and a rusted, round piece of metal with small spikes. The object is lit from the right side, putting the left side in shadow.

Bargadjo Boi

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Fizga Kanhota

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Pilon

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Black Joy - Sunflower Hues 6

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Black Joy - Sunflower Hues 7

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A person with fair skin and shoulder length blonde hair pictured outside of a grocery store, wearing a sleeveless black and white blouse, black pants, shoes, a brown crossbody bag, and a blue COVID mask. They are pushing a metal cart with a green handle bar, filled with bagged groceries towards the parking lot.

Covid Series 2

A person with tan skin and a gray mustache and beard pictured behind a wooden desk. They are wearing a black polo shirt with the word “subaru” stitched on the right in white, sunglasses on their head, bracelets, a watch, and a black COVID mask pulled down below their chin. They are pointing at their right wrist with their left pointer finger. Documents and a black keyboard are in front of them on the desk.

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Three people pictured sitting on a bench inside of a building. They all have medium or dark skin, and are wearing hoodies as well as blue skinny jeans. Two of them are wearing white shoes and have white earbuds plugged into their phones. They are all wearing COVID masks, two of them are black and the other is blue.

Covid Series 4

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Covid Series 5

A worker pictured inside of a grocery store. They have dark skin, short black hair, and are wearing a black COVID mask, a white button down, and a black apron with a green name tag that reads “Josh” in white letters. They are wearing gloves, a black one on their left hand which is held in a fist, and a clear glove on their right hand which they are holding up to wave.

Covid Series 6

An empty hospital bed. The blankets and pillows are moved and bunched up on the bed, like someone had just gotten out of them. The bedside table to the right has papers, styrofoam cups, and a small fruit cup.

Covid Series 7

An aisle of a grocery store, the white shelves are completely empty. The aisle on the other end of it has mostly filled shelves.

Covid Series 8

Two people pictured taking green fabric bags filled with food out of the back of a yellow school bus. Both people have dark skin and short black hair and are wearing white polo shirts, and blue COVID masks. The person putting the bags into an orange cart is wearing blue jeans and blue gloves.

Covid Series 9

The back windshield of a purple subaru. The windshield has white writing that reads “Congrats Jade we all love you so much. We all wish you the best! Hope you have an amazing graduation! You deserve it. Reach for the stars & never give up. We love you so much”. Underneath that are the words and numbers “senior class of 2020” written larger and in all capital letters. Hearts line the top of the windshield and two larger hearts are on the bottom left and right corners.

Covid Series 10

A person pictured outside, in front of a tree and school bus. They are wearing a white shirt, gray cardigan, tote bag, red bandana over their face, glasses, and a green baseball cap. Their left arm is up out of frame, like they were waving or pointing.

Co-Director 1

A ladybug pictured on a large green leaf. The leaf is resting on the ground, with bits of wood chips filling the leaf and weighing it down. The leaf has small holes towards the bottom left and a larger hole at the top.

Co-Director 2

A bright purple flower against a piece of gray wood. The flower has small tendrils instead of petals and the leaves surrounding the flower are brown and shriveled.

Co-Director 3

Two unbloomed flowers in focus. The buds are a pink color while the leaves surrounding them are green, the stems a similar green color. In the center of the picture is a trimmed stem, and a yellow flower is out of focus to the bottom left side.

Co-Director 4

A cylindrical purple flower with purple petals sticking out of the top. A bee hangs off of the bottom of the flower. Similar flowers are out of focus in the background.

Co-Director 5

A small patch of mostly red flowers in tall grass. Smaller purple and blue flowers can be seen throughout the grass. A car and road are in the distance, past a fence that separates the patch from the street.

Co-Director 6

A golden and black bee pollinating a white colored flower. Leaves from other plants are in the background.

Co-Director 7

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Untitled 4

A photograph of a folding outdoor chair in the woods. The trees around it are so tall their leaves are not in the frame.

