Research Portal

Search

Suggestions: video, installation art, audio

Item description

An acrylic and oil painting on canvas. In the center of a dark green room, a person with tan skin, brown hair pulled into a bun, wearing a blue robe and pink slippers sits on a red armchair. A laptop is in their lap, opened as they type. Two pink weights sit next to the chair. Behind the chair, a dog stands against the windowsill of a boarded up window, light pouring through the gaps in the slits of wood. A green plant in a white pot is to the right of the window.

Browse the collection

Image 2024

Untitled 3

Dana Ellyn

I am a full time painter living and working in downtown Washington DC. I have always painted current events and reacted to the world around me. As soon as the COVID-19 pandemic became front page news in 2020, I began creating virus-themed work from my downtown studio. I created close to 100 unique paintings that documented the constantly mutating “facts" surrounding this once in a lifetime global phenomenon.

Date

November 22, 2024

Rights Statement

https://creativecommons.org/licenses/by-nc-sa/4.0/

Full Metadata for Untitled 3

Type

representative image

Subject

acrylic paintings (visual works)

Title

Untitled 3

Identifier

08042022-2c

Creator

Dana Ellyn

Description

An acrylic and oil painting on canvas. In the center of a dark green room, a person with tan skin, brown hair pulled into a bun, wearing a blue robe and pink slippers sits on a red armchair. A laptop is in their lap, opened as they type. Two pink weights sit next to the chair. Behind the chair, a dog stands against the windowsill of a boarded up window, light pouring through the gaps in the slits of wood. A green plant in a white pot is to the right of the window.

Temporal Coverage

November 22, 2024

Date Submitted

January 1, 1970

Language

English

Spatial Coverage

Washington, DC -77.0365427 38.8950368

Rights

https://creativecommons.org/licenses/by-nc-sa/4.0/

Related Items

A photograph of an abstract acrylic painting on a white background. The painting is many colors swirled together, with no defined shape or pattern. The center is swirled orange and red, bordered by patches of pale pink and green. There are black and blue accent lines throughout.

Overworking, repurposing, and renewal 1

A photograph of an abstract acrylic painting on a white background. The painting is many colors swirled together, with no defined shape or pattern. The center is swirled orange and red, bordered by patches of pale pink and green. There are black and blue accent lines throughout.

A photograph of an abstract acrylic painting on a wood block. The painting is many colors blurred together, primarily shades of red and pink. The bottom edge is rimmed by brown with a yellow tip, and the very top has veins of blue.

Overworking, repurposing, and renewal 2

A photograph of an abstract acrylic painting on a wood block. The painting is many colors blurred together, primarily shades of red and pink. The bottom edge is rimmed by brown with a yellow tip, and the very top has veins of blue.

A photograph of an abstract acrylic painting on a white background. The painting is shaped like ovals layered on top of each other, with rectangular shapes sticking out from both sides. The rest of the painting is swirled with different colors, primarily yellow in the center, black on the bottom, and blue on the top.

Overworking, repurposing, and renewal 3

A photograph of an abstract acrylic painting on a white background. The painting is shaped like ovals layered on top of each other, with rectangular shapes sticking out from both sides. The rest of the painting is swirled with different colors, primarily yellow in the center, black on the bottom, and blue on the top.

The pandemic experience only made the feelings of loss and loneliness develop quicker and deeper but also provided the space to lean into the loss and work through it thoroughly without the opportunity for distraction to take it's place. If it wasn't for the space provided by the pandemic, I don't think I would have been able to process grief as well as I did.

Overworking, repurposing, and renewal 4

The pandemic experience only made the feelings of loss and loneliness develop quicker and deeper but also provided the space to lean into the loss and work through it thoroughly without the opportunity for distraction to take it's place. If it wasn't for the space provided by the pandemic, I don't think I would have been able to process grief as well as I did.

A photograph of an abstract acrylic painting on a white background. The painting is shaped like an oval, with black lines forming a frame around it. The rest of the painting is many colors swirled together. The bottom left and top right corners are yellow. The right side is shades of orange. The top and center are swirls of purple and green with white highlights.

Overworking, repurposing, and renewal 5

A photograph of an abstract acrylic painting on a white background. The painting is shaped like an oval, with black lines forming a frame around it. The rest of the painting is many colors swirled together. The bottom left and top right corners are yellow. The right side is shades of orange. The top and center are swirls of purple and green with white highlights.

A photograph of an abstract acrylic painting on a wooden block with a white frame. The painting is many different colors swirled together. The edges on the right are red-brown and ragged, and the edges on the left are white and smooth. The center is an oval-shaped patch of green and yellow above an intricate oval of many colors.

Overworking, repurposing, and renewal 6

A photograph of an abstract acrylic painting on a wooden block with a white frame. The painting is many different colors swirled together. The edges on the right are red-brown and ragged, and the edges on the left are white and smooth. The center is an oval-shaped patch of green and yellow above an intricate oval of many colors.

A photograph of an abstract acrylic painting on a wooden block with a white frame. The painting is many colors swirled together in an oval shape with a patch tailing it on the left. The top of the painting is blue. At the center, there is a black oval, surrounded by swirls of gold and blue. The bottom is red on the edges, white in the middle, and orange and blue in the center. Black lines trace the shapes.

Overworking, repurposing, and renewal 7

A photograph of an abstract acrylic painting on a wooden block with a white frame. The painting is many colors swirled together in an oval shape with a patch tailing it on the left. The top of the painting is blue. At the center, there is a black oval, surrounded by swirls of gold and blue. The bottom is red on the edges, white in the middle, and orange and blue in the center. Black lines trace the shapes.

An acrylic painting of a pathway, with some areas shrouded in darkness and others illuminated in light. The pathway is surrounded by walls and is partially covered by a roof that resembles the wavy panels of a tin roof. The walls and floor are a light gray with faint blue and red undertones. The areas where the roof covers the path are reflected black onto the ground, and the areas where there is no roof show the lightness of the ground. As the path continues into the distance, it turns white with outside light.

The Path (Still)

An acrylic painting of a pathway, with some areas shrouded in darkness and others illuminated in light. The pathway is surrounded by walls and is partially covered by a roof that resembles the wavy panels of a tin roof. The walls and floor are a light gray with faint blue and red undertones. The areas where the roof covers the path are reflected black onto the ground, and the areas where there is no roof show the lightness of the ground. As the path continues into the distance, it turns white with outside light.

An acrylic painting of an empty train tunnel. The platform to the left, before the train tracks, is painted in a gradient so the edges are black and the middle is white. Before the tracks is a thick yellow line that separates the deepness of the tracks from the platform on both sides. On the wall of the platform to the right are red, yellow, and black posters that reflect onto the ground of the platform.

The Tunnel (Still)

An acrylic painting of an empty train tunnel. The platform to the left, before the train tracks, is painted in a gradient so the edges are black and the middle is white. Before the tracks is a thick yellow line that separates the deepness of the tracks from the platform on both sides. On the wall of the platform to the right are red, yellow, and black posters that reflect onto the ground of the platform.

An acrylic painting of an empty theater, looking down to the stage from the balcony. Several rows of red seats are in the foreground, and there is a brown railing at the edge. The left and right balconies are angled towards the back, with gold-trimmed red draping along the base of the railing. The backdrop of the yellow, rectangular stage is dark and framed by a wooden proscenium arch. Drifting onstage are the shadows of performers.

The WCP (Still)

An acrylic painting of an empty theater, looking down to the stage from the balcony. Several rows of red seats are in the foreground, and there is a brown railing at the edge. The left and right balconies are angled towards the back, with gold-trimmed red draping along the base of the railing. The backdrop of the yellow, rectangular stage is dark and framed by a wooden proscenium arch. Drifting onstage are the shadows of performers.

An abstract acrylic painting on stretched canvas. The top of the painting has a marbled light blue and white background and the bottom half of the painting has light blue, light brown, and light green covering the background in different forms. Towards the middle of the painting are circular swirls of tan, light yellow, light brown, and vibrant blues and reds. These swirls and colors reach into parts of the background.

Objects of Silence

An abstract acrylic painting on stretched canvas. The top of the painting has a marbled light blue and white background and the bottom half of the painting has light blue, light brown, and light green covering the background in different forms. Towards the middle of the painting are circular swirls of tan, light yellow, light brown, and vibrant blues and reds. These swirls and colors reach into parts of the background.

