Creativity in the Time of COVID

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To the Terrace

I uploaded a fraction of the total works I've created during the pandemic, as art has been my one true vice and coping mechanism, and I've created something nearly every single day since COVID-19 hit the US.

Each piece has varying themes, stories, mediums, and purposes, but are united by three things that earmark my experience through the pandemic (1) my desire for escapism (2) the collective societal angst and feeling of obligation to capture the times and (3) the desire to spread joy and give back in small ways.

To the Terrace (image, interior scene painting): Beyond escapism and capturing the times, I started dabbling with beautiful interior scenes for inspiration. The world spent so much time at home, I started accepting that the beauty and "escapism" I was longing to capture could be found around us if we just shifted our perspective. This process was me moving towards a state of acceptance vs. denial

Rights Statement

https://creativecommons.org/licenses/by-nc-sa/4.0/

Full Metadata for To the Terrace

Type

representative image

Subject

acrylic paintings (visual works)

Title

To the Terrace

Identifier

08102022-1d

Description

An oil painting of a vibrant interior. The tall walls of the hallway are a bright yellow, with two doorways on each side in a muted purple. Light gray picture frames are placed on either side of the right doorway. Magenta colored bricks line the floor, leading to an opened doorway with an arched window on top, light shining through the window and reflecting onto the ground. Past the opened door is a terrace filled with bright greenery, a tree, and a plant in a yellow pot with red flowers.

Date Submitted

January 1, 1970

Language

English

Spatial Coverage

Miami -80.19362 25.7741728

Rights

https://creativecommons.org/licenses/by-nc-sa/4.0/

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To the Terrace Tutorial

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A vivid abstract painting, acrylic on wood panel, inspired by the city of San Antonio. A dark maroon shape through the center of the image is suggestive of a curvy city street. Around this, bright shades swirl, creating the impression of city grids nestled among abstract shapes. San Antonio buildings hide amongst the bustle of the painting.

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The Vibrant Village 7

An abstract painting inspired by the city of San Antonio. Shades of cool blue and green circle around the piece, mixed with vibrant oranges and yellows, tracing curves and shapes that resemble buildings, street maps, and urban sprawl. Hidden within is a bicycle and an orange two-story building with a domed roof.

The Vibrant Village 8

An abstract painting inspired by the city of San Antonio. Vibrant rainbow colors swirl across the piece, forming various layers of circles and ovals. An organic orange line stretches from the top to bottom like a street, curving around the shapes, with a small pattern like footprints decorating it.

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A photograph of an acrylic painting on canvas depicting a scenic view of a man sitting, tending to a campfire on a patch of land overlooking a lake. The firepit is large with a tall, crackling fire. The man is poking at it with a long stick. The moon shines over the lake, the deep blue of the sky reflected in it. A forested green brush of trees surrounds the lake and is also reflected on the water.

Campfire 10

A photograph of an acrylic painting of two women sitting by a campfire, drinking wine, overlooking a lake framed by trees. The campfire is large, the fire tall. The sky is a cloudy dusk.

Campfire 14

A photograph of an acrylic painting of a man and woman sitting around a campfire, during dusk. The man is holding a guitar, the woman watching the fire. The fire is wide but low, illuminating the grass and trees.

Campfire 9

A photograph of an acrylic painting of a girl sitting in the grass next to a large, smoky campfire, roasting a marshmallow at night. The girl has fair skin and is wearing a yellow shirt and has shoulder length blonde hair. She is illuminated by the yellow, orange, and white glow of the fire.

Campfire 11

A photograph of an acrylic painting of a girl crouching in the grass next to a campfire, roasting a marshmallow at night. She has fair skin and is wearing a blue shirt, blue shorts, and has shoulder length brown hair. The fire is medium sized, illuminating the scenery around them.

Campfire 12

A photograph of an acrylic painting of three fair-skinned girls playing with sparklers in front of a campfire during the night, their arms outstretched in different poses. The fire is illuminating the grass around them, and a lake is in the background.

The Fibres of Our Being 1

An acrylic painting of a skyline rooted in red lines of muscle fiber swirling up to a blue sky against a glowing orange backdrop. At the bottom of the spiral, the skyline is white on a black background, and further up, the skyline is white against the overall orange. The dark red of the muscle tissue grows smaller and smaller into the center of the spiral, where there is a circle of blue sky with puffy white clouds.

Pieces

María Ximena Hernández Rayas

A photograph of an acrylic painting on cardboard. Painted over a black background, is a woman’s face with skin in hues of pink and purple, and pink ears with black earrings. She has 4 purple eyes: two on the left and two on the right, as well as one blue eye in the center of her forehead, all of which are looking in different directions. Her face is split down the center so that the blue eye and bright red lips are separated in two. In the lower left corner is a small white artist signature.

Butterflies

María Ximena Hernández Rayas

A photograph of a marker drawing on paper. Over the white background is an image of a woman with pale-pink skin, freckles over her cheeks, dark blue eyebrows and shoulder length dark blue hair. She is wearing black earrings and a purple crystal necklace. Her mouth is open and there are blue butterflies climbing out of it, while others fly around her head. She has elf-like pointy ears with small black earrings in them. She also has an open third eye on her forehead with a light pink iris, and her eyes are dripping with tears.

Pour paints 3

A photograph of a colorful, abstract canvas painting. The painting was created by a poured paint method, resulting in curvy organic shapes and cells. Bright orange, purple, green and blue paints move inward from the left edge toward the green, red, and yellow paints coming in from the right edge. These colors don’t exactly mix, but intertwine with each other into a freeform stream down the center of the canvas. White paint fills the gaps between these interactions and mixes with the other colors.

Pour paints 1

A photograph of a colorful, abstract canvas painting. The painting was created by a poured paint method, resulting in curvy organic shapes and spots. Starting from the left edge and moving to the right, a pastel multicolor cloud and dark blue waves bump into a large cascade of dark orange and maroon. Black paint fills the gaps between these interactions, but small yellow spots cover the canvas and brighten the scene.

Pour paints 2

A photograph of six canvas paintings on a green paint splotted background, arranged in two rows of three. These paintings were created by a poured paint method, resulting in curvy organic shapes and spots. They are all quite similar in color and composition, aside from differences in arrangement. In each painting, dark blue and purple waves bump into other cascading paints. Other colors present are dark orange, maroon, bright white, pink, and yellow. Five of the six paintings are also covered in a layer of small yellow spots. Black paint fills the gaps.