Creativity in the Time of COVID

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Calm in the Storm 7

Many if the artworks are pyography (wood burning). Ocean themeds calm me & the smell of the smoke grounds me. I like to wood burn different types of objects. I also enjoyed painting on shoes- shoe art! Why not brighten others day as your shoes are seen even when masks are on, I use acrylics w a clear sealants spray on canvas shoes.

Rights Statement

https://creativecommons.org/licenses/by-nc-sa/4.0/

Full Metadata for Calm in the Storm 7

Type

representative image

Subject

acrylic paintings (visual works)

Title

Calm in the Storm 7

Identifier

08082022-1g

Description

Painted oyster shells resting on a white surface, a hand holds one of them up for a better view. Inside each shell is a painted beach scene. In the paintings, a seagull stands next to tall, green grass on a sandy beach. Water laps up onto the shore, and the rest of the water is a dark blue. At the top of the shells, seagulls fly through a cloudy sky.

Date Submitted

January 1, 1970

Language

English

Spatial Coverage

Connecticut -72.7342163 41.6500201

Rights

https://creativecommons.org/licenses/by-nc-sa/4.0/

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Untitled 2

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Calm in the Storm 5

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Calm in the Storm 6

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Calm in the Storm 10

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Untitled 3

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Untitled 5

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The Vibrant Village 4

A vivid abstract painting, acrylic on wood, inspired by the city of San Antonio. The predominant colors of the image, pumpkin orange and bright teal-blue, swirl with numerous other colors to create a graphic painting. Hidden within the painting are equally vividly colored leafy plants, gardens, city grids, and buildings reminiscent of the city.

The Vibrant Village 5

A vivid abstract painting, acrylic on wood panel, inspired by the city of San Antonio. A dark maroon shape through the center of the image is suggestive of a curvy city street. Around this, bright shades swirl, creating the impression of city grids nestled among abstract shapes. San Antonio buildings hide amongst the bustle of the painting.

The Vibrant Village 6

A vivid abstract painting, acrylic on wood, inspired by San Antonio. A grassy lawn at the top left corner of the image collides with brightly colored abstracted city grids in the rest of the image. Hidden amongst the busy shapes are cowboy boots, and features of the city of San Antonio.

The Vibrant Village 7

An abstract painting inspired by the city of San Antonio. Shades of cool blue and green circle around the piece, mixed with vibrant oranges and yellows, tracing curves and shapes that resemble buildings, street maps, and urban sprawl. Hidden within is a bicycle and an orange two-story building with a domed roof.

The Vibrant Village 8

An abstract painting inspired by the city of San Antonio. Vibrant rainbow colors swirl across the piece, forming various layers of circles and ovals. An organic orange line stretches from the top to bottom like a street, curving around the shapes, with a small pattern like footprints decorating it.

The Vibrant Village 9

An abstract acrylic on wood panel painting. The top of the painting is filled with a pattern resembling an urban sprawl. The bottom half is taken up by a large blue spiral and two multicolor, petal-like ovals.

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A photograph of an acrylic painting of a man and woman sitting around a campfire, during dusk. The man is holding a guitar, the woman watching the fire. The fire is wide but low, illuminating the grass and trees.

Campfire 9

A photograph of an acrylic painting of a girl sitting in the grass next to a large, smoky campfire, roasting a marshmallow at night. The girl has fair skin and is wearing a yellow shirt and has shoulder length blonde hair. She is illuminated by the yellow, orange, and white glow of the fire.

Campfire 11

A photograph of an acrylic painting of a girl crouching in the grass next to a campfire, roasting a marshmallow at night. She has fair skin and is wearing a blue shirt, blue shorts, and has shoulder length brown hair. The fire is medium sized, illuminating the scenery around them.

Campfire 12

A photograph of an acrylic painting of three fair-skinned girls playing with sparklers in front of a campfire during the night, their arms outstretched in different poses. The fire is illuminating the grass around them, and a lake is in the background.

The Fibres of Our Being 1

An acrylic painting of a skyline rooted in red lines of muscle fiber swirling up to a blue sky against a glowing orange backdrop. At the bottom of the spiral, the skyline is white on a black background, and further up, the skyline is white against the overall orange. The dark red of the muscle tissue grows smaller and smaller into the center of the spiral, where there is a circle of blue sky with puffy white clouds.

Pieces

María Ximena Hernández Rayas

A photograph of an acrylic painting on cardboard. Painted over a black background, is a woman’s face with skin in hues of pink and purple, and pink ears with black earrings. She has 4 purple eyes: two on the left and two on the right, as well as one blue eye in the center of her forehead, all of which are looking in different directions. Her face is split down the center so that the blue eye and bright red lips are separated in two. In the lower left corner is a small white artist signature.

Butterflies

María Ximena Hernández Rayas

A photograph of a marker drawing on paper. Over the white background is an image of a woman with pale-pink skin, freckles over her cheeks, dark blue eyebrows and shoulder length dark blue hair. She is wearing black earrings and a purple crystal necklace. Her mouth is open and there are blue butterflies climbing out of it, while others fly around her head. She has elf-like pointy ears with small black earrings in them. She also has an open third eye on her forehead with a light pink iris, and her eyes are dripping with tears.

Pour paints 3

A photograph of a colorful, abstract canvas painting. The painting was created by a poured paint method, resulting in curvy organic shapes and cells. Bright orange, purple, green and blue paints move inward from the left edge toward the green, red, and yellow paints coming in from the right edge. These colors don’t exactly mix, but intertwine with each other into a freeform stream down the center of the canvas. White paint fills the gaps between these interactions and mixes with the other colors.

Pour paints 1

A photograph of a colorful, abstract canvas painting. The painting was created by a poured paint method, resulting in curvy organic shapes and spots. Starting from the left edge and moving to the right, a pastel multicolor cloud and dark blue waves bump into a large cascade of dark orange and maroon. Black paint fills the gaps between these interactions, but small yellow spots cover the canvas and brighten the scene.

Pour paints 2

A photograph of six canvas paintings on a green paint splotted background, arranged in two rows of three. These paintings were created by a poured paint method, resulting in curvy organic shapes and spots. They are all quite similar in color and composition, aside from differences in arrangement. In each painting, dark blue and purple waves bump into other cascading paints. Other colors present are dark orange, maroon, bright white, pink, and yellow. Five of the six paintings are also covered in a layer of small yellow spots. Black paint fills the gaps.