An abstract acrylic painting on stretched canvas. Pastel pink, blue, and yellow fade into the off-white background. In the center of the piece are vibrant swirls of red, blue, yellow, purple, green, and gray. A section of white begins to separate the swirls into two sides.

Under the Lamp Post

An abstract acrylic painting on stretched canvas. Pastel pink, blue, and yellow fade into the off-white background. In the center of the piece are vibrant swirls of red, blue, yellow, purple, green, and gray. A section of white begins to separate the swirls into two sides.

An abstract acrylic painting on stretched canvas. The background has muted tones of purple, tan, red, blue, and pink. At the top of the piece small dots of different colored paint are layered on top of eachother. Strokes of color to the right crack downwards. To the left side are rounder strokes of different colors.

Behind the Velvet Curtain

An abstract acrylic painting on stretched canvas. The background has muted tones of purple, tan, red, blue, and pink. At the top of the piece small dots of different colored paint are layered on top of eachother. Strokes of color to the right crack downwards. To the left side are rounder strokes of different colors.

An abstract acrylic painting on stretched canvas with a tan background. Swirls of tan and orange decorate the background and strokes of purple and red decorate the swirls of color. Small thick and thin lines of black intertwine with the strokes of color throughout the piece.

Ode to the Trees

An abstract acrylic painting on stretched canvas with a tan background. Swirls of tan and orange decorate the background and strokes of purple and red decorate the swirls of color. Small thick and thin lines of black intertwine with the strokes of color throughout the piece.

A mixed media painting with collage accents. The painting is a portrait of a woman. Her skin is painted in shades of blue and green, and she is looking intensely towards the viewer. Her long hair is formed by narrow stripes of white paper covered in indistinguishable text. Surrounding her are small collaged images of the artist in real life. She has dark skin and is wearing a variety of outfits, pictured in many different poses.

Peace With Myself

Simone Robinson

A mixed media painting with collage accents. The painting is a portrait of a woman. Her skin is painted in shades of blue and green, and she is looking intensely towards the viewer. Her long hair is formed by narrow stripes of white paper covered in indistinguishable text. Surrounding her are small collaged images of the artist in real life. She has dark skin and is wearing a variety of outfits, pictured in many different poses.

A mixed-media painting with collage accents. In the center of the painting are the faces of a man and a woman very close to each other, painted in stylized shades of blue and green. The woman, on the right, is resting her cheek on the man’s forehead. Hands, painted in shades of blue, yellow, and red, reach up from the bottom of the frame; one hand rests on the man’s head, and the other hand is caressing the woman’s chin. Collaged around them are small photographs of the couple in real life, in various romantic poses.

For Casey and Niah

Simone Robinson

A mixed-media painting with collage accents. In the center of the painting are the faces of a man and a woman very close to each other, painted in stylized shades of blue and green. The woman, on the right, is resting her cheek on the man’s forehead. Hands, painted in shades of blue, yellow, and red, reach up from the bottom of the frame; one hand rests on the man’s head, and the other hand is caressing the woman’s chin. Collaged around them are small photographs of the couple in real life, in various romantic poses.

An abstract acrylic painting on stretched canvas. The background is a light blue with a bright tan on the top. Colorful, vine-like strokes cover the top of the piece, and three blue birds sit outside of a window-like figure. More birds sit among the vine-like plants. Organic shapes are outlined in various shades of purple, blue, green, and red.

Where I Am Now 1

An abstract acrylic painting on stretched canvas. The background is a light blue with a bright tan on the top. Colorful, vine-like strokes cover the top of the piece, and three blue birds sit outside of a window-like figure. More birds sit among the vine-like plants. Organic shapes are outlined in various shades of purple, blue, green, and red.

An abstract acrylic painting on stretched canvas. The painting has a muted color, mostly tan background. In the center is a circular, tan vase-like object with a circle shaped hole at the top. Red flowers are held by the vase and are surrounded by strokes of green and blue. A swirling stroke of black reached up from the plants and to the right side, where it turns blue and is surrounded by smaller strokes of red and green.

Where I Am Now 2

An abstract acrylic painting on stretched canvas. The painting has a muted color, mostly tan background. In the center is a circular, tan vase-like object with a circle shaped hole at the top. Red flowers are held by the vase and are surrounded by strokes of green and blue. A swirling stroke of black reached up from the plants and to the right side, where it turns blue and is surrounded by smaller strokes of red and green.

Where I Am Now 3

A photo of an acrylic painting depicting a tree on a beach with the sunset in the background.

Paintings from the Time of Covid 1

Richard McGarry

A photo of an acrylic painting depicting a tree on a beach with the sunset in the background.

A photo of an acrylic painting depicting the sun setting above the roof of a house.

Paintings from the Time of Covid 2

Richard McGarry

A photo of an acrylic painting depicting the sun setting above the roof of a house.

A photo of an acrylic painting showing three shadows of figures.

Paintings from the Time of Covid 3

Richard McGarry

A photo of an acrylic painting showing three shadows of figures.

A photo of an acrylic painting depicting a man looking out the window of a colorful building.

Paintings from the Time of Covid 5

Richard McGarry

A photo of an acrylic painting depicting a man looking out the window of a colorful building.

A photo of an acrylic painting of a ship sailing in the ocean and a surfboard up against a tree on the beach.

Paintings from the Time of Covid 6

Richard McGarry

A photo of an acrylic painting of a ship sailing in the ocean and a surfboard up against a tree on the beach.

A photo of an acrylic painting showing the sun rising or setting on a beach. A dog is walking on the beach.

Paintings from the Time of Covid 7

Richard McGarry

A photo of an acrylic painting showing the sun rising or setting on a beach. A dog is walking on the beach.

A photo of an acrylic painting of a woman with drumsticks in her back pocket.

Paintings from the Time of Covid 8

Richard McGarry

A photo of an acrylic painting of a woman with drumsticks in her back pocket.

A photo of an acrylic painting depicting a part of a woman's face with blue eyes and a colorful background.

Paintings from the Time of Covid 9

Richard McGarry

A photo of an acrylic painting depicting a part of a woman's face with blue eyes and a colorful background.

A photo of an acrylic painting. There is a shopping cart on the beach overflowing with full trash bags. In the background, there is a forest that is engulfed in wildfires.

Paintings from the Time of Covid 10

Richard McGarry

A photo of an acrylic painting. There is a shopping cart on the beach overflowing with full trash bags. In the background, there is a forest that is engulfed in wildfires.

A mixed media artwork. In the center of the piece is a square with an image of the shadows of two people against a colorful graffitied wall. The person on the left wears a long flowing gown and the person on the right wears slightly flared pants. Surrounding the dark blue shadows are more abstract shadows in dots and different geometric shapes. Bordering the image is a dark colored frame with dark blue and green diagonal stripes and small circles and swirls overlapping each other.

The World According to Hope Gallery #1

A mixed media artwork. In the center of the piece is a square with an image of the shadows of two people against a colorful graffitied wall. The person on the left wears a long flowing gown and the person on the right wears slightly flared pants. Surrounding the dark blue shadows are more abstract shadows in dots and different geometric shapes. Bordering the image is a dark colored frame with dark blue and green diagonal stripes and small circles and swirls overlapping each other.

A mixed media artwork. In the center of the piece is a square with an image of the shadows of two people against a yellow ground and vibrant graffitied wall. The dark shadows are splattered with blues, greens, and oranges. Bordering the image is a dark colored frame with diagonal patterned stripes of green, blue, yellow, purple, and orange with black paint layered over them, darkening their appearance. Illegible purple words are written over their heads in a cursive font.

The World According to Hope Gallery #2

A mixed media artwork. In the center of the piece is a square with an image of the shadows of two people against a yellow ground and vibrant graffitied wall. The dark shadows are splattered with blues, greens, and oranges. Bordering the image is a dark colored frame with diagonal patterned stripes of green, blue, yellow, purple, and orange with black paint layered over them, darkening their appearance. Illegible purple words are written over their heads in a cursive font.

A mixed media artwork. In the center of the piece is a square with the shadow of a person against a graffitied couch and bright graffitied wall. Bordering the image is a frame with diagonal patterned stripes angled inwards towards the image. The stripes are muted green, blue, yellow, purple, and orange with a thin layer of textured black paint layered over them.