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Two skeleton figures posed on a pile of dirt and grass. The skeleton on the left has puffy black hair, a large white, diamond-shaped, gemmed ring as a crown, a purple silky piece of fabric as a skirt, and a black piece of fabric like a cape; a small fabric rose sits on the bones of its right hand. The skeleton on the right is positioned beneath the leg of the left skeleton, and has a black hat, black coat with an upright collar, and a striped gray and black piece of fabric with a red gem in the middle acting like a tie.

Urgent Revolution 3

Three seashells resting on a black fabric surface, like the inside of a jacket. A small patch of green grass can be seen at the top corner. The seashells are arranged into a triangle and have the same shape and a white-colored inside. The seashell to the left is empty, the one to the right holds sand with smaller shell particles, and the one at the top has sand and two smaller seashells within it. Sunlight reflects off of the fabric.

Urgent Revolution 4

A dark blue bowl speckled with white, holding a bushel of yellow and red apples. Placed on top of the apples and filling the rest of the bowl are countless, clear gems of different sizes.

Urgent Revolution 8

A person stands in the doorway of a white room within a house. They have short, dark hair, are wearing small framed glasses, a floral patterned shawl-like shirt with a brown, cowl neckline, a dark red, gold, and green paisley skirt, and black shoes. They pose for the picture with their right arm upwards in a “rock on” sign, a gold ring on their pinky and their tongue slightly bitten between his teeth. The shirt lifts with their arm to expose a patch of white skin. Next to them on the left is a bin of clothes with a rendition of the starry night painting by Van Gogh on the wall above it.

Untitled 2

A photograph of the Mario Cuomo bridge in New York, NY, just after sunset. The bridge, which has six pillars that support triangular cable that supports the bridge, is lit up purplish-pink. The support beams that come out of the water are also lit up purplish-pink. In the foreground, below, are the lights of a populated area, and closer to the camera, a tree with no leaves on the right side.

Morning Light

A photograph of a balcony dappled in sunlight. Along the edge of the railing is a planter box filled with red flowers. Below the railing, on the wall, is a row of grasses. Hanging from the top of the balcony are four hanging pots filled with red and white flowers.

The Elder

A photograph of a flowering plant with a black background. The left half of the photograph is taken up by a clump of pale pink and white flowers, each with five heart-shaped petals and yellow centers. On the right are two separate flower buds surrounded by deep green leaves.

Alviso Cats

A photograph of a cat and a kitten sitting in a window. The window frame is painted brown. The cat is an orange tabby with a white face, and the kitten is a calico with an orange face, black ears, and a white chest. Hanging up behind them is a San Francisco Giants baseball cap. The rest of the room behind them is in shadow.

Redwood Neighborhood

A photograph of a garden. In the foreground, brightly lit, is a row of purple pom-pom shaped flowers with tall green stems and light green leaves. In the background, in shadow, is the trunk of a large tree, and behind it, a wooden fence with a lattice top that is dappled with sunlight.

Photos and sketches against doomscrolling 1

A photograph of a mushroom in the woods. The mushroom is tan, with a skinny stem that has a layer of it peeling back, and a top shaped like an upside-down bowl. It is next to rocks and surrounded by green grass. In the background, out of focus, is a green toy dinosaur and some trees.

Photos and sketches against doomscrolling 4

A photograph of a field of cacti. Yellow flowers are blooming from the cacti that are round and bowl-shaped, with many yellow petals surrounding orange centers. Between the flowers are many pale yellow buds.

Photos and sketches against doomscrolling 5

A photograph of a rock garden. The rocks are various shades of red and brown. Between them are dead leaves. In the center of the garden is a small tan mushroom with a skinny stem and a flat top. Behind it, on the left, is a green toy dinosaur.

Photos and sketches against doomscrolling 7

A photograph of a meadow. On the right is a tree trunk and two tall flowers with dark centers that are circled with many narrow pink petals. The rest of the field is filled with grass and pale pink flowers with floppy petals.

San Francisco 1906 and 2020, A city that will forever reinvest itself 2

San Francisco 1906 and 2020, A city that will forever reinvest itself 4