The World According to Hope Gallery Selfie of Hope

A mixed media artwork. In the center of the piece is a square with the shadow of a person against a graffitied couch and bright graffitied wall. Bordering the image is a frame with diagonal patterned stripes angled inwards towards the image. The stripes are muted green, blue, yellow, purple, and orange with a thin layer of textured black paint layered over them.

An acrylic painting of two people with long brown hair. The people are asleep inside a blue face mask like it is a hammock. Surrounding them are various bags against a brown background.

sleeping 1

An acrylic painting of two people with long brown hair. The people are asleep inside a blue face mask like it is a hammock. Surrounding them are various bags against a brown background.

A photograph of an acrylic painting on an easel. There is a lens flare in the top right corner as the picture was taken with the flash on. The painting is of a forest with a path through it, placed in the center between a forest on both sides below an orange sky. Lined up below the painting are paints.

sleeping 2

A photograph of an acrylic painting on an easel. There is a lens flare in the top right corner as the picture was taken with the flash on. The painting is of a forest with a path through it, placed in the center between a forest on both sides below an orange sky. Lined up below the painting are paints.

A painting depicting a white woman whose face is striped with shadows from blinds. The woman is wearing a blue shirt and blue glasses, and is wearing a black and white baseball cap. The shadow from the baseball cap hides the top portion of her face and most of her short, red hair. The background behind her is an orange color overlapped with black, turning the scene a greenish-gray.

Self Portrait

A painting depicting a white woman whose face is striped with shadows from blinds. The woman is wearing a blue shirt and blue glasses, and is wearing a black and white baseball cap. The shadow from the baseball cap hides the top portion of her face and most of her short, red hair. The background behind her is an orange color overlapped with black, turning the scene a greenish-gray.

Worry!

A ghost paints his ancestor

An acrylic and oil painting on canvas. A person with long brown hair, fair skin, and wearing a gray hoodie sits on a gray bed, wrapped in an American flag blanket. On their lap is a pie in a pie dish, one of the slices cut out and in the person’s hand. In front of them on the bed is a red and white can of whipped cream and a gray laptop opened and facing them. A yellow accent wall fills the background and to the left is a large window.

Untitled 1

An acrylic and oil painting on canvas. A person with long brown hair, fair skin, and wearing a gray hoodie sits on a gray bed, wrapped in an American flag blanket. On their lap is a pie in a pie dish, one of the slices cut out and in the person’s hand. In front of them on the bed is a red and white can of whipped cream and a gray laptop opened and facing them. A yellow accent wall fills the background and to the left is a large window.

An acrylic and oil painting on canvas. The painting depicts a home-like setting. A person with tan skin, long brown hair, a red shirt, white shorts, and white bunny-shaped slippers sits to the right on a wooden stool. They are posed with a green bottle of wine, and a pink striped party hat sits on their head. They are taking a selfie with a blue phone in their left hand. On the pale yellow wall behind them is a black and white banner that reads “happy birthday” in capital letters. Next to them is another stool and a small countertop, where a half-eaten cake with chocolate frosting rests on a blue plate. To the left side of the piece is a kitchen space in disarray, white cabinets are open, pots rest on a green stove, and dishes overflow in the sink.

Untitled 2

An acrylic and oil painting on canvas. The painting depicts a home-like setting. A person with tan skin, long brown hair, a red shirt, white shorts, and white bunny-shaped slippers sits to the right on a wooden stool. They are posed with a green bottle of wine, and a pink striped party hat sits on their head. They are taking a selfie with a blue phone in their left hand. On the pale yellow wall behind them is a black and white banner that reads “happy birthday” in capital letters.

An acrylic and oil painting on canvas depicting five people in a gymnasium, playing dodgeball. All of the people are wearing t-shirts, shorts, and tennis shoes, two of them wear COVID masks; In replacement of dodgeballs all are white and red COVID cells. Bleachers line the back wall.

Untitled 4

An acrylic and oil painting on canvas depicting five people in a gymnasium, playing dodgeball. All of the people are wearing t-shirts, shorts, and tennis shoes, two of them wear COVID masks; In replacement of dodgeballs all are white and red COVID cells. Bleachers line the back wall.

An acrylic and oil painting on canvas. The painting depicts a person with tan skin and wavy blonde hair wearing a white jewel headband, a loose white scarf, blue shawl, and red long-sleeved shirt. Their expression is somber, and their green eyes look upwards. They are holding a crying baby with sparse blonde hair. In the baby’s left hand is a white and red COVID cell and in their right is a vaccination syringe with the needle pointed upwards. Below the baby’s nose is a blue COVID mask. Printed on their blue long-sleeve shirt is a black and white sheep. Two gold circles surround the person and child while the rest of the background is black.

Untitled 5

An acrylic and oil painting on canvas. The painting depicts a person with tan skin and wavy blonde hair wearing a white jewel headband, a loose white scarf, blue shawl, and red long-sleeved shirt. Their expression is somber, and their green eyes look upwards. They are holding a crying baby with sparse blonde hair. In the baby’s left hand is a white and red COVID cell and in their right is a vaccination syringe with the needle pointed upwards. Below the baby’s nose is a blue COVID mask. Printed on their blue long-sleeve shirt is a black and white sheep.

An acrylic and oil painting on canvas. In the center of the piece, an older person sits on a brown chair dressed in a tall, pointed yellow crown and fastened yellow collar over a white cape and white and green robes with a yellow belt. Grasped in their left hand is an oversized vaccination syringe, the needle pointing upward, and in their right hand is a white and red COVID cell. Behind them are blue pleated curtains. In the bottom left corner is the signature “d.ellyn” and beneath that the numbers “9.21” in thin black strokes.

Untitled 6

An acrylic and oil painting on canvas. In the center of the piece, an older person sits on a brown chair dressed in a tall, pointed yellow crown and fastened yellow collar over a white cape and white and green robes with a yellow belt. Grasped in their left hand is an oversized vaccination syringe, the needle pointing upward, and in their right hand is a white and red COVID cell. Behind them are blue pleated curtains. In the bottom left corner is the signature “d.ellyn” and beneath that the numbers “9.21” in thin black strokes.

An acrylic and oil painting on canvas of a bartender and patron. Behind the bar are shelves filled with vaccine vials. Bottles line the back of the wall on top of the counter. The bartender stands behind the bar wearing a blue button down shirt with the sleeves rolled up to their bicep, a blue and white patterned tie, blue suspenders, and gray pants. They have short black hair and are wearing a blue COVID mask on their face. Their hands are up as if they would be shaking a drink, but instead are filling a syringe with medicine from a vaccine vial. The patron with short black hair and wearing a blue shirt is asleep at the bar, with their head resting on their arm. On their bicep is a bandage. In front of them at the bar are two yellow drinks, one half empty and a full whiskey glass. Another syringe and empty vials fill the rest of the bar top.

Untitled 7

An acrylic and oil painting on canvas of a bartender and patron. Behind the bar are shelves filled with vaccine vials. Bottles line the back of the wall on top of the counter. The bartender stands behind the bar wearing a blue button down shirt with the sleeves rolled up to their bicep, a blue and white patterned tie, blue suspenders, and gray pants. They have short black hair and are wearing a blue COVID mask on their face. Their hands are up as if they would be shaking a drink, but instead are filling a syringe with medicine from a vaccine vial.

An acrylic and oil painting on canvas. A person with brown skin and long, black hair sits on an orange armchair, wearing a long-sleeved, red dress, green pants, and a yellow blanket draped over their middle and down the side of the chair. Their mouth is opened as if they are laughing. In each of their hands is a yellow drink in a short glass, the drink in their left hand garnished with a lemon and the drink in their right garnished with a COVID-19 cell, skewered by the swab of a COVID test. On the footrest in front of them is a small, opened, blue COVID-19 testing box. To their left side is a table; a blue bowl filled with lemons, a blue bowl filled with COVID cells, and a glass container filled with yellow liquid are placed on top. In front of the bowls is a small piece of the COVID test kit, similar to the piece that shows if the test is positive or negative.

Untitled 8

An acrylic and oil painting on canvas. A person with brown skin and long, black hair sits on an orange armchair, wearing a long-sleeved, red dress, green pants, and a yellow blanket draped over their middle and down the side of the chair. Their mouth is opened as if they are laughing. In each of their hands is a yellow drink in a short glass, the drink in their left hand garnished with a lemon and the drink in their right garnished with a COVID-19 cell, skewered by the swab of a COVID test. On the footrest in front of them is a small, opened, blue COVID-19 testing box.

An acrylic and oil painting on canvas portraying two people. One person is wearing a green hat, white button down, suspenders, blue jeans, brown shoes, and a white apron. They are holding a full syringe behind their back with their left hand. They stand inside of a building with white and black checkered floors and tall, black doors filled with windows that are opened to reveal the cobblestone line streets. The other person, standing outside of the building, wears a green cap, patterned coat, khaki pants, brown scarf and gloves, and brown shoes. They hold out what resembles a vaccination card in their right hand that the person inside of the building is inspecting with a flashlight held in their right hand.

Untitled 9

An acrylic and oil painting on canvas portraying two people. One person is wearing a green hat, white button down, suspenders, blue jeans, brown shoes, and a white apron. They are holding a full syringe behind their back with their left hand. They stand inside of a building with white and black checkered floors and tall, black doors filled with windows that are opened to reveal the cobblestone line streets. The other person, standing outside of the building, wears a green cap, patterned coat, khaki pants, brown scarf and gloves, and brown shoes.

An acrylic and oil painting on canvas. A person with blond hair, wearing a blue Covid mask, red dress with a white apron, pants, and red shoes hides behind a shepherd's crook while standing in the foreground. Behind them is a line of white sheep. In the background are dark blue clouds, with white and red COVID cells falling from them.

Untitled 10

An acrylic and oil painting on canvas. A person with blond hair, wearing a blue Covid mask, red dress with a white apron, pants, and red shoes hides behind a shepherd's crook while standing in the foreground. Behind them is a line of white sheep. In the background are dark blue clouds, with white and red COVID cells falling from them.

An acrylic on paper and found objects piece. A painting of Queen Elizabeth, a white woman with short ginger hair and green eyes, is in the center of the piece. She wears a white and blue patterned neck collar with syringes arranged around it in a circle. Her gown is blue with purple sleeves and adorned with red gems. In place of a crown, she wears a white and red COVID cell. The painting is in a rectangular-shaped, golden frame that is encrusted with jewels and gems of different colors as well as gold flowers.

QUEEN ELIZABETH'S CORONA

An acrylic on paper and found objects piece. A painting of Queen Elizabeth, a white woman with short ginger hair and green eyes, is in the center of the piece. She wears a white and blue patterned neck collar with syringes arranged around it in a circle. Her gown is blue with purple sleeves and adorned with red gems. In place of a crown, she wears a white and red COVID cell. The painting is in a rectangular-shaped, golden frame that is encrusted with jewels and gems of different colors as well as gold flowers.

An acrylic on paper and found objects piece. A painting depicts Queen Victoria, a white woman with slicked back hair, painted in black and white. She is wearing a decorated gown with a V-shaped neck and a sash. Her necklace and earrings are a faint green color. On her head, she wears a lace-like veil and a golden crown that is holding a white and red COVID cell. The painting is in an oval-shaped frame, decorated with black fabric and ribbon that makes a small bow at the top. Lining the bottom of the frame are strings of amber and black colored gems.

VICTORIA’S CORONA

An acrylic on paper and found objects piece. A painting depicts Queen Victoria, a white woman with slicked back hair, painted in black and white. She is wearing a decorated gown with a V-shaped neck and a sash. Her necklace and earrings are a faint green color. On her head, she wears a lace-like veil and a golden crown that is holding a white and red COVID cell. The painting is in an oval-shaped frame, decorated with black fabric and ribbon that makes a small bow at the top. Lining the bottom of the frame are strings of amber and black colored gems.

An acrylic on paper and found objects piece. A colored painting of Marie Antoinette, a white woman with long ginger hair is in the center of the piece. She wears a blue gown with lace details, pearl bracelets, a pearl necklace, and a pearl headpiece with blue and white striped ribbons. On top of her head is a white and red COVID cell. In her right hand, she holds a golden fork with a piece of pink cake on it. Behind her is a tree and a pink rose bush, the background is blue and purple. The painting is in a long, octagon-shaped wooden frame. Pink and white flowers decorate the top of the frame.

MARIE ANTOINETTE’S CORONA

An acrylic on paper and found objects piece. A colored painting of Marie Antoinette, a white woman with long ginger hair is in the center of the piece. She wears a blue gown with lace details, pearl bracelets, a pearl necklace, and a pearl headpiece with blue and white striped ribbons. On top of her head is a white and red COVID cell. In her right hand, she holds a golden fork with a piece of pink cake on it. Behind her is a tree and a pink rose bush, the background is blue and purple. The painting is in a long, octagon-shaped wooden frame. Pink and white flowers decorate the top of the frame.

A painting of Mary Queen of Scots, a white woman with short ginger hair, in a golden frame. She is wearing a black gown with white lace detailing, a neck collar, and a white headdress. A golden cross necklace rests down the front of her body, and a golden rosary encrusted with colorful gems is attached to her hip. A white and red COVID cell rests on her head. Her right hand is posed on her waist and her left hand is resting on a table with a red cloth. In gold are the words MARIA / D G / SCOTIÆ / PIISSIMA REGINA / FRANCIÆ DOWERIA / ANNO / ÆTATIS REGNI / 36 / ANGLICÆ CAPTIVÆ / 10 / S H./ 1578

MARY QUEEN OF SCOT’s CORONA

A painting of Mary Queen of Scots, a white woman with short ginger hair, in a golden frame. She is wearing a black gown with white lace detailing, a neck collar, and a white headdress. A golden cross necklace rests down the front of her body, and a golden rosary encrusted with colorful gems is attached to her hip. A white and red COVID cell rests on her head. Her right hand is posed on her waist and her left hand is resting on a table with a red cloth. In gold are the words MARIA / D G / SCOTIÆ / PIISSIMA REGINA / FRANCIÆ DOWERIA / ANNO / ÆTATIS REGNI / 36 / ANGLICÆ CAPTIVÆ / 10 / S H./ 1578

An acrylic on paper and found objects piece. A painting of Catherine the Great, a white woman with gray and brown hair, is in the center. She wears red, white, and yellow robes decorated with different flower motifs, and a green, leaf-like hair piece. On top of her head is a white and red COVID cell. The background of the piece is blue. The painting is in a golden frame, decorated with different colored gems.

EMPRESS CATHERINE THE GREAT’s CORONA

An acrylic on paper and found objects piece. A painting of Catherine the Great, a white woman with gray and brown hair, is in the center. She wears red, white, and yellow robes decorated with different flower motifs, and a green, leaf-like hair piece. On top of her head is a white and red COVID cell. The background of the piece is blue. The painting is in a golden frame, decorated with different colored gems.

An acrylic on paper and found objects piece. A painting of Queen Nzinga, an African woman with shoulder length black hair, is the focus of the piece. She wears a white dress draped on one shoulder with a sun motif bunching the fabric on the shoulder, a pearl necklace, golden earrings, and a golden crown with a white and red COVID cell inside of it. The background is yellow with small brown, irregular shapes patterned onto it. The painting is in a golden, square frame with a pattern of short red paint strokes on the inside border, and a small silver crown at the top and bottom middle.

QUEEN NZINGA’S CORONA

An acrylic on paper and found objects piece. A painting of Queen Nzinga, an African woman with shoulder length black hair, is the focus of the piece. She wears a white dress draped on one shoulder with a sun motif bunching the fabric on the shoulder, a pearl necklace, golden earrings, and a golden crown with a white and red COVID cell inside of it. The background is yellow with small brown, irregular shapes patterned onto it. The painting is in a golden, square frame with a pattern of short red paint strokes on the inside border, and a small silver crown at the top and bottom middle.

An acrylic on paper painting of Queen Zenobia. The painting resembles a stone carving with a brown color. Queen Zenobia sits on a throne, wearing robes and heavy jewelry. On top of her head is a white and red COVID cell with a red piece of sequins on the front. Another person stands to her right, fanning her with the large leaf of a plant. A large bird rests on the top left of the throne and a dog sits in the bottom left. Underneath the painting is the name “zenobia” in capital letters. The painting is in a large gold frame with indents along the frame.

ZENOBIA’S CORONA-TION (Queen Zenobia of Palmyra)

An acrylic on paper painting of Queen Zenobia. The painting resembles a stone carving with a brown color. Queen Zenobia sits on a throne, wearing robes and heavy jewelry. On top of her head is a white and red COVID cell with a red piece of sequins on the front. Another person stands to her right, fanning her with the large leaf of a plant. A large bird rests on the top left of the throne and a dog sits in the bottom left. Underneath the painting is the name “zenobia” in capital letters. The painting is in a large gold frame with indents along the frame.

An acrylic on paper and found objects piece. The painting is of Queen Isabella, a white woman with short ginger hair. She wears a red patterned dress with a square neckline, a red and gold necklace, and a crown with colorful gems lining it. Inside of the crown is a white and red COVID cell.Grasped in her hands is a book. The painting is in a golden frame with ornate detailing. A shield-shaped crest is at the top center of the frame and a bible and religious figure are at the bottom left and right.

QUEEN ISABELLA’S CORONA

An acrylic on paper and found objects piece. The painting is of Queen Isabella, a white woman with short ginger hair. She wears a red patterned dress with a square neckline, a red and gold necklace, and a crown with colorful gems lining it. Inside of the crown is a white and red COVID cell.Grasped in her hands is a book. The painting is in a golden frame with ornate detailing. A shield-shaped crest is at the top center of the frame and a bible and religious figure are at the bottom left and right.

An acrylic on board and found objects piece. The painting depicts Empress Wu Zetian, a chinese woman with her hair pulled back and features decorated with white makeup. She wears colorful robes, red earrings, and a large golden headpiece with a white and red COVID cell on top. The painting is in an oval shaped frame and decorated with different flower-shaped and small brown objects.

EMPRESS WU ZETIAN’S CORONA

An acrylic on board and found objects piece. The painting depicts Empress Wu Zetian, a chinese woman with her hair pulled back and features decorated with white makeup. She wears colorful robes, red earrings, and a large golden headpiece with a white and red COVID cell on top. The painting is in an oval shaped frame and decorated with different flower-shaped and small brown objects.

An acrylic on paper and found objects piece. A painting depicts Queen Victoria, a white woman with slicked back hair, painted in black and white. She is wearing a patterned gown with a V-shaped neck and a sash. Her necklace, bracelets, and earrings are a faint green color. On her head is a long, lace-like veil and a golden crown with a white and red COVID cell inside. The painting is in a frame, decorated with a gold square-shaped pattern on a black background. A black fabric flower is on the top center.

QUEEN VICTORIA’S CORONA-TION

An acrylic on paper and found objects piece. A painting depicts Queen Victoria, a white woman with slicked back hair, painted in black and white. She is wearing a patterned gown with a V-shaped neck and a sash. Her necklace, bracelets, and earrings are a faint green color. On her head is a long, lace-like veil and a golden crown with a white and red COVID cell inside. The painting is in a frame, decorated with a gold square-shaped pattern on a black background. A black fabric flower is on the top center.

A wooden lawn chair, painted a light blue. The chair has white, puffy clouds painted on the back and armrests.

Calm in the Storm 5

A wooden lawn chair, painted a light blue. The chair has white, puffy clouds painted on the back and armrests.

A painted pair of tennis shoes. A hand holds up one of the shoes while the other lays on a black leather surface. The shoes show the left and right side, which are painted to depict a waterfront scene. Towards the left is tall grass and a sandy beach. Blue and white water laps on the shore. The rest of the water is a deep blue. At the top of the shoe, seagulls fly through a cloudy sky. This painting is repeated on the second shoe but reversed.

Calm in the Storm 6

A painted pair of tennis shoes. A hand holds up one of the shoes while the other lays on a black leather surface. The shoes show the left and right side, which are painted to depict a waterfront scene. Towards the left is tall grass and a sandy beach. Blue and white water laps on the shore. The rest of the water is a deep blue. At the top of the shoe, seagulls fly through a cloudy sky. This painting is repeated on the second shoe but reversed.

Painted oyster shells resting on a white surface, a hand holds one of them up for a better view. Inside each shell is a painted beach scene. In the paintings, a seagull stands next to tall, green grass on a sandy beach. Water laps up onto the shore, and the rest of the water is a dark blue. At the top of the shells, seagulls fly through a cloudy sky.

Calm in the Storm 7

Painted oyster shells resting on a white surface, a hand holds one of them up for a better view. Inside each shell is a painted beach scene. In the paintings, a seagull stands next to tall, green grass on a sandy beach. Water laps up onto the shore, and the rest of the water is a dark blue. At the top of the shells, seagulls fly through a cloudy sky.

White slip on shoes painted with black, stylized cartoon-like figures. The patterns are repeated continuously, outlining each other in different human and animal shapes as well as dotted lines filling in the gaps.

Calm in the Storm 8

White slip on shoes painted with black, stylized cartoon-like figures. The patterns are repeated continuously, outlining each other in different human and animal shapes as well as dotted lines filling in the gaps.

An acrylic painting of mushrooms against a night sky. The mushrooms have either a tan or red cap and are of varying sizes. Dark grass surrounds the mushrooms. The background is black with firefly-like dots of gold surrounding them and filling the sky.

Calm in the Storm 9

An acrylic painting of mushrooms against a night sky. The mushrooms have either a tan or red cap and are of varying sizes. Dark grass surrounds the mushrooms. The background is black with firefly-like dots of gold surrounding them and filling the sky.

A painted lightswitch cover. Filling the bottom and right side are different wildflowers in oranges and yellows. At the top left corner is a blue and purple hummingbird, drinking nectar from a flower.

Calm in the Storm 10

A painted lightswitch cover. Filling the bottom and right side are different wildflowers in oranges and yellows. At the top left corner is a blue and purple hummingbird, drinking nectar from a flower.

An oil painting of a vibrant interior. The tall walls of the hallway are a bright yellow, with two doorways on each side in a muted purple. Light gray picture frames are placed on either side of the right doorway. Magenta colored bricks line the floor, leading to an opened doorway with an arched window on top, light shining through the window and reflecting onto the ground. Past the opened door is a terrace filled with bright greenery, a tree, and a plant in a yellow pot with red flowers.

To the Terrace

An oil painting of a vibrant interior. The tall walls of the hallway are a bright yellow, with two doorways on each side in a muted purple. Light gray picture frames are placed on either side of the right doorway. Magenta colored bricks line the floor, leading to an opened doorway with an arched window on top, light shining through the window and reflecting onto the ground. Past the opened door is a terrace filled with bright greenery, a tree, and a plant in a yellow pot with red flowers.

An acrylic painting done on linen of a turbulent sea swallowing the Statue of Liberty. The green crown and outstretched hand with the torch peaks out from the violent waves. The whiteness of sea foam splashes up around them from the dark blue and black waves violently crashing in the water. Above the sea is the twisting darkness of storm clouds, a white lightning bolt striking close to the statue’s crown.

State of the Nation

An acrylic painting done on linen of a turbulent sea swallowing the Statue of Liberty. The green crown and outstretched hand with the torch peaks out from the violent waves. The whiteness of sea foam splashes up around them from the dark blue and black waves violently crashing in the water. Above the sea is the twisting darkness of storm clouds, a white lightning bolt striking close to the statue’s crown.

To the Terrace Tutorial

An acrylic painting depicting an anatomically correct heart. The heart has a tan bandaid at the top, and two horizontal cuts towards the bottom. One of the cuts is stitched with gray, vertical stitches. A pale hand holds a needle and thread between its pointer finger and thumb, creating ‘x’ shaped stitches through the second cut.

To Mend a Broken Heart 1

An acrylic painting depicting an anatomically correct heart. The heart has a tan bandaid at the top, and two horizontal cuts towards the bottom. One of the cuts is stitched with gray, vertical stitches. A pale hand holds a needle and thread between its pointer finger and thumb, creating ‘x’ shaped stitches through the second cut.

An acrylic painting depicting an anatomically correct heart. The heart has a tan bandaid at the top, and two horizontal cuts towards the bottom. One of the cuts is stitched with gray, vertical stitches. A pale hand holds a needle and thread between its pointer finger and thumb, creating ‘x’ shaped stitches through the second cut.

To Mend a Broken Heart 2

An acrylic painting depicting an anatomically correct heart. The heart has a tan bandaid at the top, and two horizontal cuts towards the bottom. One of the cuts is stitched with gray, vertical stitches. A pale hand holds a needle and thread between its pointer finger and thumb, creating ‘x’ shaped stitches through the second cut.

Ink and acrylic on canvas. The piece depicts a gray colored angel, turned to the right side and holding their chest, their wings angled downwards. The angel looks upwards with their eyes closed. Surrounding them are blots of blue paint and ink in different shades.

Angel of the Pandemic: Dear Lord, I am Tired

Ink and acrylic on canvas. The piece depicts a gray colored angel, turned to the right side and holding their chest, their wings angled downwards. The angel looks upwards with their eyes closed. Surrounding them are blots of blue paint and ink in different shades.

Acrylic on a black canvas. The outline of a person wearing a beaded necklace and a dress is done in white. The top of the dress is a solid purple while the bottom of the dress is done in a pour so different shades of purple and white overlap each other.

Someday We'll Dance

Acrylic on a black canvas. The outline of a person wearing a beaded necklace and a dress is done in white. The top of the dress is a solid purple while the bottom of the dress is done in a pour so different shades of purple and white overlap each other.

An acrylic on canvas painting depicting someone doing laundry outside. The person has tan skin, short brown hair, and is wearing a yellow dress; their arms are outstretched as they hold onto a white and blue sheet that is blowing into the air. A clothesline with other blue and pink sheets is behind them. In front of them is a white picket fence made out of small pieces of fabric. Behind them, green grass continues and trees line the horizon before opening into a deep blue sky.

Hanging on or Letting Go

An acrylic on canvas painting depicting someone doing laundry outside. The person has tan skin, short brown hair, and is wearing a yellow dress; their arms are outstretched as they hold onto a white and blue sheet that is blowing into the air. A clothesline with other blue and pink sheets is behind them. In front of them is a white picket fence made out of small pieces of fabric. Behind them, green grass continues and trees line the horizon before opening into a deep blue sky.

A framed ink and acrylic piece. Blue, green, and purple ink fill the center of the piece, encompassing a section of white. In the white section there are two butterflies, one teal and the other purple, their shadows reflecting onto the white background. Above the center, another smaller teal butterfly rests with its shadow reflecting onto the white surface. The piece is in a black frame.

Breaking Free

A framed ink and acrylic piece. Blue, green, and purple ink fill the center of the piece, encompassing a section of white. In the white section there are two butterflies, one teal and the other purple, their shadows reflecting onto the white background. Above the center, another smaller teal butterfly rests with its shadow reflecting onto the white surface. The piece is in a black frame.

An acrylic painting of an old, crumbling building. The building has red slats for a roof, their spacing revealing gaps and support beams inside. The building has gray worn, wooden siding with an open door and a window to the right side. The bottom right side of the building has worn, brown siding. The top right of the building has nothing, which then leads to a hole in the siding on the other side of the building, opening into the grayness of the background.

No One There Any More 1

An acrylic painting of an old, crumbling building. The building has red slats for a roof, their spacing revealing gaps and support beams inside. The building has gray worn, wooden siding with an open door and a window to the right side. The bottom right side of the building has worn, brown siding. The top right of the building has nothing, which then leads to a hole in the siding on the other side of the building, opening into the grayness of the background.

An acrylic painting of an old, crumbling barn. The barn has rectangular shaped siding in yellow, white, and red; all of the colors worn out. The siding is sparse, revealing the foundations of the building and the green hilly background and blue sky through a hole in the back left side of the barn.

No One There Any More 2

An acrylic painting of an old, crumbling barn. The barn has rectangular shaped siding in yellow, white, and red; all of the colors worn out. The siding is sparse, revealing the foundations of the building and the green hilly background and blue sky through a hole in the back left side of the barn.

An acrylic painting of an old house, falling apart. The house is small with white siding; through a window on the right side, the back end of the house has no siding and opens up into the green and blue background. At the front of the house, brown slabs that look similar to a roof rest against the home.

No One There Any More 3

An acrylic painting of an old house, falling apart. The house is small with white siding; through a window on the right side, the back end of the house has no siding and opens up into the green and blue background. At the front of the house, brown slabs that look similar to a roof rest against the home.

An acrylic painting of old wooden siding on a building. The top half is a worn gray while the bottom half is a worn brown. The wood has gaps that reveal the foundations of and open into the darkness of the building.

No One There Any More 4

An acrylic painting of old wooden siding on a building. The top half is a worn gray while the bottom half is a worn brown. The wood has gaps that reveal the foundations of and open into the darkness of the building.

An acrylic painting of an old building with wooden siding and a wooden roof. The wood is a worn gray color with gaps in the siding that open into the darkness of the building.

No One There Any More 5

An acrylic painting of an old building with wooden siding and a wooden roof. The wood is a worn gray color with gaps in the siding that open into the darkness of the building.

An acrylic painting of an old building. The building has light blue, wooden siding and is next to another building on the right that has bright red siding. The wood on the blue building is worn with small gaps in between some of the pieces. The building has a space for a door and window.

No One There Any More 6

An acrylic painting of an old building. The building has light blue, wooden siding and is next to another building on the right that has bright red siding. The wood on the blue building is worn with small gaps in between some of the pieces. The building has a space for a door and window.

An acrylic painting of an old barn. The barn has light blue siding and a red roof. There are gaps in the siding that reveal the darkness inside of the barn as well as a small window at the top. There is a wall with red and gray siding and a plank that goes across it.

No One There Any More 7

An acrylic painting of an old barn. The barn has light blue siding and a red roof. There are gaps in the siding that reveal the darkness inside of the barn as well as a small window at the top. There is a wall with red and gray siding and a plank that goes across it.

On a light tan paper background, painted footprints of all different sizes cover the piece in a darker tan-gray color. The footprints do not overlap and are turned to the left and right, following no specific path.

AHISTORIC WALK

On a light tan paper background, painted footprints of all different sizes cover the piece in a darker tan-gray color. The footprints do not overlap and are turned to the left and right, following no specific path.

An acrylic painting on a light colored wooden panel. The painting depicts a wishbone; a forked bone with two curved sides, in a light yellow color. At the bottom of the bone is a series of three green chains, slipped over the two sides.

Make a Wish

An acrylic painting on a light colored wooden panel. The painting depicts a wishbone; a forked bone with two curved sides, in a light yellow color. At the bottom of the bone is a series of three green chains, slipped over the two sides.

An acrylic painting on a wood panel. Towards the center right is a small, yellow home. The ground beneath it is a deep purple gradient that becomes lighter the closer it is to the house. Above the house is a deep blue gradient that also is lightest the closer it is to the house. Vivid green trees surround the horizon.

Nancy Rose Blvd.

An acrylic painting on a wood panel. Towards the center right is a small, yellow home. The ground beneath it is a deep purple gradient that becomes lighter the closer it is to the house. Above the house is a deep blue gradient that also is lightest the closer it is to the house. Vivid green trees surround the horizon.

A large acrylic on canvas painting. The background of the painting is pale orange with pale red swirls. The canvas is filled with lines of handwritten text dotted with paintings of the COVID germ cell. The text is in different colors and so small it is hard to distinguish. Most of what is visible is the phrase “tick tock” repeated over and over.

QUARANTINE

A large acrylic on canvas painting. The background of the painting is pale orange with pale red swirls. The canvas is filled with lines of handwritten text dotted with paintings of the COVID germ cell. The text is in different colors and so small it is hard to distinguish. Most of what is visible is the phrase “tick tock” repeated over and over.

A vibrant acrylic painting on canvas of layered shapes and paint strokes. Horizontal lines pattern the background of the canvas, in repeated rows of brown, yellow, and red. This pattern has been covered with a thin coat of white paint, so it is very faint. Over this, gray rectangles of various sizes are arranged to create uneven blocky structures. Many small bright red worm-like shapes wriggle around the blocks. Some are climbing up, some are sliding down the sides, but most are perched at the top, reaching toward the upper edge of the canvas that is covered in bright green paint strokes that resemble an aurora borealis.

Untitled 3

Geoffrey Levitt

A vibrant acrylic painting on canvas of layered shapes and paint strokes. Horizontal lines pattern the background of the canvas, in repeated rows of brown, yellow, and red. This pattern has been covered with a thin coat of white paint, so it is very faint. Over this, gray rectangles of various sizes are arranged to create uneven blocky structures. Many small bright red worm-like shapes wriggle around the blocks.

An acrylic painting on canvas. At the center of the painting, black and blue circles and small wavy lines form a medium-sized ball of shapes. Long lines in shades of green waver as they extend from the ball. The space between these lines is filled with solid colors like dark green, lime green, and blue. The painting resembles a close-up image of a flower’s disc and petals.

Untitled 4

Geoffrey Levitt

An acrylic painting on canvas. At the center of the painting, black and blue circles and small wavy lines form a medium-sized ball of shapes. Long lines in shades of green waver as they extend from the ball. The space between these lines is filled with solid colors like dark green, lime green, and blue. The painting resembles a close-up image of a flower’s disc and petals.

An acrylic painted fall scene on canvas. At the center of the painting is a dark brown tree with thick, snaky branches and roots that spill through the fallen leaves surrounding the tree. The fallen leaves have orange and red tones, but the leaves in the tree branches are bright yellow. More of these orange and red leaves form a tall wall along the left edge of the canvas. The tree also has streams of water falling from the branches and running over the roots. Sketched in the white space behind the tree is a wide building with curved pillars along the side that form many rounded entryways, and behind this is a tall spiral building.

Untitled 5

Geoffrey Levitt

An acrylic painted fall scene on canvas. At the center of the painting is a dark brown tree with thick, snaky branches and roots that spill through the fallen leaves surrounding the tree. The fallen leaves have orange and red tones, but the leaves in the tree branches are bright yellow. More of these orange and red leaves form a tall wall along the left edge of the canvas. The tree also has streams of water falling from the branches and running over the roots.

A brightly colored abstract painting, acrylic on wood panel, inspired by the city of San Antonio. Lines and shapes predominantly in shades of yellow, green, teal, red, and orange create a warm and vibrant image. Hidden inside of the painting, abstracted by the busy shapes and lines, is a bicycle, a bus, a flower, and several suggestions of city grids, parks, and buildings.

The Vibrant Village 1

A brightly colored abstract painting, acrylic on wood panel, inspired by the city of San Antonio. Lines and shapes predominantly in shades of yellow, green, teal, red, and orange create a warm and vibrant image. Hidden inside of the painting, abstracted by the busy shapes and lines, is a bicycle, a bus, a flower, and several suggestions of city grids, parks, and buildings.

A colorful abstract acrylic painting on wood, inspired by the city of San Antonio. A bright teal blue provides the basis for a multitude of swirling colors– dark blue, yellow, red, orange, green, and more. Lines within the painting create rounded shapes. Hidden among these are gardens of flowers, houses, parks and buildings of San Antonio as vividly colored as their surroundings.

The Vibrant Village 2

A colorful abstract acrylic painting on wood, inspired by the city of San Antonio. A bright teal blue provides the basis for a multitude of swirling colors– dark blue, yellow, red, orange, green, and more. Lines within the painting create rounded shapes. Hidden among these are gardens of flowers, houses, parks and buildings of San Antonio as vividly colored as their surroundings.

A vivid abstract painting, acrylic on wood, inspired by the city of San Antonio. Swirling bright blues, greens, yellows, reds and oranges at the top of the image meet earthy green round shapes reminiscent of cacti at the bottom of the image. Hidden within the painting is an eyeball, several fancy red cars, as well as shapes reminiscent of city grids and cul-de-sacs.

The Vibrant Village 3

A vivid abstract painting, acrylic on wood, inspired by the city of San Antonio. Swirling bright blues, greens, yellows, reds and oranges at the top of the image meet earthy green round shapes reminiscent of cacti at the bottom of the image. Hidden within the painting is an eyeball, several fancy red cars, as well as shapes reminiscent of city grids and cul-de-sacs.

A vivid abstract painting, acrylic on wood, inspired by the city of San Antonio. The predominant colors of the image, pumpkin orange and bright teal-blue, swirl with numerous other colors to create a graphic painting. Hidden within the painting are equally vividly colored leafy plants, gardens, city grids, and buildings reminiscent of the city.

The Vibrant Village 4

A vivid abstract painting, acrylic on wood, inspired by the city of San Antonio. The predominant colors of the image, pumpkin orange and bright teal-blue, swirl with numerous other colors to create a graphic painting. Hidden within the painting are equally vividly colored leafy plants, gardens, city grids, and buildings reminiscent of the city.

A vivid abstract painting, acrylic on wood panel, inspired by the city of San Antonio. A dark maroon shape through the center of the image is suggestive of a curvy city street. Around this, bright shades swirl, creating the impression of city grids nestled among abstract shapes. San Antonio buildings hide amongst the bustle of the painting.

The Vibrant Village 5

A vivid abstract painting, acrylic on wood panel, inspired by the city of San Antonio. A dark maroon shape through the center of the image is suggestive of a curvy city street. Around this, bright shades swirl, creating the impression of city grids nestled among abstract shapes. San Antonio buildings hide amongst the bustle of the painting.

A vivid abstract painting, acrylic on wood, inspired by San Antonio. A grassy lawn at the top left corner of the image collides with brightly colored abstracted city grids in the rest of the image. Hidden amongst the busy shapes are cowboy boots, and features of the city of San Antonio.

The Vibrant Village 6

A vivid abstract painting, acrylic on wood, inspired by San Antonio. A grassy lawn at the top left corner of the image collides with brightly colored abstracted city grids in the rest of the image. Hidden amongst the busy shapes are cowboy boots, and features of the city of San Antonio.

An abstract painting inspired by the city of San Antonio. Shades of cool blue and green circle around the piece, mixed with vibrant oranges and yellows, tracing curves and shapes that resemble buildings, street maps, and urban sprawl. Hidden within is a bicycle and an orange two-story building with a domed roof.

The Vibrant Village 7

An abstract painting inspired by the city of San Antonio. Shades of cool blue and green circle around the piece, mixed with vibrant oranges and yellows, tracing curves and shapes that resemble buildings, street maps, and urban sprawl. Hidden within is a bicycle and an orange two-story building with a domed roof.

An abstract painting inspired by the city of San Antonio. Vibrant rainbow colors swirl across the piece, forming various layers of circles and ovals. An organic orange line stretches from the top to bottom like a street, curving around the shapes, with a small pattern like footprints decorating it.

The Vibrant Village 8

An abstract painting inspired by the city of San Antonio. Vibrant rainbow colors swirl across the piece, forming various layers of circles and ovals. An organic orange line stretches from the top to bottom like a street, curving around the shapes, with a small pattern like footprints decorating it.

An abstract acrylic on wood panel painting. The top of the painting is filled with a pattern resembling an urban sprawl. The bottom half is taken up by a large blue spiral and two multicolor, petal-like ovals.

The Vibrant Village 9

An abstract acrylic on wood panel painting. The top of the painting is filled with a pattern resembling an urban sprawl. The bottom half is taken up by a large blue spiral and two multicolor, petal-like ovals.

An abstract, acrylic on wood painting representing the city of San Antonio. Highlighted in the piece are three circles; one with a city skyline, one with roads and an airplane, and one with a view of the city from above. Surrounding the circles are clouds, various geometric shapes, and blue lines that curve throughout the piece.

The Vibrant Village 10

An abstract, acrylic on wood painting representing the city of San Antonio. Highlighted in the piece are three circles; one with a city skyline, one with roads and an airplane, and one with a view of the city from above. Surrounding the circles are clouds, various geometric shapes, and blue lines that curve throughout the piece.

A colorful mixed media artwork. The background is blended shades of warm pink and orange on top, and sections of cool blue and green on the bottom meeting to create various colors in the center. Throughout the piece are webs of organic, sometimes violent-looking scribbles and lines. The lines are all textured chalk, but vary in color, thickness, shape, and size.

Thatcher

A colorful mixed media artwork. The background is blended shades of warm pink and orange on top, and sections of cool blue and green on the bottom meeting to create various colors in the center. Throughout the piece are webs of organic, sometimes violent-looking scribbles and lines. The lines are all textured chalk, but vary in color, thickness, shape, and size.

A photograph of an acrylic painting on canvas. The painting depicts a campfire in the darkness, the sky is not visible. The homemade fire pit is made out of a circular arrangement of narrow bricks that surround a pile of sticks and logs blazing with the orange, yellow, and white heat of fire, illuminating the ground around it.

Campfire 2

A photograph of an acrylic painting on canvas. The painting depicts a campfire in the darkness, the sky is not visible. The homemade fire pit is made out of a circular arrangement of narrow bricks that surround a pile of sticks and logs blazing with the orange, yellow, and white heat of fire, illuminating the ground around it.

A photograph of an acrylic painting on canvas depicting a campfire at what appears to be shortly before nightfall, the sky is not visible. The firepit is made out of stone and brick arranged in a circular pattern, surrounding a pile of logs and sticks that are blazing orange, yellow, and white with the heat of fire, illuminating the grass around it.

Campfire 3

A photograph of an acrylic painting on canvas depicting a campfire at what appears to be shortly before nightfall, the sky is not visible. The firepit is made out of stone and brick arranged in a circular pattern, surrounding a pile of logs and sticks that are blazing orange, yellow, and white with the heat of fire, illuminating the grass around it.

A photograph of an acrylic painting on canvas depicting a scenic view of a man sitting, tending to a campfire on a patch of land overlooking a lake. The firepit is large with a tall, crackling fire. The man is poking at it with a long stick. The moon shines over the lake, the deep blue of the sky reflected in it. A forested green brush of trees surrounds the lake and is also reflected on the water.

Campfire 13

A photograph of an acrylic painting on canvas depicting a scenic view of a man sitting, tending to a campfire on a patch of land overlooking a lake. The firepit is large with a tall, crackling fire. The man is poking at it with a long stick. The moon shines over the lake, the deep blue of the sky reflected in it. A forested green brush of trees surrounds the lake and is also reflected on the water.

A photograph of an acrylic painting of two women sitting by a campfire, drinking wine, overlooking a lake framed by trees. The campfire is large, the fire tall. The sky is a cloudy dusk.

Campfire 10

A photograph of an acrylic painting of two women sitting by a campfire, drinking wine, overlooking a lake framed by trees. The campfire is large, the fire tall. The sky is a cloudy dusk.

A photograph of an acrylic painting of a man and woman sitting around a campfire, during dusk. The man is holding a guitar, the woman watching the fire. The fire is wide but low, illuminating the grass and trees.

Campfire 14

A photograph of an acrylic painting of a man and woman sitting around a campfire, during dusk. The man is holding a guitar, the woman watching the fire. The fire is wide but low, illuminating the grass and trees.

A photograph of an acrylic painting of a girl sitting in the grass next to a large, smoky campfire, roasting a marshmallow at night. The girl has fair skin and is wearing a yellow shirt and has shoulder length blonde hair. She is illuminated by the yellow, orange, and white glow of the fire.

Campfire 9

A photograph of an acrylic painting of a girl sitting in the grass next to a large, smoky campfire, roasting a marshmallow at night. The girl has fair skin and is wearing a yellow shirt and has shoulder length blonde hair. She is illuminated by the yellow, orange, and white glow of the fire.

A photograph of an acrylic painting of a girl crouching in the grass next to a campfire, roasting a marshmallow at night. She has fair skin and is wearing a blue shirt, blue shorts, and has shoulder length brown hair. The fire is medium sized, illuminating the scenery around them.

Campfire 11

A photograph of an acrylic painting of a girl crouching in the grass next to a campfire, roasting a marshmallow at night. She has fair skin and is wearing a blue shirt, blue shorts, and has shoulder length brown hair. The fire is medium sized, illuminating the scenery around them.

A photograph of an acrylic painting of three fair-skinned girls playing with sparklers in front of a campfire during the night, their arms outstretched in different poses. The fire is illuminating the grass around them, and a lake is in the background.

Campfire 12

A photograph of an acrylic painting of three fair-skinned girls playing with sparklers in front of a campfire during the night, their arms outstretched in different poses. The fire is illuminating the grass around them, and a lake is in the background.

An acrylic painting of a skyline rooted in red lines of muscle fiber swirling up to a blue sky against a glowing orange backdrop. At the bottom of the spiral, the skyline is white on a black background, and further up, the skyline is white against the overall orange. The dark red of the muscle tissue grows smaller and smaller into the center of the spiral, where there is a circle of blue sky with puffy white clouds.

The Fibres of Our Being 1

An acrylic painting of a skyline rooted in red lines of muscle fiber swirling up to a blue sky against a glowing orange backdrop. At the bottom of the spiral, the skyline is white on a black background, and further up, the skyline is white against the overall orange. The dark red of the muscle tissue grows smaller and smaller into the center of the spiral, where there is a circle of blue sky with puffy white clouds.

A photograph of an acrylic painting on cardboard. Painted over a black background, is a woman’s face with skin in hues of pink and purple, and pink ears with black earrings. She has 4 purple eyes: two on the left and two on the right, as well as one blue eye in the center of her forehead, all of which are looking in different directions. Her face is split down the center so that the blue eye and bright red lips are separated in two. In the lower left corner is a small white artist signature.

Pieces

María Ximena Hernández Rayas

A photograph of an acrylic painting on cardboard. Painted over a black background, is a woman’s face with skin in hues of pink and purple, and pink ears with black earrings. She has 4 purple eyes: two on the left and two on the right, as well as one blue eye in the center of her forehead, all of which are looking in different directions. Her face is split down the center so that the blue eye and bright red lips are separated in two. In the lower left corner is a small white artist signature.

A photograph of a marker drawing on paper. Over the white background is an image of a woman with pale-pink skin, freckles over her cheeks, dark blue eyebrows and shoulder length dark blue hair. She is wearing black earrings and a purple crystal necklace. Her mouth is open and there are blue butterflies climbing out of it, while others fly around her head. She has elf-like pointy ears with small black earrings in them. She also has an open third eye on her forehead with a light pink iris, and her eyes are dripping with tears.

Butterflies

María Ximena Hernández Rayas

A photograph of a marker drawing on paper. Over the white background is an image of a woman with pale-pink skin, freckles over her cheeks, dark blue eyebrows and shoulder length dark blue hair. She is wearing black earrings and a purple crystal necklace. Her mouth is open and there are blue butterflies climbing out of it, while others fly around her head. She has elf-like pointy ears with small black earrings in them. She also has an open third eye on her forehead with a light pink iris, and her eyes are dripping with tears.

A photograph of a colorful, abstract canvas painting. The painting was created by a poured paint method, resulting in curvy organic shapes and cells. Bright orange, purple, green and blue paints move inward from the left edge toward the green, red, and yellow paints coming in from the right edge. These colors don’t exactly mix, but intertwine with each other into a freeform stream down the center of the canvas. White paint fills the gaps between these interactions and mixes with the other colors.

Pour paints 3

A photograph of a colorful, abstract canvas painting. The painting was created by a poured paint method, resulting in curvy organic shapes and cells. Bright orange, purple, green and blue paints move inward from the left edge toward the green, red, and yellow paints coming in from the right edge. These colors don’t exactly mix, but intertwine with each other into a freeform stream down the center of the canvas. White paint fills the gaps between these interactions and mixes with the other colors.

A photograph of a colorful, abstract canvas painting. The painting was created by a poured paint method, resulting in curvy organic shapes and spots. Starting from the left edge and moving to the right, a pastel multicolor cloud and dark blue waves bump into a large cascade of dark orange and maroon. Black paint fills the gaps between these interactions, but small yellow spots cover the canvas and brighten the scene.

Pour paints 1

A photograph of a colorful, abstract canvas painting. The painting was created by a poured paint method, resulting in curvy organic shapes and spots. Starting from the left edge and moving to the right, a pastel multicolor cloud and dark blue waves bump into a large cascade of dark orange and maroon. Black paint fills the gaps between these interactions, but small yellow spots cover the canvas and brighten the scene.

A photograph of six canvas paintings on a green paint splotted background, arranged in two rows of three. These paintings were created by a poured paint method, resulting in curvy organic shapes and spots. They are all quite similar in color and composition, aside from differences in arrangement. In each painting, dark blue and purple waves bump into other cascading paints. Other colors present are dark orange, maroon, bright white, pink, and yellow. Five of the six paintings are also covered in a layer of small yellow spots. Black paint fills the gaps.

Pour paints 2

A photograph of six canvas paintings on a green paint splotted background, arranged in two rows of three. These paintings were created by a poured paint method, resulting in curvy organic shapes and spots. They are all quite similar in color and composition, aside from differences in arrangement. In each painting, dark blue and purple waves bump into other cascading paints. Other colors present are dark orange, maroon, bright white, pink, and yellow. Five of the six paintings are also covered in a layer of small yellow spots. Black paint fills the gaps.